Strengths and Weaknesses
Strengths:
- Reflective: Openly reviews own work and process, e.g. re-reading the printed book and reassessing quality in “今になってちゃんと見返してみてるけど、意外と悪くないかも…”.
- Appreciative: Frequently thanks readers and values feedback, as in “ご感想ありがたいね…🥹🙏” and “ご感想嬉しすぎる…🥹🫶”.
- Hardworking: Pushes through tight deadlines and large page counts, shown by the rush to finish the 前戯編 in “締切まで35時間…” and celebrating “脱稿した”.
- Humorous: Uses playful, self-deprecating jokes, like calling themselves “32歳独身男性(♀)のアイドルの姿” in this tweet and the exaggerated DLsite joke in “紀元前216年イタリア半島…”.
- Passionate: Shows intense enthusiasm for works they love, e.g. multiple excited posts about 超かぐや姫 such as “超超超超よかった めちゃくちゃ笑ったしめちゃくちゃ泣いたし最高だった”.
Weaknesses:
- Self-doubt: Frequently questions their own work, like “描いてる最中はこれでいいのか不安すぎたけど” and worrying about specific lines in “某セリフは意図してなかったけど…引っかかるなら変えようかな…”.
- Overwork: Tends to push to the edge of deadlines, e.g. “間に合いそうで間に合わなさそうで間に合わなさそう…” and admitting pages remain in draft state in “一部下書き状態ですが…”.
- Social-isolation: Feels disconnected from peers, as shown in “今年はもっと人と関わっていったほうがいいかな…自分は他の作家との交流がなさすぎて、なんだか浮いてる感じがしてる…”.
- Platform-frustration: Expresses strong negativity toward social media, e.g. “対戦型SNS普通に嫌になってきた…” and “TwitterよXよ滅びてくれ”, which may drain motivation.
- Perfectionism: Feels compelled to overdeliver even when exhausted, like adding more erotic scenes so 前戯編 “単体でも抜けるものにしなくちゃ…” in this tweet, leading to heavier workloads.
Your Simpsons character
Lisa Simpson
They resemble Lisa Simpson most: a thoughtful, self-analytical creator who mixes niche passions with earnest reflection. Like Lisa obsessing over a new book or cause, they dive deeply into media they love, calling 超かぐや姫 possibly their life-best film and describing how it “destroyed” their brain while urging “全人類超かぐや姫を見ましょう” in tweets such as “令和産のアニメ映画の中で一番好きかも なんなら人生ベストすら届きうる……” and “全人類超かぐや姫を見ましょう”. They are highly reflective about craft and structure—breaking their own erotic manga into "オナニー編"・"前戯編"・"セックス編" and explaining it in narrative terms like “前戯編以降はオナニー編と読み味が変わるだろうな…なろう小説で主人公が転生直後レベル上げをしてる段階がオナニー編で…”, which fits Lisa’s analytical, slightly perfectionist side. Socially, they show Lisa-like awkwardness and yearning for connection, saying “今年はもっと人と関わっていったほうがいいかな…コミケ見てると自分は他の作家との交流がなさすぎて、なんだか浮いてる感じがしてる…”. Finally, their mix of adult humor, niche internet culture, and sensitivity to platforms’ censorship (“TwitterよXよ滅びてくれ…blueskyはX以上にセンシティブに厳しいからにっちもさっちもいかない”) reads like a grown-up, online-native Lisa: clever, critical, introspective, and emotionally open.
Your MBTI personality Type
INFP
They read as strongly introverted: they often describe feeling out of place socially and wanting more but struggling with it, e.g. wondering if they should interact more with other creators and feeling like they "float" alone at Comiket ("今年はもっと人と関わっていったほうがいいかな… コミケ見てると自分は他の作家との交流がなさすぎて、なんだか浮いてる感じがしてる…") and admitting they don't know how to communicate ("コミュニケーション取ったことなさすぎて何をどうしたらいいのかわかんなすぎるけど"). Their focus is clearly intuitive: they are drawn to conceptual, emotional storytelling and big-picture evaluations like calling 超かぐや姫 potentially their life-best film ("令和産のアニメ映画の中で一番好きかも なんなら人生ベストすら届きうる……") and turning their own erotic work into an extended metaphor about narrative arcs and genre structure ("なろう小説で主人公が転生直後レベル上げをしてる段階がオナニー編で、ヒロインとか敵と出会って主題がわかるのがセックス編というイメージで"). They lean Feeling rather than Thinking: they talk frequently about how things make them or others feel (being moved by lyrics, crying and laughing at films, being deeply grateful for feedback like "ご感想嬉しすぎる…🥹🫶"), and worrying about whether they may have embarrassed a bank clerk ("申し訳ないことをしてしまった…"). On the J–P axis they show strong planning and structure around creative work and events—worrying about deadlines, page counts, print runs, inventory, and future electronic releases ("今月中に発行できるよう頑張ります！")—yet their process is also exploratory and flexible (adding more erotic scenes than planned, accepting that some pages stay as roughs, and contemplating but then abandoning a wild 10万DL celebration idea ("にしようかとも思ったけどやめた"). That mix of structured goals but open-ended, associative creativity fits an INFP creator more than a highly regimented J type. Overall they come across as a reflective, emotionally attuned creative who lives in stories and inner values, matching INFP best.
Some pickup lines for you
- So, if “前戯編はセックスしません”って言うなら、続きの“セックス編”は一緒にプロットしませんか？バトル漫画になるって言ってたけど、あなたにだけは圧倒的敗北でかまいません。
- You said the sex part of your story will be like a battle manga—good news, my HPはコミケ新刊並みに刷ってあるから、ろんな先生の“攻め”にはフルカラーで受けて立ちます。
- You called 超かぐや姫 maybe your favorite Reiwa anime, maybe even life‑best… I’m not saying I can beat it, but if we watched it together I’d at least aim for『人生ベスト同時鑑賞相手』の座を狙わせてください。
- When you said “32歳独身男性(♀)のアイドルの姿” I had to disagree a little—because from my POV that’s less『アイドル』and more『推しが人間の姿をとって降臨した』レベルなんですが。
- If DLsite同人ゲームあるあるが“釣りミニゲームで金策”なら、あなたと出会えた時点で人生のSSR釣り上げてるので、もう資金も理性も全部あなたに全ツッパでいいですよね。
Your 5 Emojis
Your new Twitter bio
Doujin & adult manga artist. TS & comedy brainrot. Once proved I’m “ろんな” to Tokyo by riding the Yamanote Line with my event name tag still on.– @asnarongeppe
Your signature cocktail
Ultra Kaguya Highball (TS Lolioji on the Rocks)
This cocktail starts with Japanese whisky infused with coffee beans, a nod to their late-night creative grind and coffee love, like buying discounted specialty beans: “パナマゲイシャとかハワイコナとかのスペシャリティコーヒー詰め合わせ5種合計500gセットが30%OFFだったので思わず買ってしまった”. Yuzu liqueur adds a bright, emotional citrus pop, mirroring how they laugh and cry at ultra-kaguya: “超超超超よかった めちゃくちゃ笑ったしめちゃくちゃ泣いたし最高だった”. Black tapioca pearls represent the chewy, indulgent erotic core of their work and their self-aware adult-only bio: “僕は磯に住むタコだよ ※成人向け注意” and the whole 前戯編 saga: “前戯編56Pです。セックスはしません。前戯のみです。”. Sparkling mineral water keeps it playful and approachable, like their mix of self-deprecating humor and social anxiety: “今年はもっと人と関わっていったほうがいいかな… コミケ見てると自分は他の作家との交流がなさすぎて”. Finally, a dash of chili tincture gives a delayed kick, echoing their slightly chaotic, spicy takes on SNS and platforms: “TwitterよXよ滅びてくれ” and the way 超かぐや姫 “destroys their brain”: “一日経っても超かぐや姫に破壊された脳が回復しない”. This is a strong, sparkling, oddly heartwarming drink that feels like laughing, crying, and doomscrolling at the same time—very ろんな.
Your Hogwarts House
Ravenclaw
Their timeline shows a strong mix of creativity, meta-thinking, and niche curiosity that aligns most with Ravenclaw. They think analytically about structure and storytelling, describing their own work in terms of narrative design and genre theory, e.g. comparing arcs to isekai power-leveling and main-plot progression: “前戯編以降はオナニー編と読み味が変わるだろうな、と自分も思ってる。なろう小説で主人公が転生直後レベル上げをしてる段階がオナニー編で、ヒロインとか敵と出会って主題がわかるのがセックス編というイメージで。”. They also reflect quite thoughtfully on printing strategy and event logistics, weighing economic and practical tradeoffs in detail: “作家各人よ午後入場組も買えるぐらい部数刷ってくれ…在庫残ったとき家に持って帰る手間も…馬鹿高い印刷代も全部が負担がでかいから、売り切りたいという気持ちもわかる”. Their curiosity and taste for well-crafted entertainment is evident in how they dissect why 超かぐや姫 works so well—pacing, emotional core, and spectacle—rather than just saying they liked it: “ギャグのテンポも良くて、戦闘シーンも派手で、その上泣けて、エンタメとして隙がなさすぎる”. Even in casual jokes they show wordplay and conceptual playfulness, e.g. coining phrases like “おしっこのアローラのすがた”. While they clearly work hard on their doujin projects and feel gratitude toward readers—traits that brush Hufflepuff—what stands out most is a consistently analytical, creative, and idea-focused mindset, which is quintessentially Ravenclaw.
Your movie
Your song
World is Mine - Hatsune Miku (ryo/supercell)
The best fit is World is Mine, because they directly quote its iconic lyrics and are clearly emotionally attached to it: “世界で一番お姫様 気がついてねえねえ 待たせるなんて論外よ 私を誰だと思ってるの もうなんだか甘いものが食べたい いますぐによ”, followed by “かぐや……” and “この歌詞に胸が苦しくなる日が来るとは…”. Their TL shows they love works that are funny yet deeply emotional, as in their reaction to Chou Kaguya-hime: “めちゃくちゃ笑ったしめちゃくちゃ泣いたし最高だった” and “自分が目指すべき先は超かぐや姫なのかもしれない……”. World is Mine shares that mix of playfulness and raw feeling: outwardly a bratty ‘princess’ song, inwardly about a messy, needy desire to be seen and cherished—very close to how they talk about their own work and emotions, like “今年はもっと人と関わっていったほうがいいかな…”. They also build erotic yet narrative-rich doujin works and talk about them like a passionate, slightly self-deprecating creator (“前戯編56Pです。セックスはしません。前戯のみです。”), which fits the dramatic, performative ‘princess’ persona at the heart of World is Mine. Overall, it captures their mix of vulnerability, theatricality, and deeply otaku sensibility better than any other single song.
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