
Strengths and Weaknesses

Your Simpsons character
This account mixes bitterness, dark humor, and oddly tender moments, which maps closely onto Moe Szyslak. Like Moe, they’re openly resentful and misanthropic, lacing everything with aggression and contempt, as in “Todo mundo se importa com viado hoje em dia” and “O que tem a ver o cu com as calças irmão”. There’s also a strong streak of self‑pity and fatalism, visible in posts like “Dói tanto..” and the dream of neglecting a pet in “Sonhei que eu tinha um periquito australiano e deixava ele morrer de fome”, reminiscent of Moe’s deep sense of failure. At the same time, he’s surprisingly bookish and pretentious in a funny way, echoing Moe’s random cultured moments with references to Dostoyevsky, Nietzsche and poetry in tweets like “O Dostoyevsky pré Sibéria é intragável demais” and “Sozinho no escuro qual bicho do mato, sem teogonia...”. Finally, the alcohol jokes and resignation about life — for instance “Nem ia beber hoje” and “Twittarei alcoolizado” — perfectly fit Moe as a bar owner who lives in a permanent blend of booze, bitterness, and unexpected vulnerability.

Your MBTI personality Type
They come across as strongly introverted: their posts are sardonic, self-contained observations rather than attempts to seek wide social approval, e.g. reflecting privately on work and resignation in “Me demiti 🍻” and sharing a personal, oddly specific discomfort like “Todas as minhas calças furam na região do períneo.” rather than recounting parties or social highlights. Their bio and many tweets are abstract, literary, and conceptual, pointing to Intuition: the bio itself is poetic and symbolic (“Plato's spawn… Snare truth in bone and globe”), and they frequently discuss ideas and authors, e.g. “O Dostoyevsky pré Sibéria é intragável demais” and quote poetry or lyrics like “Sozinho no escuro qual bicho do mato...”. They are clearly Thinking-oriented: the tone is analytical, caustic, and often dismissive, as in “A consequência não segue das premissas” and “A primeira premissa é falsa”, where they explicitly critique argument structure, and in moral stances like “Todo aquele que se opõe ao arrependimento, à vergonha ou a qualquer tipo de mortificação é meu inimigo”. The Judging preference shows in the way they seek clear moral and logical order, often pronouncing categorical judgments or imperatives, such as “Se não resolver isso pode jogar fora” and their harshly principled positions on shame, repentance, or social issues. Overall, the mix of solitary, reflective tone (I), abstract and literary interests (N), logical/moral analysis and blunt criticism (T), and a strong need for closure and firm stances (J) aligns best with an INTJ profile.

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Teacher by day, Dostoyevsky defendant by night. Once gifted Wuthering Heights twice without reading it. Politics, theology, stray dogs & bad dreams.– @agens_agenicos

Your signature cocktail
This drink is strong and a bit bitter, because anyone who tweets things like “Aqui não é Hollywood As balas não são de festim” and “Todo aquele que se opõe ao arrependimento, à vergonha ou a qualquer tipo de mortificação é meu inimigo” is not sipping spritzes. The cachaça keeps it Brazilian and earthy, with grilled peach peel as a nod to “Pêssego é top 10 frutas” and their unexpectedly tender side under all the severity. Dry vermouth and cold brew bring in the bookish, nocturnal, slightly ascetic vibe of someone reciting “Recitando o monólogo do shylock para meus devedores” and quoting poetry like “Sozinho no escuro qual bicho do mato…”. The sharp lemon mirrors the acidez of lines such as “O que tem a ver o cu com as calças irmão” and “O movimento mental mais poderoso que você pode fazer é simplesmente deixar de esperar sinceridade das pessoas.”. Finally, the salted honey foam is the halo of irony and affection over the bitterness, like saying “FELIZ NATAL” while also tweeting “Eu sou o homem pão de alho.” and “Twittarei alcoolizado” from the Vale de lágrimas.

Your Hogwarts House
This user shows strong Ravenclaw traits: analytical thinking, love of ideas, and a persistent, almost playful engagement with logic and literature. They repeatedly dissect arguments in replies like “A consequência não segue das premissas”, “A primeira premissa é falsa”, and “O que tem a ver o cu com as calças irmão”, which shows a focus on structure of reasoning rather than just emotional reaction. Their timeline is full of literary and philosophical references — from Dostoyevsky and Crime and Punishment in “Tentou VIRAR UMA PROSTITUTA pra financiar um ASSASSINATO se baseando em CRIME E CASTIGO” to Nietzsche in “'Nietzsche'”, and poetic lines like “Sozinho no escuro qual bicho do mato, sem teogonia ... você marcha, José! José, para onde?”. They also show meta-reflection about society and human nature, e.g. “O movimento mental mais poderoso que você pode fazer é simplesmente deixar de esperar sinceridade das pessoas. A maioria esmagadora das pessoas não é louca, mas mentirosa.”, which fits Ravenclaw’s contemplative and somewhat detached style. While there is sarcasm and some harshness, it is usually channeled through wit, conceptual jokes, and intellectual references rather than pure aggression, putting them more firmly in Ravenclaw than in Slytherin.

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Your song
Agnens mixes religious anguish, self‑mortification and irony in a way that fits the confessional, obsessive tone of Losing My Religion. Their bio line is already a surreal, poetic image, and they quote dense, dark literature like “Sozinho no escuro qual bicho do mato, sem teogonia, sem parede nua para se encostar, sem cavalo preto que fuja a galope, você marcha, José! José, para onde?”, echoing the song’s existential fatigue. They show open hostility to easy consolation and shallow optimism, as in “Todo aquele que se opõe ao arrependimento, à vergonha ou a qualquer tipo de mortificação é meu inimigo”, which parallels the song’s fixation on guilt and inner struggle. Even their romantic side is twisted and self‑aware, e.g. “Eu queria ser uma abelha pra pousar na sua flor” and the bitter “Odeio romantismo. Ah pq não sei oq Não sei oq lá Morra.”, much like the song’s mix of longing and resentment. The recurrent sense of exhaustion and ironic detachment—seen in “Turn around, bright eyes” and “But it's sad, and it's sweet, and I knew it complete When I wore a younger man's clothes”—reinforces that they live in the limbo between faith, doubt, and obsession that R.E.M.’s track captures so well.

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