Strengths and Weaknesses
Strengths:
- Passionate: Shows strong enthusiasm for retro games and media, e.g. detailed impressions of Rocket Knight Adventure and Mega Turrican in “Finished #RocketKnightAdventure. Great graphics and BGM.” and “Tried Mega Turrican as I saw in @virtualmage17 post. Interesting game…”.
- Reflective: Openly analyzes feelings and nostalgia, like longing for old anime excitement in “Back when anime was hard to find… I yearn for this lost magical feeling.”.
- Grateful: Explicitly thanks others for kindness, such as appreciating a gifted game key in “Playing #EpicBattleFantasy5… Thanks to @KupoGames who gifted me a key.”.
- Curious: Frequently asks for recommendations and help, e.g. sitcom suggestions in “Guys, I need old English sitcom recommendations.” and game guidance in “#SplatterWorld Yo! Anybody playing it. What do I do after I defeated the mouse…”.
- Community‑oriented: Engages others by tagging friends and sharing traditions, like the New Year gaming ritual and shout‑outs in “New year tradition, Played Home Alone 2… Shout out to my retro buddies…”.
Weaknesses:
- Hostile_language: Uses harsh insults, especially toward female characters, e.g. “Once again this useless waste of boobs proved that I hate her for a legit reason. She couldn't take a single fucking shocker out… Tackle is a useless bitch…”.
- Misogynistic_tone: Derogatory framing of women as “foid” or “bitch,” as in “Good show ruined by foid char.” and repeated rage at Tackle in “I hate how coddled fucking bitch Tackle.”.
- Excessive_negativity: Often describes media as “bag of shite” or “utter shite,” e.g. “Does Banpresto ever fucking learns?… This is pure fucking bullshit.” and “As expected it was bag of shite… Everything sucked donkey balls about this cartoon.”.
- Aggressive_rage: Expresses intense anger over games, like in “Playing this fucking piece of Garbage from Idea Factory… my gaming rage came back instantly.” and the multi‑tweet rant against Great Battle in “Instead of Great Battle this game should be called great pile of shite.”.
- Harsh_judgment: Tends to dismiss creators or groups in absolute terms, e.g. calling a dev a “raging liberal left” in “I did not know that dev of Epic Battle Fantasy is such raging liberal left.” and saying K‑pop fans would “turd way fouler than this” in “As expected it was bag of shite… But knowing K pop fans they'd turd way fouler than this.”.
Your Simpsons character
Comic Book Guy
The overall tone and content are closest to Comic Book Guy: a cynical, hyper-opinionated nerd with very strong views on pop culture. The user obsessively critiques niche media and retro games in detail, e.g. calling Banpresto’s games “bag of shite” and “pure fucking bullshit” in a series of rants like “Instead of Great Battle this game should be called great pile of shite.” and “This was utter shite. Not only you have to learn a whole fucking set of MK tier moves…”. They’re also a hardcore media consumer with long opinions on anime, films, and games, such as “You know. Back when anime was hard to find. Every new title used to bring immense joy to me…”, mirroring Comic Book Guy’s nostalgic, jaded fandom. The mix of genuine enthusiasm and harsh negativity appears throughout, like praising Rocket Knight Adventure while still complaining about controls in “Great graphics and BGM… gameplay can get a bit uncomfortable…”. Even their self-report of being more prone to anger, “I am 22.2% more susceptible to anger than the average person.”, fits Comic Book Guy’s famously irritable temperament.
Your MBTI personality Type
ISTP
They lean Introvert: most posts revolve around solitary hobbies (retro gaming, anime, movies) rather than social events, and even their shout‑outs are framed around what they themselves are playing or watching, like when they wrote about replaying Home Alone 2 and then added a small shout‑out list of retro buddies without seeking broader attention (“New year tradition, Played Home Alone 2, realized it wasn't as easy as I remember. Shout out to my retro buddies...”). Their interests show a clear Sensing preference: they obsess over concrete mechanics, controls, and specific scenes, e.g. describing the directional shot modes in Eliminate Down (“Fgured out you need to swith to 3 different attack modes for shooting ➡️⬆️⬇️ and for ⬅️⬅️➡️.”) or the detailed boss patterns and input delay in Banpresto games (“Instead of Great Battle this game should be called great pile of shite. Energy ball that homes on you and makes you useless till you hit or 10 sec pass...”). They are strongly Thinking: their tone is blunt, critical, and logic‑ or standards‑driven rather than diplomatic, such as the harsh breakdown of poor game design choices (“Christ Almighty This was utter shite. Not only you have to learn a whole fucking set of MK tier moves...”) or their critique of a developer’s political stance using cause‑and‑effect reasoning (“Like in what country messing with officer at duty is a good thing? Officer's companion clearly got hit with car's rear on purpose...”). On the J–P axis they look more Perceiving: they bounce between games, shows, and tasks, and openly struggle with committing or structuring their time (“Playing a game Man I could really watch something right now... Watching Shit I could've played game and finish it... Looks at pile of books I wanted to read DANG IT!”), and they frequently pick things up “because I saw it in someone’s post” and then drop or postpone them (“So I beat the first level and decided to hold it till I get USB megadrive like pad.”). The combination of solitary, hands‑on engagement with systems, highly detailed focus on mechanics, blunt critical style, and somewhat unstructured, reactive lifestyle fits ISTP: the pragmatic, analytical, often sharp‑tongued tinkerer type who dissects how things work and isn’t overly concerned with social niceties.
Some pickup lines for you
- If you can clear Great Battle 2 on SNES despite calling it a ‘great pile of shite’, I feel like you could handle the input lag on a date with me — no CPU read, I promise.
- You keep raging about Tackle in Tojima Wants to be Kamen Rider, but if we watched it together I’d gladly be the useless side character as long as I get a front-row seat to you keyboard-slamming through the OP.
- You stitched maps for Megami Tensei and Majin Tensei by hand — if you ever feel lost, I trust you enough to navigate us through life, or at least to the nearest retro game shop.
- Since True Crime: New York City forgave all its sins by having Beetlejuice, I hope you’ll forgive mine if I show up with a USB SEGA pad and Home Alone 2 ready for your New Year tradition.
- You said you yearn for that ‘lost magical feeling’ anime used to give you; I can’t promise to be as good as Kimagure Orange Road or Love Hina, but I’d love to try being the cozy, low-budget OVA you unexpectedly fall for.
Your 5 Emojis
Your new Twitter bio
Retro gamer from Russia, mapping old dungeons, raging at clunky controls, and hunting for lost kusoge gems. Once beat a boss out of pure spite.– @baburekov22523
Your signature cocktail
The Retro Rage Crit
A base of smoky Scotch whisky mirrors their blunt, often explosive takes on games and shows, like when they call Banpresto’s work a “great pile of shite” and rant about bosses that stay “invulnerable nearly all the time” in another Great Battle tweet. Coffee liqueur represents late-night retro grinding and long-form media binges, from mapping Megami Tensei in their stitched map posts to fighting for a soul in “#DawnOfSorrow”. A layer of cherry brandy adds bittersweet warmth for the softer side that thanks creators like @KupoGames for making Christmas better and reminisces about when “anime was hard to find” and they “yearn for this lost magical feeling” in their nostalgia tweet. Fizzy tonic water captures their sarcastic, meme-heavy, experimental vibe, from doing IDR Labs tests like “I am 22.2% more susceptible to anger” to joking about their feed being full of “brown Egyptian cat lolis”. Finally, a dash of chili bitters embodies the sharp sting of their language and hot takes on media they dislike—calling Kpop Demon Hunters a “bag of shite” in this review and tearing into Tackle as a “retarded Bitch” in their Tojima Rider rant, while still drinking deeply from games, anime, and weird movies that keep them going.
Your Hogwarts House
Ravenclaw
Their tweets show an analytical, media‑critique mindset and a strong love of learning about niche interests, which aligns most with Ravenclaw. They frequently dissect games and shows in detail, e.g. breaking down mechanics in Eliminate Down by explaining that you need to switch between several attack modes to progress, as in “Fgured out you need to swith to 3 different attack modes for shooting ➡️⬆️⬇️ and for ⬅️⬅️➡️”, or methodically listing design issues with Banpresto games in “Energy ball that homes on you… Bosses that stay invulnerable nearly all the time”. They also show reflective, almost philosophical nostalgia about how their feelings toward anime changed over time in “Back when anime was hard to find… Now I barely feel anything watching any title. I yearn for this lost magical feeling”, which suggests introspective thinking rather than impulsive action. Their enjoyment of making and analyzing maps, such as “Found one of the maps I stitched while playing Megami Tensei on SNES”, and their long-form episodic breakdowns of Panty & Stocking and Tojima Wants to be Kamen Rider show a pattern of systematic observation and commentary. While they have flashes of anger and harsh language, their core online persona is that of a critical, detail‑oriented media nerd who likes understanding systems and stories, which fits Ravenclaw more than the other houses.
Your movie
Your song
Boulevard of Broken Dreams - Green Day
Their timeline mixes dark humor, frustration, and nostalgia in a way that fits the lonely, world-weary tone of Boulevard of Broken Dreams. They openly vent about games and shows being "pure fucking bullshit" or "bag of shite", and rage at characters like Tackle as "coddled fucking bitch", which echoes the song’s sense of simmering anger and disillusionment. At the same time, there’s a deep streak of melancholy and loss: they say "I'm officially an orphan... I'll miss you, dad." and mourn how anime lost its magic for them in "I yearn for this lost magical feeling.". Yet they keep walking on, filling their feed with retro games, obscure movies, and maps they "stitched while playing Megami Tensei", which matches the song’s theme of continuing alone down a personal path. Even their self-deprecating humor and constant searching for new media—"Guys, I need old English sitcom recommendations."—fit the vibe of someone wandering through culture looking for something that hits as hard as it used to.
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