Strengths and Weaknesses
Strengths:
- Cultural-literacy: Shows deep knowledge of film, TV, and literature, referencing Scorsese, Bresson, Pynchon, Nabokov, 30 Rock, Shrek, etc., e.g. “Movies used to be about making movies. Now movies are about making slop”.
- Critical-thinking: Analyzes media and tech ideology rather than just consuming it, as in “No matter how good the generative AI gets, it will only ever be used by IPO poisoned techbros who hated their college Humanities classes”.
- Dark-humor: Uses sharp, morbid humor to make points, like imagining Eisenstein killing himself after seeing Kitchen Nightmares in “I enter a time machine. I show Sergei Eisenstein an episode of Kitchen Nightmares. He violently kills himself.”.
- Self-awareness: Openly acknowledges personal limits and frustrations, e.g. “I am $30000 in debt bc I thought the 'art meets commerce' artform had a future” and “I have lost my bullshit. But I must get back on it.”.
- Observational-wit: Turns mundane or niche observations into clever jokes, like “For the first time in at least 12 years, I saw a daytime TV game show. It was hosted by Meredith Vieira. It was sponsored by a Solitaire App.”.
Weaknesses:
- Cynical-outlook: Many posts center on pessimism about politics, culture, and careers, e.g. “we've been in a recession since 9/11 bc i haven't seen a single piece of art complaining about having a decent paying office job come out since then”.
- Elitist-tone: Sometimes dismisses others’ tastes or professions, like “youtube comedy sketches are incredible... It is complete ass” and mocking 'IPO poisoned techbros' in this AI tweet.
- Harsh-negativity: Critiques often default to contempt rather than nuance, e.g. “there is better filmmaking in george bush ads from 2000 than hollywood movies coming to a theater near you”.
- Self-destructive-impulses: Jokes about risky or harmful behavior, like blackout gambling at Caesars in “man, i bet it would feel sooooo good to be black out drunk and bet my life savings on blackjack at Caesars Palace 3570 Las Vegas Boulevard South, Las Vegas, NV”.
- Aggressive-sarcasm: Sarcasm sometimes crosses into hostility or dehumanization, such as the dental tweet about Chinese kids in “The dentist cartels are gonna leave these poor Chinese kids under a bridge with all the calcium sucked out of their bodies”, which can read as needlessly harsh.
Your Simpsons character
Lisa Simpson
They most closely match Lisa Simpson: a precocious, hyper-literate media obsessive who mixes sincere moral concern with arch, self-aware humor. Their cinephile/humanities brain is obvious in posts like “there is better filmmaking in george bush ads from 2000 than hollywood movies coming to a theater near you”, “I am $30000 in debt bc I thought the 'art meets commerce' artform had a future”, and direct shout-outs to Pynchon and Nabokov such as “#PaleFire #Nabokov”. Like Lisa, they rail against anti-intellectualism and STEM-only thinking with posts such as “turns out there WAS a reason for STEM majors to take all those humanities classes” and jab at tech culture with “No matter how good the generative AI gets, it will only ever be used by IPO poisoned techbros who hated their college Humanities classes”. The melancholy edge in their bio, "vibin' and depersonalizin'", and more introspective tweets like “I have lost my bullshit. But I must get back on it.” echo Lisa’s oscillation between idealism and existential angst. Their mix of cultural critique, moral frustration, and nerdy passion for art and politics is classic older-Lisa energy rather than the more chaotic Bart or oblivious Homer.
Your MBTI personality Type
INTP
They read as an introvert who lives largely in their head and in media, not in public/social life: the bio "vibin' and depersonalizin'" and tweets like “I am $30000 in debt bc I thought the 'art meets commerce' artform had a future” and “Hello, are there any Well Paying Jobs in Recognizing Human Behavior?” show self-reflective, inward, slightly detached commentary rather than attention-seeking socializing, pointing to I. Their feed is dominated by meta-observations about culture, cinema, and history rather than concrete day-to-day details, e.g. “Movies used to be about making movies. Now movies are about making slop” and “turns out there WAS a reason for STEM majors to take all those humanities classes”, which fits strong N. The tone is analytical, cutting, and idea-driven rather than harmony-seeking; jokes like “No matter how good the generative AI gets, it will only ever be used by IPO poisoned techbros who hated their college Humanities classes” and “I dont like trump bc he makes adam McKay look like Sergei eisenstein” are rooted in critical judgment and conceptual comparison, signaling T. Their life and interests appear improvisational, exploratory, and slightly chaotic—"I have lost my bullshit. But I must get back on it." (link) and fantasies like “man, i bet it would feel sooooo good to be black out drunk and bet my life savings on blackjack at Caesars Palace” imply a flexible, non-structured approach to life, leaning P. Overall, the mix of detached, ironic introspection, heavy abstraction around art and culture, and a playful but critical logic-first voice aligns best with INTP.
Some pickup lines for you
- You, $30,000 in debt because you believed in the ‘art meets commerce’ artform, me, also vibin’ and depersonalizin’ — what if we cut our losses, call it a two‑hander character study, and go to Caesars Palace to bet on us instead?
- Forget explaining every pop culture reference in Shrek to Gen Alpha — I just want you to explain every Scorsese deep cut and Eisenstein joke you’ve ever tweeted to me over drinks while we stunt on fools together.
- You’re out here defending potato salad, mourning real sound mixing, and praying for Demme close‑ups — I don’t need a time machine for Eisenstein, I just need a double feature with you and whatever’s playing at the weirdest theater in town.
- If the gay community can claim Jurassic Park velociraptors as messy queens, can I claim you as my favorite chaotic auteur? We can start with Bug (2006, d. William Friedkin, 98 mins.) and see if we hallucinate a future together.
- You’re watching Biden brainrot from 2009, reading Gravity’s Rainbow in the wrong week, and still finding time to apologize to potato salad — clearly you can handle a little psychological horror, so how about a crossover episode where we date?
Your 5 Emojis
Your new Twitter bio
Film brain w/ a humanities degree and $30K in debt, tweeting about Scorsese, Shrek discourse & the death of art like it’s my second job.– @biggersisbetter
Your signature cocktail
Depersonalizin’ Double Feature
This drink starts with overproof rye for that loud, cinephile-brain energy that would absolutely time‑travel Sergei Eisenstein into despair, as in “I enter a time machine. I show Sergei Eisenstein an episode of Kitchen Nightmares. He violently kills himself.”. The amaro brings a bitter, world-weary edge for someone who’s $30k in debt because they believed in the ‘art meets commerce’ dream, as confessed in “I am $30000 in debt bc I thought the 'art meets commerce' artform had a future”. Cold brew keeps it wired, matching the hyper-aware media brain that can pivot from Gravity’s Rainbow to Scorsese to DiCaprio’s hair, like in “this week was the wrong week to read gravity's rainbow”. A few drops of saline nod to the saltiness toward techbro AI culture in “No matter how good the generative AI gets, it will only ever be used by IPO poisoned techbros who hated their college Humanities classes”. Finally, the orange twist adds a bright, showman flourish for the guy who can turn even Shrek discourse into a lighthouse-sized bit, as in “A LIGHTHOUSE FADING Can a Gen Z parent effectively and accurately explain to their children all of the pop culture references in Shrek?”, and who admits he’s just out here *“vibin' and depersonalizin'” in his bio.
Your Hogwarts House
Ravenclaw
Aaron’s timeline is saturated with analysis, references, and meta-commentary about art and media, which is quintessentially Ravenclaw. He dissects form and technique rather than just vibes, like when he breaks down framing in Wes Anderson — “Me: Wes Anderson is not symmetrical gets torn apart by a thousand people Me (while dying): HIS FLAT BLOCKING AND BISECTION OF THE VERTICAL AXIS LEADS TO MOST OF HIS FRAMES BEING ASYMMETRICAL” — or defends the importance of sound mixing with a YouTube link — “a case for why sound mixing is important”. His love of challenging, brainy texts and films also screams Ravenclaw: he’s reading Pynchon — “this week was the wrong week to read gravity's rainbow” — and Nabokov — “#PaleFire #Nabokov” — and treats cinema history like a playground, joking about Eisenstein’s reaction to Kitchen Nightmares — “I enter a time machine. I show Sergei Eisenstein an episode of Kitchen Nightmares. He violently kills himself.”. His humor is highly referential and cerebral, connecting politics, pop culture, and film theory, as in his complaint about YouTube sketches as a corrupted evolution of silent film — “youtube comedy sketches are incredible. it's like if silent films were given a microphone by a time traveler and reoriented their entire cinematic process around this futuristic device. It is complete ass”. Even his self-deprecating confidence hinges on meta-intellect — “The fact that I think I'm the dumbest person alive means that I am not the dumbest person alive, thus I can do anything” — showing a tendency to think in paradoxes and logic. All of this points far more to a witty, analytical Ravenclaw than to the ambition of Slytherin, the earnestness of Hufflepuff, or the straightforward heroics of Gryffindor.
Your movie
Your song
Once in a Lifetime - Talking Heads
Their mix of ironic detachment, media obsession, and existential humor fits Talking Heads perfectly, especially Once in a Lifetime. They joke about debt and dashed creative dreams in “I am $30000 in debt bc I thought the 'art meets commerce' artform had a future”, echoing the song’s themes of waking up in a life you didn’t quite intend. Their cinephile and humanities brain shows in posts like “there is better filmmaking in george bush ads from 2000 than hollywood movies coming to a theater near you” and “turns out there WAS a reason for STEM majors to take all those humanities classes”, matching Byrne’s anxious, overthinking narrator. Even their bio, "vibin' and depersonalizin'", and surreal jokes like “I enter a time machine. I show Sergei Eisenstein an episode of Kitchen Nightmares. He violently kills himself.” feel like modern, chronically online versions of "And you may ask yourself, well... how did I get here?" Finally, the self-aware confidence of “you're damn right i'm talking heads” makes this pick feel not just thematically right, but almost canon.
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