Strengths and Weaknesses
Strengths:
- Media-savvy: Shows deep, detailed understanding of TV/film dynamics and industry discourse, e.g. analysis of queerbaiting and fandom behavior in “Infelizmente o público geral cai sim nesses baits héteros…” and commentary on industry narratives in “It's annoying that they had to address this…”.
- Analytical: Breaks down character psychology and relationships thoughtfully, like the grief and loneliness reading of Carol in “Tem quem ache que a Carol ceder aos sentimentos pela Zosia…” and the long-term relationship believability of Carol/Helen in “O mais impressionante da performance da Miriam e da Rhea…”.
- Passionate: Expresses strong emotional investment in queer ships and media (e.g. Buffy, Pluribus, Supercorp, TimKon), as seen in “Tillow going viral, everyone start Buffy the Vampire Slayer now !!!” and “Não posso me matar né tem que esperar a s2 de Pluribus”.
- Humorous: Uses self-deprecating and situational humor, like comparing themselves to Manousos reading German in “Tô parecendo o Manousos lendo texto do método natural em alemão” and joking about the ‘gay test’ in “Gay test (nem assisti o final e sei que são elas)”.
- Principled: Shows clear ethical stances about media, AI, and politics, criticizing harmful content and public figures in “60k de likes these people need to be shot” and “Não sei quem é mais desocupado, o andarilho do Niklas Frr*eira…”, and critiquing AI ‘brainrot’ in “Não foi a melhor coisa, mas certamente foi um pouco mais saudável…”.
Weaknesses:
- Harshly-judgmental: Criticisms can escalate to extreme or violent phrasing, as in “60k de likes these people need to be shot”, which undermines otherwise valid critiques.
- Pessimistic: Frequently frames future and online culture in bleak terms, like wanting to answer ‘we're doomed’ for a 2050 assignment in “Como fazer atividade sobre previsões para 2050…” and saying “we're in hell” about popular tweets in “O tanto de likes, we're in hell”.
- Online-overexposed: Invests heavy emotion and mental energy into Twitter discourse and fandom drama, seen in multiple exasperated replies like “Vocês passam é muita vergonha isso sim” and “Sério, não podemos ter nada, tanta série igualmente ruim com 5 temporadas por aí”.
- Self-disparaging: Uses negative self-labeling (e.g. “block por ser burra” in “block por ser burra”) and dark jokes about themselves, as in “Não posso me matar né tem que esperar a s2 de Pluribus”.
- Easily-frustrated: Shows quick irritation with mainstream taste, streaming quality, and fandom trends, such as complaining about Spotify audio in “Se eu falar que não é o fone, é a qualidade de merda do spotify” and annoyance at Instagram regurgitating tweets in “Não tem nada pior do que tweets regurgitados no Instagram”.
Your Simpsons character
Lisa Simpson
They most closely match Lisa Simpson: smart, media-obsessed, politically aware, and a little world-weary. Like Lisa, they’re reflective and a bit pessimistic about the future, joking about an assignment on future predictions with “Como fazer atividade sobre previsões para 2050 sem simplesmente escrever 'we're doomed' e enviar”. They show strong critical thinking and media literacy, calling out shallow discourse and bad takes, as in “Não tem nada pior do que tweets regurgitados no Instagram” and “This industry desperately needs more people like her”. Their timeline is full of intense fandom for sci‑fi, horror, comics and queer ships, much like Lisa’s obsessive love for niche interests and moral storylines, e.g. “Tillow going viral, everyone start Buffy the Vampire Slayer now !!!”. They’re introspective and emotionally analytical about characters and grief, as shown in “Tem quem ache que a Carol ceder aos sentimentos pela Zosia indica que ela já superou a morte da esposa e não. A Carol nunca lidou com esse luto...”, which fits Lisa’s tendency to psychoanalyze situations. Finally, their mix of dry humor, social critique, and earnest love for art and women in media echoes Lisa’s blend of sarcasm, idealism, and deeply felt passions.
Your MBTI personality Type
INFJ
They lean Introvert (I): much of their joy is in solitary or low‑key activities (watching movies, series, comics, getting dressed up at home) rather than big social scenes, e.g. “Viciada em ficar arrumada em casa (não saio pra lugar nenhum)” and reflective, almost diary-like thoughts about grief and loneliness such as “Tem quem ache que a Carol ceder aos sentimentos pela Zosia indica que ela já superou a morte da esposa e não. A Carol nunca lidou com esse luto, ela só reprime e ter ficado com a Zosia tem mais a ver com solidão do que com ter seguido em frente”. Their focus on themes, subtext, and implications over surface facts points to Intuition (N): they analyze character psychology and narrative symbolism in depth, like “The way we only have a few scenes and it's completely believable that they were in a long term relationship and that they loved each other very much” and “Muitos pensamentos sobre a mente de um reintegrado e a mente de alguém separado da consciência coletiva se possível for”. They come off as Feeling (F) rather than purely logical: they center emotional impact, ethics and empathy, e.g. frustration with fandom cruelty in “60k de likes these people need to be shot” and defense of an actress against shallow criticism in “It's annoying that they had to address this, people who say that do not watch her movies and won't do it, they just regurgitate it.”. Finally, they appear more Judging (J) than Perceiving, with strong opinions and clear value judgments (“this is good / this is trash”), plus a desire for structure and closure in media: “Sério, não podemos ter nada, tanta série igualmente ruim com 5 temporadas por aí” and their comment about rewatch habits and planning around new seasons in “Eu não reassisto as coisas com frequência, só depois de meses ou anos. Se for obra recente posso reassistir perto de lançar mais, seja temporada ou sequências”. Taken together—introverted, analytical about subtext and psychology, emotionally driven but principled, and somewhat structured in preferences—they best fit INFJ.
Some pickup lines for you
- So, if your 2050 prediction assignment can’t just be ‘we’re doomed’… can I suggest an alternate future where we’re on the couch, dressed up for absolutely nowhere, binge‑watching Buffy and yelling about Tillow going viral together?
- You said it’s a big year for fans of middle‑aged women and it’s only January — should I book us a double feature of Saint Maud and Peele’s Twilight Zone with Rhea, or are you more in the mood for a Melissa‑Barrera‑finally‑got-her-lesbian-script marathon?
- You analyzing Carol’s grief and the hive mind in Pluribus like that… I’m just saying, anyone who can unpack luto, solidão and collective consciousness in one timeline is exactly the kind of brain I want to discuss sci‑fi and horror with over that coffee you were craving.
- You: ‘I miss experiencing this level of queerbaiting.’ Me: what if, instead of getting queerbaited, we just go full canon — Star Wars, Doctor Who, Supercorp, Wenclair, Wolfwren marathon, and I hold your hand every time the straights get baited instead of us?
- Heavy are the hips that wear the strap, but heavier still is the responsibility of asking you out… so, full of woe, can I take you to Cine Brasília next time and let you roast Instagram-regurgitated tweets and bad taste takes live, in person, with me?
Your 5 Emojis
Your new Twitter bio
24 • Brazilian • analyzes queer horror & sci‑fi like it’s a thesis, tweets like it’s a group chat. Once paused a movie to google ‘ijboling’.– @90smisfits
Your signature cocktail
Full of Woe, Full of Women
This cocktail is dark, dramatic, and a little unhinged, just like someone who tweets “Big year for fans of middle aged women and it's only January” and “damn look at our lesbians dawg”. Smoky mezcal matches their goth, horror-sci-fi vibe and the constant dramatic flair of posts like “Heavy are the hips that wear the strap”. Cold brew coffee keeps the "quero café" brain running on fandom and rage-scroll energy, straight from “Quero café”. Blackberry liqueur brings a lush, sapphic sweetness for all the ships and lesbians they yell about, from “SUPERCORP SPOTTED” to “Tillow going viral, everyone start Buffy the Vampire Slayer now !!!”. A dash of absinthe nods to their love of queer, slightly deranged media analysis like “Muitos pensamentos sobre a mente de um reintegrado e a mente de alguém separado da consciência coletiva se possível for”. Finally, the activated charcoal & espresso sugar rim makes it stylishly black and bitter-sweet, perfect for someone who jokes about future despair in “Como fazer atividade sobre previsões para 2050 sem simplesmente escrever 'we're doomed' e enviar” while still getting dressed up at home in “Viciada em ficar arrumada em casa (não saio pra lugar nenhum)”.
Your Hogwarts House
Ravenclaw
This user shows strong Ravenclaw traits in how they think and talk about media. They repeatedly analyze characters’ psychology and narrative structure, like when they unpack Carol’s grief and motivation in great detail: “Tem quem ache que a Carol ceder aos sentimentos pela Zosia indica que ela já superou a morte da esposa e não. A Carol nunca lidou com esse luto, ela só reprime e ter ficado com a Zosia tem mais a ver com solidão do que com ter seguido em frente” and when they note how two characters can convincingly feel like they’ve been in a long-term relationship despite limited screentime: “The way we only have a few scenes and it's completely believable that they were in a long term relationship and that they loved each other very much”. They show a meta-awareness and critical eye toward the industry and fandom discourse, for example criticising shallow takes with: “It's annoying that they had to address this, people who say that do not watch her movies and won't do it, they just regurgitate it.” and reflecting on generational media habits in “Não foi a melhor coisa, mas certamente foi um pouco mais saudável do que crescer com smartphone vendo brainrot de IA”. Their curiosity and interest in ideas stands out when they say they’re “breaking their mind” to decode slang in “Tô quebrando minha mente pra decifrar o que seria ijboling” and when they muse about the consciousness of a reintegrated person versus someone separated from the collective: “Muitos pensamentos sobre a mente de um reintegrado e a mente de alguém separado da consciência coletiva se possível for”. Even their wish for a superpower is knowledge-oriented, focusing on reading in the dark rather than something flashy: “Se fosse pra ter um super poder eu queria a capacidade de ler livro físico no escuro”. All of this paints a picture of someone who leads with analysis, curiosity, and media literacy more than with pure ambition, loyalty, or bravado—making Ravenclaw the best fit.
Your movie
Your song
Bury a Friend - Billie Eilish
A fitting song for them is “Bury a Friend” by Billie Eilish, which blends horror aesthetics, dark humor, and introspective loneliness—much like their timeline. Their bio highlights Scifi • Horror • Comics and ships like Spuffy and Supercorp, plus they joke about doom and the future in posts like “Como fazer atividade sobre previsões para 2050 sem simplesmente escrever 'we're doomed' e enviar”, mirroring the song’s apocalyptic, anxious tone. They oscillate between morbid jokes and genuine weariness, evident in “Não posso me matar né tem que esperar a s2 de Pluribus” and “Que mundo é esse”, which fits the song’s obsession with death, fear, and keeping yourself going anyway. At the same time, they’re deeply attached to intense, complex characters and middle‑aged women in genre media—see “Big year for fans of middle aged women and it's only January” and “The way we only have a few scenes and it's completely believable that they were in a long term relationship and that they loved each other very much”—matching the song’s fascination with complicated inner lives and emotional hauntings. Their mix of goth-y aesthetics, queer longing, and a constant low-level sense that "we're in hell" like “O tanto de likes, we're in hell” makes Bury a Friend an especially on-brand anthem for them.
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