
Strengths and Weaknesses

Your Simpsons character
This user is most like Lisa Simpson: obsessive about a niche passion, meticulous with facts, and eager to correct misinformation. They dive into deep research and documentation, archiving resources like the press kit and calling out errors, as seen when they say “PLEASE FOR THE LOVE OF GOD spread this if possible I can't let people get consumed to believing inaccurate events or even straight up misinfo to what ACTUALLY happened anymore” and “can we please and respectuflly STOP ignoring #Elio 1.5's existence when mentioning the film's development”. Their analytical breakdowns of development versions and continuity details, such as “This is a big deal take in mind BECAUSE Pixar's last two films #InsideOut2 and #Elemental only got nominated at the Annies in 7 and 6 categories respectively Elio GOT NOMINATED IN 10...”, show a very Lisa-like love of data and careful comparison. At the same time, they express strong idealism and emotional investment in something they feel is underappreciated, rallying others with posts like “LET THIS BECOME ANOTHER ENCANTO OR LUCA TYPE OF SUCCESS LET'S CONTINUE SHOWING DISNEY THAT WE DO STILL CARE ABOUT #ELIO AND THE COMMUNIVERSE”. Even their plan to make a comprehensive essay video — “compiling and documenting every version of the film (1.0, 1.5/1.5.1, 1.5.1/1.5.2, 2.0) and it's history” — mirrors Lisa’s tendency to turn her passions into thorough, intellectual projects.

Your MBTI personality Type
They strongly gravitate toward solitary, niche, and highly specialized interests, pouring energy into deep analysis rather than broad socializing, which suggests Introversion; for example, they spend time archiving resources and dissecting press kits instead of talking about their own life (“Archived the Gettyimages press kit as Disney returns their All Access page…”, “So i FINALLY decided to check other Pixar press kits and ALL of their characters are accurate…”). Their focus on hidden versions of the film (1.0, 1.5, 2.0), development history, and hypothetical futures like sequel hooks shows a pattern of conceptual, big‑picture thinking typical of Intuition, such as when they examine alternate iterations and unrealized elements (“DID YOU KNOW: The original version of the film (1.0) would apparently had an ACTUAL sequel hook/tease…”, “Considering to do an #Elio essay video… compiling and documenting every version of the film…”). Their emotional investment and moral concern about misinformation, reputation, and fairness lean toward Feeling: they react protectively and passionately to an article they see as unfair (“PLEASE FOR THE LOVE OF GOD spread this if possible I can't let people get consumed to believing inaccurate events…”) and celebrate wins in an affective way (“OMFG I FINALLY FUCKING WON 😍 THANK YOU IKNOWK AND DISNEY”). At the same time, they construct structured, evidence‑heavy cases and track statistics and sources (FlixPatrol numbers, award counts, development timelines), which indicates organized, planned Judging, as in their detailed rankings and documentation (“#Elio ranking on Disney+ as of today #1 on 16 countries #2 on 32 countries…”, “#Elio got nominated FOR 10 CATEGORIES at the Annies…”). Taken together—introverted deep‑dive fandom, abstract pattern‑spotting across versions, emotionally charged but principled advocacy, and a methodical, archival approach—INFJ best fits their overall tweeting style and motivations.

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Your new Twitter bio
Archiving every frame, fact & fun detail from Pixar’s ELIO. From Annie noms to misprinted Happy Meal boxes—I probably saw it, clipped it, and tagged it.– @_communiverse

Your signature cocktail
This cocktail is bright, loud, and unapologetically space-green, just like their relentless #WatchElio campaigns and excitement when “#Elio FINALLY returns to the TOP 5 3 on Disney+ in the US after a while”. The tequila backbone reflects how fiercely they defend the movie and its development history, especially when they decided “FUCK IT IT'S TIME TO EXPOSE AND REVEAL THE TRUTH ABOUT THIS DARN ARTICLE ONCE AND FOR ALL”. Passion fruit brings a concentrated sweetness that mirrors their heartfelt shipping energy and keychain joy in posts like “OMFG I FINALLY FUCKING WON 😍 THANK YOU IKNOWK AND DISNEY #Elio #Elira #Earthpress #ElioxMira”. The blue curaçao swirl evokes drifting through the Communiverse, celebrating moments such as “#ELIO GOT NOMINATED FOR BEST ANIMATED FILM AT THE OSCARS YIPPIE!!!!” while still feeling a little cosmic. Finally, the Pop Rocks rim captures the crackling, chaotic, meme-y side of their fandom—someone who will both archive press kits and proudly post “no chatgpt for me, thanks. i will be asking the Universal User's Manual” in the same timeline.

Your Hogwarts House
Their timeline reads like an obsessive research log more than a casual fan account, which strongly signals Ravenclaw. They constantly dig into production history and versioning, distinguishing between Elio 1.0, 1.5, 1.5.1/1.5.2, and 2.0 and even considering an essay that “compil[es] and document[s] every version of the film and its history” (“Considering to do an #Elio essay video on my main YouTube channel compiling and documenting every version of the film (1.0, 1.5/1.5.1, 1.5.1/1.5.2, 2.0) and it's history”). They notice minute continuity and development details that most people would miss, such as character design changes and press-kit inconsistencies, e.g. the careful breakdown of incorrect character bios (“So i FINALLY decided to check other Pixar press kits and ALL of their characters are accurate to the film itself but they somehow screwed up with #Elio providing seemingly character bios from an earlier version for both Caleb and Mira”) and design tweaks like Grigon’s missing spikes (“Turns out ALMOST all the character designs were kept the exact same in 2.0... all EXCEPT for Grigon as you will eventually notice he actually DOESN'T have anymore the two spikes below his mouth”). Their curiosity pushes them to archive and catalog resources—press kits, Kahoot art, internal renders, soundtrack variations—rather than just enjoy them, as shown when they “Archived the Gettyimages press kit” and turned “internal renders… into separate PNGs” (“Archived the Gettyimages press kit as Disney returns their All Access page and adds the document back to the site”, “Decided to turn the internal renders from into seperate PNGs”). Even their anger at misinformation is framed as a desire for accurate, well-sourced understanding of the film’s development, not just emotional defense, as in their detailed takedown of the THR article and insistence on including the often-ignored 1.5 phase (“IT'S TIME TO EXPOSE AND REVEAL THE TRUTH ABOUT THIS DARN ARTICLE… BEFORE MORE ARE CONSUMED ONTO IT'S LIES AND MISUNDERSTANDINGS/FABRICATION”, “can we please and respectuflly STOP ignoring #Elio 1.5's existence when mentioning the film's development”). All of this points less to raw ambition (Slytherin) or pure loyalty (Hufflepuff) and more to a mind that lives to analyze, catalog, and understand—classic Ravenclaw characteristics.

Your movie

Your song
A song about passionate, slightly chaotic devotion and not giving up fits them perfectly. They center their whole online identity around Elio, calling themselves the “#1 Elio fan” in their bio and cheering things like “#ELIO GOT NOMINATED FOR BEST ANIMATED FILM AT THE OSCARS YIPPIE!!!!”, which mirrors the song’s big, anthemic energy. Even when they’re upset about misinformation, they turn it into a dramatic rallying cry, as seen in “FUCK IT IT'S TIME TO EXPOSE AND REVEAL THE TRUTH ABOUT THIS DARN ARTICLE ONCE AND FOR ALL”, echoing the song’s push-through-the-chaos vibe. The way they try to mobilize others – “LET'S CONTINUE SHOWING DISNEY THAT WE DO STILL CARE ABOUT #ELIO AND THE COMMUNIVERSE” and “WE CAN DO THIS, DON'T STOP WATCHING” – feels like the chorus of a youth anthem sung with friends. Their constant celebratory updates like “LET'S GOOOOOOOOOO” and playful stunts such as timing a viewing so that “the Communiverse ship's beam… will appear just as the new year begins” show the same loud, communal joy at the heart of We Are Young.

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