
Strengths and Weaknesses

Your Simpsons character
Evan reads as a very online, sharp, socially aware nerd who still gushes unapologetically about their hyperfixations, which aligns most closely with Lisa Simpson. Like Lisa, they balance righteous anger and political awareness—calling out manipulative behavior and bad fandom takes, e.g. “this isn't cute btw this is manipulation. stop romanticising this kind of shit” and “fuck the united states”. They’re also intensely passionate about niche media and games in a very earnest way, like in “idc if people think this is boring this is what I've always wanted and I can finally live out my childhood dreams” and “Aaaaa SAKURA IS FINALLY HERE LETS FUCKING GOOOO”, which mirrors Lisa’s obsessive love for jazz, books, and causes. The mix of self-aware humor and existential angst—seen in the bio “i thinkn't therefore i amn't” and darker jokes like “i'm considering ending things”—also echoes Lisa’s tendency to oscillate between cynicism and hope. Finally, their willingness to correct misinformation and argue nuanced points, such as in “i need people to stop calling the mimic a retcon cuz this guy has been planned since at least help wanted…”, fits Lisa’s know‑it‑all yet fundamentally well‑intentioned personality more than any other main character.

Your MBTI personality Type
They read as more introverted than extroverted: their excitement is channeled into fandoms and games rather than talking about parties or large social circles, and their humor is mostly directed at online events or media, like “this feels so dystopian” and “how do you fuck up that badly. europeans have every right to make fun of you”, rather than personal social exploits. Their interests are highly intuitive, centered on fictional worlds, meta-discussion, and hypotheticals: they dissect continuity in FNAF in “i need people to stop calling the mimic a retcon cuz this guy has been planned since at least help wanted...” and talk about narrative/character reasoning in “trans ralsei hc is cool under the assumption that you believe it because of how it relates to his story and character arc”. They lean thinking (T): when disagreeing, they focus on logical coherence and evidence, e.g. correcting misinformation in “this is factually wrong it was jake not andrew...” and critiquing people’s arguments about data collection in “you do realise they still collect your data even without the toggles enabled right... it honest to god is not that serious youre just being corny”, even when emotionally charged. Their tone and lifestyle appear perceiving (P) rather than structured J: they ride hype and impulses (e.g. “Here we fucking go”, “okay sure why the hell not actually”), and the feed is spontaneous reactions instead of planned, orderly updates. Overall, this combination of inward focus, abstract/media-heavy analysis, blunt logic-driven takes, and spontaneous engagement fits INTP best.

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Your 5 Emojis
Your new Twitter bio
Evan • he/they • Gamer, media ranter & occasional lore essayist. Once nearly cried over a patch note and called it character development.– @afteralterna

Your signature cocktail
This cocktail is chaotic-high-energy and a little unhinged, just like the all-caps joy of “AAAAA SAKURA IS FINALLY HERE LETS FUCKING GOOOO” — hence the high-proof rum as the screaming core. Electric blue curaçao mirrors their love of bright, game-y aesthetics and the pure hype of “TIGER ROCK HOH YMY FGOD AND GREGORY COSTUME TORIEHOIGEHTGIJGWBO”. Sour cherry soda reflects their sharp, sometimes bitter takes like “this isn't cute btw this is manipulation. stop romanticising this kind of shit”, while still being playful and sweet. A dash of absinthe nods to their slightly morbid, dramatic flair in posts such as “i'm considering ending things”, giving the drink a haunting edge without overpowering it. The Pop Rocks rim captures their glitchy, explosive humor in tweets like “HEHEHEHEHEHEHE VBBBWWAHAHAHH GWWUWUUHHH”, making every sip crackle like a timeline full of fandom brainrot. Overall, it’s experimental, a little dangerous, and proudly absurd—perfect for someone whose bio is literally “i thinkn't therefore i amn't.”

Your Hogwarts House
Evan’s defining trait across their timeline is a willingness to speak out bluntly and confrontationally, even when it would be easier to stay quiet, which strongly aligns with Gryffindor’s bravery and moral nerve. They call out manipulative or romanticized abuse dynamics head‑on, writing that “this isn't cute btw this is manipulation. stop romanticising this kind of shit”, and push back against shallow or bad‑faith discourse like “you guys need to get actual things to worry about” and “miserable bastards this is why youll never grow as a person”. Their anger is consistently directed at perceived injustice or hypocrisy, such as defending creators or victims more fairly: “There is so many things you could say he has done that would back up your claim but instead you chose the ONE thing he has explicitly stated he has nothing against. talk about the actual stuff… instead of making shit up” and “this is actually sickening”. They also jump fiercely to defend people they respect, e.g. “you do NOT talk shit to the goat dantdm and get away unscathed”, showing a classic Gryffindor ‘protect my people’ instinct. While they are witty and analytical at times, the dominant throughline is emotionally charged, impulsive, values‑driven confrontation—more lion-hearted Gryffindor than cerebral Ravenclaw or calculating Slytherin.

Your movie

Your song
A song that fits Evan best is “internet religion” by underscores, because it captures a hyper-online, chronically terminally-online vibe with a mix of irony, sincerity, and burnout. Their bio “i thinkn't therefore i amn't” and tweets like “you guys need to get actual things to worry about” show the same self-aware, nihilistic humor as the song’s lyrics about existing mainly through the internet. They oscillate between intense fandom joy and melodrama—see “AAAAA SAKURA IS FINALLY HERE LETS FUCKING GOOOO” and “I MIGHT ACTUALLY CRY...”—mirroring the song’s swings between excitement and exhaustion with online life. Their feed is shaped by games, creators, discourse, and parasocial drama, such as “its stuff like this that keeps me coming back to twitter despite everything”, which aligns well with a track about having your emotions and identity mediated through the internet. Even their political and cultural frustration, like “fuck the united states”, fits the song’s underlying sense of disillusionment with the wider world while still being stuck online.

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