Strengths and Weaknesses
Strengths:
- Constructive critic: Gives specific, gameplay-focused feedback like interrupt incentives and event balance, e.g. questioning 'incentive to interupt' design in “What the hell is this 'incentive to interupt' shite?”.
- Lore engaged: Shows close attention to story details, like interpreting Sylvanas’ line about Nathanos in “'I found you before, my love. I will find you again.'”.
- Mechanics focused: Analyzes systems and mechanics in depth, such as Chromie Time scaling and scourge explosion ranges in “Okay so looking at it, the Scourge zombie explosions have a 30 yd range…”.
- Detail oriented: Notices small design issues like warglaive sheathing direction or DK eye glow consistency in “Question: Should DKs still have glowing blue wispy eyes?”.
- Community curious: Invites interaction and questions, such as starting a CuriousCat and asking people to engage in “Well this looks like it might be interesting, let's give it a go. Ask me questions!”.
Weaknesses:
- Harsh tone: Critiques can come across aggressively, e.g. calling others 'a arse that can't play properly' in “What the hell is this 'incentive to interupt' shite?”.
- Frustration focused: Many posts center on annoyance or problems (herbs despawning, ticket system, invasions) like “HOW DO I OPEN A TICKET!?”.
- Narrow content: Almost all tweets are about World of Warcraft, limiting broader personal or varied topics despite mentioning other OCs in “Never spoken much here about any other OCs I have…”.
- Low consistency: Acknowledges not using the account much and activity is sporadic, as noted in “Apparently it has been two years today since I started this account, haven't done a lot with it have I.”.
- Negative bias: Tends to emphasize what's wrong (phasing, flying, models, events) more than positives, as in “Seems Blizz brought back phasing for capital cities. That blows.”.
Your Simpsons character
Lisa Simpson
Lisa Simpson fits best because this user is analytical, opinionated, and detail‑oriented about their interests, much like Lisa is with hers. They pick apart game systems and design choices with almost academic precision, such as questioning interrupt incentives in group content: “Either you're interupting because it's what you should be damn well doing, or you're being a arse that can't play properly.” and analyzing encounter mechanics: “the Scourge zombie explosions have a 30 yd range but only infect (and subsequently turn) people within 15 yd. So if you're caught in the outer 75% of the blast, you just flat out die.”. Like Lisa, they question narrative consistency and lore, as seen in their thoughts about Sylvanas and Nathanos: “Guess Nathanos isn't completely written out of the story then?” and worries about raid story continuity: “I cannot however shake this feeling that despite the raid being done and dusted the Venthyr campaign will continue on as if no such event has yet occured.”. They also show a rational, measured stance on community outrage, echoing Lisa’s tendency to stand apart from the mob: “If someone wants to explain the anger to me reasonably then fine, but most of what I'm seeing online is pretty pathetic rage that ain't making a lot of sense.”. Finally, their curiosity and willingness to engage more online — “Well I have no idea if I'll stick with it or not, but I've decided to try and be more active on Twitter.” — further align them with Lisa’s introspective but engaged personality.
Your MBTI personality Type
ISTJ
They lean Introverted: their account is small, they remark on not using it much (“Apparently it has been two years today since I started this account, haven't done a lot with it have I.”), and they focus on game mechanics and observations rather than social life or attention-seeking; even when they invite interaction, it’s low-key (“Well this looks like it might be interesting, let's give it a go. Ask me questions!”). They appear strongly Sensing, repeatedly zooming in on concrete, practical details: herb nodes despawning (“99% Of the herbs I have attempted to pick so far in Revendreth have despawned on me the moment I touch them.”), map height and flying constraints (“The zones are at drastically different heights on the overall map and it just wouldn't look good.”), and the exact radius of Scourge explosions (“the Scourge zombie explosions have a 30 yd range but only infect… within 15 yd.”). Their tone and arguments are predominantly Thinking: they criticize systems and players based on logic and performance (“Either you're interupting because it's what you should be damn well doing, or you're being a arse that can't play properly.”) and dissect event balance and mechanics rather than focusing on how people feel about them (“Okay this Scourge invasion feels like it hasn't been tested at all against players other than those at max level.”). Finally, they show a Judging preference: they want systems to be orderly and consistent—complaining about support ticket flows (“How do I just select 'none of the above' and actually freeform type a message to support staff???”), phasing in cities (“Seems Blizz brought back phasing for capital cities. That blows.”), and campaign/raid narrative sequencing (“I cannot however shake this feeling that despite the raid being done and dusted the Venthyr campaign will continue on as if no such event has yet occured.”). Altogether, their detail-focused, mechanics-based critiques, practical concerns, and desire for structured, well-functioning systems align best with ISTJ.
Some pickup lines for you
- If I promise to always ‘interrupt’ at the right time and never need an ‘incentive to interrupt,’ do I earn a spot in your Azeroth party—or at least a /wave in Oribos?
- You’re worried Alexstrasza’s new model is too busy, but have you seen your own timeline? Demon hunting, RP, mage OCs, lore debates… I think ‘overly epic’ is just your default transmog.
- You became friendly with both the living and the undead and immune to the plague—mind if I join your Chromie Time so we can have all the time in the world together?
- You know how Pocopoc keeps losing its outfit and combat proficiency every time it respawns? I promise I pay more attention than Blizzard—I’d remember every look and every talent point you’ve ever shown.
- You tossed the Revendreth warglaives ‘straight in the bin’ because they sheathe wrong; as a Blood Elf Demon Hunter connoisseur, would you accept a suitor who knows exactly how to position himself on your back bar… I mean, action bar?
Your 5 Emojis
Your new Twitter bio
Blood Elf Demon Hunter main, lore nitpicker & Azeroth feedback engine. Once lost a herb to despawn lag and called it just punishment for my sins.– @AranasiVannozza
Your signature cocktail
The Azeroth Aranasi Elixir
The dark spiced rum mirrors their main World of Warcraft identity as a Blood Elf Demon Hunter, brooding yet high-octane, just like their fiery takes on game systems in posts like “What the hell is this 'incentive to interupt' shite?”. Blood orange liqueur represents both the crimson aesthetic of blood elves and the sharp bite of their critical eye when models or transmogs don’t sit right, as in “the model itself just feels off too me… The gold certainly doesn't look great...”. A smoked black tea syrup nods to their habit of dissecting mechanics and events with a slow, thoughtful intensity, whether puzzling over flying in Shadowlands “the more I look at the maps… the less sure I am that it's designed to allow flying.” or the Scourge invasion balance “you cannot land a single hit on player controlled scourge units”. The green herbal liqueur is a playful wink at their OC Valerie and that cheeky, adult-content, RP-leaning side, as hinted in “amateur mage with a big heart and even bigger breasts. SvensPron was fantastic with this rendition.” and their bio’s “Warning Adult Content May Reside Within.” Finally, the charcoal-salt rim evokes fel-touched demonic edges and the occasional salty rant, from support-ticket frustration “HOW DO I OPEN A TICKET!?” to herb-desync torment “I suppose that's my own personal torment for sins.”, giving the drink a bold, slightly punishing finish worthy of a Demon Hunter from Azeroth!.
Your Hogwarts House
Ravenclaw
Their tweets show a strong analytical streak and systems-thinking that align closely with Ravenclaw values. They frequently dissect game mechanics and design, such as breaking down Scourge invasion numbers in “Okay so looking at it, the Scourge zombie explosions have a 30 yd range but only infect (and subsequently turn) people within 15 yd. So if you're caught in the outer 75% of the blast, you just flat out die. That seems a bit odd.” and explaining how Chromie Time actually works in “I don't know if anyone needed to know this, but Chromie Time is Chromie Time, there's no seperate Chromie Times for each expansion, you're just either scaled, or you're not. The only difference the expansion choice makes is to the starter quest Chromie gives you.”. They also question worldbuilding and design consistency, like wondering about the feasibility of flying between Shadowlands zones in “When it comes to adding flying, if they do add flying in 9.1 or 9.2, I believe we are still going to need to return to Oribos between zones, so inter zone travel is still gimped. The zones are at drastically different heights on the overall map and it just wouldn't look good.” and asking if the game is even designed for flying in “Has Blizzard at any point confirmed if we are getting flying later down the line for Shadowlands? Because the more I look at the maps, especially around the boarders to each zone, the less sure I am that it's designed to allow flying.”. Their curiosity about lore and narrative coherence comes through when they use a single line of dialogue to infer story implications in “'I found you before, my love. I will find you again. No matter how long it takes.' One of the lines from Sylvanas' new interaction dialog if you just sit there clicking her. Guess Nathanos isn't completely written out of the story then?”. Even their frustration tends to be reasoned and principle-based, such as criticizing "incentives" for interrupts in “What the hell is this 'incentive to interupt' shite? Either you're interupting because it's what you should be damn well doing, or you're being a arse that can't play properly. You shouldn't need 'incentives' to act in a manner that helps your group.”, which shows a logical, standards-driven mindset rather than pure emotion. While there are hints of fairness and some bluntness, the dominant pattern is thoughtful analysis, questioning, and a desire to understand systems—classic Ravenclaw traits.
Your movie
Your song
Warriors - Imagine Dragons
A fitting song for @AranasiVannozza is “Warriors” by Imagine Dragons, as it captures the determined, battle-hardened spirit of a player deeply invested in World of Warcraft. Their bio flags them as a “Blood Elf Demon Hunter” and “Amateur Explorer”, which aligns with the song’s themes of resilience and fighting on the front lines. They frequently critique gameplay and design with a no-nonsense attitude, like when they say “What the hell is this 'incentive to interupt' shite? Either you're interupting because it's what you should be damn well doing, or you're being a arse that can't play properly.” — very much the mindset of a seasoned warrior demanding competence. Their focus on story and world-building, seen in comments like “I'm trying to work out what it is I don't like about this new Alexstrasza model.” and concerns over Scourge invasions and Shadowlands systems, shows an invested veteran fighting for a better game world. Altogether, their mix of roleplay, criticism, and tenacity reflects the anthemic energy of “Warriors.”
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