Strengths and Weaknesses
Strengths:
- Passionate fan: Shows deep enthusiasm for series and creators, e.g. JJK praise like “This framing, character acting, pacing… I’ll be honest, anyone who calls Goshozono bad should probably die” and mourning Toriyama in bio.
- Media literate: Comments on framing, pacing, animation, balance, and design, such as detailed Marvel Rivals feedback in “This development team continues to do baffle me by making some of best, consumer friendly additions…”.
- Socially aware: Calls out anti‑Black undertones and gatekeeping, e.g. “every single quote to this is pretty much anti black, and serves to keep someone who wants to step into a different art form… in a box” and “I actually think all stories should try to be woke in some form or aspect”.
- Honest critic: Gives clear, constructive takes on game balance and character design, like specific Blade changes in “My Ideal changes for Blade…” instead of just venting.
- Humorous commentator: Uses vivid humor and exaggeration to entertain (e.g. “First app to have 0 users” and reactions to horror in “Soon as it’s night time and I know some bullshit popping off that volume gets turned way tf down”).
Weaknesses:
- Aggressive language: Frequently escalates disagreements with violent or hostile phrasing, e.g. “I think we should be allowed to k*ll certain people idk” and “Go to hell you piece of shit”.
- Harsh absolutism: Frames opinions as all‑or‑nothing, like dismissing entire works or versions (e.g. “No Sean = ass Throw the whole thing away”).
- Insult‑driven debate: Often attacks people instead of arguments, such as “Man Geoffrey shut your dumbass up” or mocking Sue players in “what’s really smoking me is this is exactly the type of nigga i expect to complain about Sue nerfs”.
- Negativity focus: Timeline leans heavily into frustration and slander (Naoki Tate, Moon Knight, Dragon Ball Super dialogue), exemplified by “Can we seriously k*ll everybody involved with the writing and dialogue of Dragon Ball Super”.
- Casual ableism: Uses disabled scenarios as a joke or impossibility, e.g. “no way I can see wheelchair Xavier working… Can you IMAGINE diving a literal disabled person in a wheelchair”.
Your Simpsons character
Bart Simpson
This user most closely matches Bart Simpson: chaotic, funny, and sharp, but with surprising moments of sincerity and thoughtfulness. Their timeline is full of irreverent, slightly unhinged jokes and hyperbole like “I think we should be allowed to k*ll certain people idk” and “Go to hell you piece of shit”, which fits Bart’s prankster, confrontational energy. They’re deeply into pop culture, anime, comics, and games, constantly riffing on them with loud reactions like “YUUJIIIIII ITADORRIIIIIIIIII FAWWWKKKKK WELCOME BACK KINGGG”, mirroring Bart’s obsessive fandom for TV and comics. At the same time, they occasionally reveal a more thoughtful, socially aware side in posts such as “Maybe I’m too woke but every single quote to this is pretty much anti black” and “I actually think all stories should try to be woke in some form or aspect”, similar to how Bart sometimes shows unexpected depth and empathy. Overall, the mix of mischief, loud humor, pop-culture obsession, and flashes of sincerity makes Bart Simpson the best fit.
Your MBTI personality Type
ENTP
They read as extroverted: they constantly engage with discourse and other users, thrive on back-and-forth, and clearly enjoy being in the mix of fandom drama and game balance debates, e.g. reacting to a controversy with “I’m lowkey getting tired of this situation, cause it’s spawning some of the stupidest people that have ever put words together” and openly commenting on community figures like Kingsman in “This whole thing really launched Kingsman into stardom and he 100% deserves it, I hope he properly capitalizes on content creation…”. Their focus is strongly intuitive: they gravitate to meta-level takes, patterns, and hypotheticals instead of just surface details, like analyzing design philosophy in Marvel Rivals with “It genuinely cannot be overstated just how much nerfing poke and adding an Ult charge rate penalty for 3+ roles on one team would fix half the issues with this game.” and imagining structural changes to comics in “Yall don’t understand just how crazy it could be for Comics to combine the good aspects of manga and superhero comics”. They strongly favor Thinking over Feeling: arguments are built around systems, balance, and consistency, often delivered bluntly or harshly, as in “The fact that people let wackass Moon Knight sneak by every single patch is absolutely insane.” and “You guys are so lame Jesus Christ. You want the exact same character wearing the exact same suit following the exact same story beats.”. Their style is Perceiving rather than Judging: they constantly brainstorm improvements and alternatives instead of settling on rigid plans, offering open-ended reworks like “My Ideal changes for Blade: Gun dash always shoots the anti heal bullet… Make ult wider” and riffing on possible game directions in “Manifesting a frontline tank with short range burst and mid range hitscan poke… (I hate poke meta but I just want another main shield tank PLEASE GUANG)”. The mix of meta-analysis, contrarian humor, system-level criticism, and rapid-fire ideation fits an ENTP profile: socially engaged, theory-oriented, debate-driven, and more concerned with exploring possibilities and structures than with maintaining harmony or strict order.
Some pickup lines for you
- You said anyone who calls Goshozono bad should probably die, so I’m just checking in: if I call him peak and invite you over for a full JJK/Gosso cinema marathon, does that earn me a stay of execution and maybe your number?
- You’re out here theorycrafting Blade, Bucky, Sue, Deadpool, Moon Knight, Squirrel Girl AND begging Guang for a new main shield tank… I’m just saying, if you can balance Marvel Rivals, you can probably balance us into a broken duo queue.
- You’re manifesting a bloodstone frontline queen, cooking Samura endgame theories, and screaming ‘YUUJIIII ITADORRIIII’ like a proud parent—lowkey, I want you to talk about me with the same energy you reserve for Beerus goalpost upscales.
- You clowned ‘wheelchair Xavier’ and said you can’t imagine diving a literal disabled person in a comp match—so how about this: you dive me instead, I’ll peel for you, and we call it the most balanced engagement patch of 2026.
- You’re watching Welcome to Derry with the volume turned way down, beefing with Sue mains, mourning Toriyama, and begging Feige not to hate Black people—anyone with that mix of taste and awareness is exactly my type, so can I be your #ConsistencyAll2026 co-op partner?
Your 5 Emojis
Your new Twitter bio
Critiquing anime, comics & Marvel Rivals like it’s my 9–5. Once lowered my TV volume for a horror jump scare and never turned it back up.– @adey_sama
Your signature cocktail
Gosso Cinema Mode: Ranked Queue On the Rocks
This cocktail is strong and a little chaotic, like someone who can tweet “I think we should be allowed to k*ll certain people idk” about anime direction and then calmly theorycraft balance fixes for Blade and Bucky. Overproof dark rum is the base: loud, opinionated, and uncompromising, just like calling out bad design with lines like “The fact that people let wackass Moon Knight sneak by every single patch is absolutely insane.” Cold brew coffee captures their late-night, hyper-online analysis energy, breaking down Marvel Rivals meta and saying things like “there’s nothing more harmful to your self improvement than ‘I’m only in the rank I’m in because of my teammates’.” Blood orange liqueur adds a stylish, bittersweet pop that matches the mix of love and exasperation in tweets like “Let him direct the future of the MCU man this shit is his Would love for just a bit more eye catching cinematography from him tho” and the Toriyama tribute in their bio. Ginger beer brings fizz and humor, echoing their constant laughing-through-the-chaos vibe in posts like “Y'all this Derry show is some scary shit man 😭😭😭😭😭 I damn near cut the show off…”. Finally, a dash of smoked chili bitters represents the sharp, sometimes toxic-but-funny spice in lines such as “You guys are so lame Jesus Christ. You want the exact same character wearing the exact same suit following the exact same story beats” and the ruthless Marvel Rivals slander that keeps their timeline anything but mild.
Your Hogwarts House
Ravenclaw
The clearest throughline in Adey’s posts is an analytical, craft‑focused way of thinking that fits Ravenclaw. They repeatedly break down game balance and design with specific proposed changes rather than just vibes, like when they carefully outline “My Ideal changes for Blade” with detailed mechanical tweaks and reasoning in “My Ideal changes for Blade: Gun dash always shoots the anti heal bullet…”, or when they critique support balance by referencing health numbers and role impact in “Why in Jesus christs holy name does Susan storm have a 200hp shield on top of 275 base hp…”. Their media criticism is equally craft‑oriented: they focus on framing, pacing, and character acting in animation in “This framing, character acting, pacing… I’ll be honest, anyone who calls Goshozono bad should probably die”, and compare different animators’ strengths in “Roy Onishi is who Naoki Tate fans think Naoki Tate is… My goat knows how to make good smears and bouncy animation but with drawings that actually look like that characters they’re meant to be”. They also enjoy engaging with complex plots and powers rather than dumbing things down, as shown by their dismissal of shallow criticism of Jujutsu Kaisen in “‘Plot and powers are needlessly complicated’ is always a pretty funny self report”. While they have some Slytherin edge in ambition and some Gryffindor bluntness, the consistent emphasis on analysis, design critique, and appreciation for well‑constructed storytelling makes Ravenclaw the best fit.
Your movie
Your song
HUMBLE. - Kendrick Lamar
Kendrick Lamar’s HUMBLE. fits them because it balances sharp criticism, humor, and self-awareness in the same way their timeline swings from serious media critique to wild jokes. They constantly call out nonsense in gaming and film discourse while still clearly loving the medium, like when they say “This development team continues to do baffle me by making some of best, consumer friendly additions to the game, but it's coupled with no real desire from them to improve the core gameplay experience” and “I actually think all stories should try to be woke in some form or aspect”. Their tone is confident and confrontational toward bad takes or broken design, shown in posts like “Can we seriously k*ll everybody involved with the writing and dialogue of Dragon Ball Super” and “You guys are so lame Jesus Christ. You want the exact same character wearing the exact same suit following the exact same story beats”. At the same time, they hype the things they love with loud, almost celebratory energy, like “YUUJIIIIII ITADORRIIIIIIIIII FAWWWKKKKK WELCOME BACK KINGGG NOBODY LOVES YOU LIKE I DO MAN” and their Dragon Ball excitement in “HOLDDDDDDDD. DRAGON BALL SUPER IS REAL???”. That mix of calling people out, demanding better, and loudly celebrating what goes hard is exactly the energy of HUMBLE.
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