Strengths and Weaknesses
Strengths:
- Passionate analyst: Deep, sustained analysis of Sonic writing, e.g. breakdowns of dialogue style and characterization tiers in “Why Sonic isn't as cool as he used to be” and “My Sonic characterization tier list”.
- Detail‑oriented critic: Notices fine nuances like slang vs informal speech and line wording, as in “People are literally mistaking slang for informal speech” and their panel‑by‑panel critique of IDW lines in “As much as I hate IDW Sonic…”.
- Self‑reflective thinker: Openly revisits their own takes and expectations, e.g. acknowledging lessons from the rewrite backlash in “That was a hectic couple of days here lol” and conceding that IDW Sonic isn’t Game Sonic in “I'm the latest example of that…”.
- Values fairness: Tries to separate criticism from personal attacks and calls out disingenuity on all sides, as in “There is definitely a lot of hypocrisy in this fandom…” and their request to clear their name in “Yesterday, I got deeply hurt by this a tweet…”.
- Community‑minded: Engages other fans, creators, and regional communities, e.g. addressing Sonic Team staff for dual subtitles in “Hi! It would be really cool if Sonic Team did what RGG Studio does…” and observing fan subgroups in “My experience on Sonic twt has shown me that Hispanic fans…”.
Weaknesses:
- Harsh tone: Frequent use of insults and loaded labels (e.g. “IDW BUMS” in “IDW BUMS ARE IN CROSSWORLDS NOOOOOOOOOOOOOOOOO” and calling works “piece of crap” in “People used to call you names for criticizing this piece of crap”) can alienate readers.
- Conflict‑prone: Openly escalates interpersonal tension, e.g. vowing to respond to arrogance with insult in “I've lost patience, any type of arrogance will be met with insult” and reacting strongly to fan “fanatics” in “I swear I can't with these fanatics”.
- Overgeneralizing: Makes sweeping statements about the fandom or future (e.g. “Sonic will never be good again in terms of writing” in “I'm coming to terms with the fact that Sonic will never be good again…” and “The franchise will be either doomed… or saved” in “I can't wait for Frontiers 2 because its outcome will definitely be interesting”).
- Blocked‑off communication: Quickly resorts to blocking large numbers of people, as in “Yeah now I'm automatically blocking everyone that isn't capable to have a conversation…”, which can limit dialogue with nuanced critics.
- Pessimistic outlook: Often frames the franchise as “doomed” or “totally over,” e.g. “Honestly, I'm 99% sure we're never getting back to 2000s Sonic levels of writing…” and “The franchise will be either doomed in terms of writing (IMO) or saved”, which can reinforce frustration and burnout.
Your Simpsons character
Comic Book Guy
The user most closely matches Comic Book Guy, who is hyper-focused on a specific fandom, highly critical, and very precise about canon and characterization. They constantly dissect writing quality and author intent, as seen when they say Sega must fix things by “characterizing Sonic well across all media & on the long term” “The only way to fix things is for Sega to step up and fix the mess they've created...” and when they analyze different eras of Flynn’s work in detail “Early IDW: awful Frontiers: acceptable Gens 24: bad Shadow Gens: good...”. Like Comic Book Guy, they’re unapologetically opinionated, often framing their takes as standards others should recognize, such as insisting Sonic’s current voice is a fundamental problem “Sonic sounding like he does since 2010 is the biggest anomaly in the history of the franchise”. They also show a mix of elitism and wounded defensiveness toward the fandom, for example when they describe other fans as fanatics and complain about being misrepresented over Sonic opinions “How can you go this far to demonize someone just bc of Sonic opinions?”. At the same time, beneath the harsh critiques is a deep, almost romantic attachment to the franchise’s ‘golden age,’ very much in line with Comic Book Guy’s obsessive but genuine love for his niche media, as when they say Frontiers 2 will decide if the franchise is “saved” or “doomed” “The franchise will be either doomed in terms of writing (IMO) or saved”.
Your MBTI personality Type
INTJ
They lean Introvert over Extrovert: their account is narrowly focused on Sonic analysis, not personal/social life, and they even talk about deactivating and limiting activity, e.g. saying they "won't be active until Frontiers 2 is revealed" in “I'm coming to terms with the fact that Sonic will never be good again in terms of writing imo”, which shows withdrawal rather than engagement-seeking. Their style is clearly Intuitive over Sensing, constantly analyzing patterns and underlying principles of writing and characterization rather than just surface-level details, as in “Why Sonic stories lost the charm they used to have, outside of mischaracterization 👇” and “Sega writing Sonic in a Western style while Japanese fiction has never been this popular internationally and is blowing up charts”. They favor Thinking over Feeling: arguments are framed around logic, craft, and consistency ("average writing quality," "availability bias," "authority/affection bias"), e.g. “Typed 'flynn barnes' in the search bar... Availability bias: a mental shortcut...” and “Everyone is entitled to their own opinion and I respect that. However, that constant need for flavor/spice/quirkiness is strongly harming fiction writing”. They also come across as blunt and willing to confront people, like “I've lost patience, any type of arrogance will be met with insult”, prioritizing principled critique over harmony. Their preference for Judging over Perceiving appears in their structured expectations, ultimatums, and categorical judgments about the franchise’s future, such as “Frontiers 2... The franchise will be either doomed in terms of writing (IMO) or saved. No in between” and tier lists like “My Sonic characterization tier list”. Overall, the combination of long-term vision for how Sonic "should" be written, critical pattern analysis, and decisive, standards-driven tone fits INTJ best.
Some pickup lines for you
- If Frontiers 2 decides Sonic’s fate, can I audition to write the DLC where he stops being ‘decent at best’ and becomes peak 2000s… by taking you on a date and proving subtle, short lines still hit the hardest?
- You dropped the Sonic poster from your room, but if we ever watch SA2 or Unleashed together, I promise I’ll treat JP Sonic’s characterization—and your tier lists—like holy scripture.
- You know how you said Shadow’s become the only coolness factor because Sonic lost his? Plot twist: we team up—your JP script brain + my dating route—and suddenly Sonic isn’t the only one getting a well‑written revival.
- You’re worried Sega will never lock in again, but you already did what they can’t: you rewrote an IDW line, survived the fanatics, and kept your standards. I’m just trying to lock in a chance to hear you rant about it over coffee.
- You said Hispanic Sonic fans are either the biggest brand defenders or the biggest brand offenders—let me be the third category: biggest Pepito defender, because your ‘Sonic 35th needs a fresh start’ manifesto deserves a standing ovation and a dinner date.
Your 5 Emojis
Your new Twitter bio
Sonic writing autopsy lab. JP script enjoyer, Frontiers 2 doomer. Once took down a Sonic poster over dialogue choices.– @ayyypepito
Your signature cocktail
Chaotic Neutral Sonic Sour
Japanese whisky stands in for their belief that JP Sonic is the truest expression of the character, as they say “JP Sonic is the closest thing to the 'true Sonic' as he's the direct representation of Sonic Team's true creative intent.” Yuzu juice adds sharp acidity and freshness, mirroring how they constantly push for a 'refreshal' of Sonic’s voice and image, like in “I'm gonna play Frontiers 2 with JP voices but I truly think Sonic's refreshal will never be complete as long as he has the voice he currently has.” The bitter amaro captures their frustration and disappointment with modern writing, seen in takes like “I'm coming to terms with the fact that Sonic will never be good again in terms of writing imo.” A few drops of saline reflect the tears, exhaustion, and online drama they’ve gone through, including being mischaracterized over opinions, as in “Some people are trying to make me look like a MAGA chud because of this tweet This is the wildest thing that has ever happened to me on the Internet, I'm at loss for words.” Ginger syrup brings a spicy kick that represents both their cutting critique and enduring passion when they say “Now I hope that every single person involved in Sonic's characterization has been locking the f*** in to finally do justice to this character in Frontiers 2 and beyond.” Overall, it’s a strong, bittersweet, slightly experimental sour for someone who thinks hard about nuance, like when they joke about alignment with “Funny how Chaotic Good is literally the polar opposite to Chaotic Neutral and almost to Chaotic Evil #nooticing.”
Your Hogwarts House
Ravenclaw
Pepito shows a strong analytical bent and constant drive to dissect writing quality, tone, and characterization, which aligns most with Ravenclaw. They methodically compare English vs. Japanese scripts and even request dual subtitle tracks, e.g. asking Sonic Team to mirror RGG Studio’s approach in “Hi! It would be really cool if Sonic Team did what RGG Studio does with its games: one set of subtitles for the English dub, and another one for the Japanese dub.”. They also break down dialogue style and vocabulary choices in detail, such as distinguishing slang from informal speech in “People are literally mistaking slang for informal speech. Of course Sonic should always talk in an informal way. Slang is part of informal speech, but informal speech isn't just slang.” and critiquing overly formal wording for youthful characters in “I was never a big fan of Flynn using more formal/sophisticated vocabulary in the games but… I really hate it when it's more youthful characters (Sonic, Amy, Knuckles...).”. Their threads explaining mischaracterization and narrative decline, like “Why Sonic isn't as cool as he used to be” and their longer analyses of Sonic’s characterization evolution in “Sonic's characterization evolution reminds me of Terra's arc in Kingdom Hearts: a silly thread with a pinch of truth…”, show a love of theory-building and pattern-spotting rather than pure emotional or tribal engagement. Even when personally attacked, their response emphasizes concepts like availability bias and critical thinking, as in “Avalibility bias: a mental shortcut that relies on immediate examples that come to a given person's mind when evaluating a specific topic” and “I hope this story teaches some people to use critical thinking. Don't fully trust EVERYTHING just because Sega… said it, when there is clear evidence they might be lying.”. This sustained focus on analysis, definitions, and reasoning above loyalty or ambition makes Ravenclaw the best fit.
Your movie
Your song
Boulevard of Broken Dreams - Green Day
A well-known song that fits Pepito is “Boulevard of Broken Dreams” by Green Day, because it captures the feeling of walking a lonely path while still stubbornly caring about something. They keep insisting Sonic writing is essentially doomed, saying “I'm coming to terms with the fact that Sonic will never be good again in terms of writing imo It's a lost cause until proven otherwise”, which mirrors the song’s mood of disillusionment. At the same time, they can’t let go and still hope for a turnaround, as seen in “I can't wait for Frontiers 2 because its outcome will definitely be interesting The franchise will be either doomed in terms of writing (IMO) or saved”. The song’s themes of frustration, isolation, and stubborn idealism line up with posts like “I'm always trying to be the monkey when someone comes at me as the tiger ... I've lost patience, any type of arrogance will be met with insult”, showing someone worn down but still fighting. Even when they talk about removing their Sonic poster and stepping back, as in “I'm coming to terms with the fact that Sonic will never be good again ... So I won't be active until Frontiers 2 is revealed at the earliest”, there’s that same “I walk alone, but I’m not done yet” vibe that defines the song.
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