ariosocrat
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Politically:
green: confident, yellow: guess, red: uncertain
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Strengths and Weaknesses
Strengths:
- Erudite: His frequent sharing of Pound, Céline, Mishima, and Weimar material — e.g., '‘The Decadence’ by Ezra Pound' and '‘Mishima: A Life in Four Chapters’' — shows a broad, text‑based curiosity and literary knowledge.
- Aesthetic Sensibility: His cultivated images and mood posts like 'Overcast and rainy, hot cup of coffee, comforting old English period drama' demonstrate a refined eye for atmosphere and presentation.
- Consistent: A steady stream of themed quotations and images (Romanticism, ancestry, Norse imagery) indicates a strongly consistent online identity, as when he posts 'My family’s ancestral village of Ingelheim Süd in the Rhineland'.
- Imaginative: Posts that imagine past lives or dramatic scenes — 'In another life I was an Old Carthusian who died at the Somme' — reveal a vivid, creative inner life.
- Cultivated Voice: His reliance on historical quotations and formal diction (for example quoting Carl Schmitt: 'An historical truth is only true once') signals a polished, rhetorical way of speaking.
Weaknesses:
- Provocative Extremism: Sharing and amplifying nativist, racialist, and militaristic material (for example 'Looking for a book to help resist Mamdani? Try this nativist Nordicist prophetic tale' and quotes praising Waffen SS figures) marks a tendency to provoke with dangerous ideas.
- Insularity: Frequent nostalgic invocations of ancestry ('My family’s ancestral village of Ingelheim Süd') and cultural purity suggest a closing off from pluralistic perspectives.
- Dogmatic: His heavy use of ideological quotations and categorical claims like 'We’re ruled by those who lie' indicate a readiness to assert fixed, uncompromising narratives.
- Cult of Martyrdom: Romanticization of military sacrifice and memorials ('In another life I was an Old Carthusian who died at the Somme') points to a potentially unhealthy idealization of death and heroics.
- Combative Tone: Frequent polemics and snarky denunciations ('Amusing how she doesn’t name any particular nations who owe reparations... Pure third world “gibs me dat” mindset') make constructive dialogue difficult.
Your Simpsons character
Mr. Burns
Mr. Burns is the best Simpsons mirror for Lawrence: both present an elitist, old‑world outlook, a dislike of democratic noise, and a theatrical delight in tradition. Burns’s contempt for modern egalitarian norms and preference for hierarchical order matches tweets that argue cultural dispossession and elite continuity, making Burns the natural satirical analogue.
Your MBTI personality Type
INTJ
INTJ fits Lawrence: introverted and inward‑facing (he prefers books and period drama: 'Overcast and rainy, hot cup of coffee, comforting old English period drama on my laptop'), intuitive and future‑oriented in his grand narratives ('The morning will come when the world is mine Tomorrow belongs to me!'), thinking and analytical in his use of ideological quotations to make arguments ('An historical truth is only true once' — Carl Schmitt), and judging in his rigid, structured worldview and consistency of themes (ancestry, cultural dispossession). His feed reads like a set of strategic, long‑term convictions rather than spontaneous social banter.
Some pickup lines for you
- If you’re a rainy evening and a hot cup of coffee, call me a period drama — because I want to stay with you till the credits roll.
- You say 'Romanticist' in your bio; I write sonnets in the margins of old books — shall we compare notes over coffee in Harbour City?
- I don’t need to be from Ingelheim Süd to appreciate great heritage, but I might move there if it means seeing you read by the Rhine.
- If longing were a book, you’d be the first chapter — mind if I borrow your line about the ancients for my next sonnet?
- You’ve got the old‑world mood down; I’ve got an umbrella and a ticket to the period drama theatre — care to make it a private showing?
Your 5 Emojis
Your new Twitter bio
Lawrence — Romanticist in exile. Collector of old books, period drama evenings, and ancestral postcards. Aromas: coffee, rain, and old ink. Deep reader of cultural history; stylistic, melancholic, and unapologetically old‑world.– @ariosocrat
Your signature cocktail
Rhineland Fog
The 'Rhineland Fog' reflects his rainy, literary aesthetic: the peated malt gives a smoky, old‑world depth matching war‑time and memorial images, the coffee liqueur nods to 'hot cup of coffee' on a rainy evening, sweet vermouth adds an antiquarian, cocktail‑barrel warmth, and smoked citrus mirrors the melancholic, ritual mood he cultivates in his period drama posts and ancestral photographs.
Your Hogwarts House
Slytherin
Slytherin suits Lawrence because his feed emphasizes lineage, ambition, and a strategic, often exclusionary worldview: he posts about 'My family’s ancestral village of Ingelheim Süd' and repeatedly advances a cultural continuity argument ('We’re ruled by those who lie'). His rhetoric about reclaiming identity and using historical quotations as tools ('An historical truth is only true once' — Carl Schmitt) aligns with Slytherin’s emphasis on cunning, preservation of legacy, and self‑interest more than with Gryffindor’s heroics or Ravenclaw’s purely academic curiosity.
Your movie
Your song
Mad World - Tears for Fears (Gary Jules cover)
The melancholic solitude and reflective bitterness of 'Mad World' pairs well with Lawrence’s rainy‑evening sensibility and elegiac postings ('Overcast and rainy, hot cup of coffee, comforting old English period drama'), and the song’s sense of alienation echoes his 'In Exile' self‑description and repeated cultural discontent.
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