
Strengths and Weaknesses

Your Simpsons character
This user most closely matches Lisa Simpson, a smart, artsy, pop-culture-obsessed teen who mixes earnest enthusiasm with sarcasm. Like Lisa, she’s deeply into books and classic culture, shown by posts like “me esta encantando hard times!!1!!! ... charles dickens GOAT” and literary takes such as “que tal si no ignoramos que heathcliff NO ES BLANCO y que eso es algo super importante sobre el personaje!!!”. She has intense, almost nerdy musical devotion that Lisa would relate to, constantly talking about The Beatles (“que buenos los beatles, es que son muy buenos los beatles”) and defending her preferences with strong opinions like “si eres castellanoparlante y dices THE beatles en vez de LOS beatles ... es una red flag como una casa”. Her emotional investment in culture and sport, from “las adolescentes deberiamos tener preferencia para la gira de paul...” to “YO HOY EN LA AMBULANCIA DICIENDO QUE MI TOBILLO ERA UNA OFRENDA PARA QUE ESPAÑA PUDIESE GANAR HOY”, mirrors Lisa’s dramatic intensity when she cares about something. She also mixes political/ethical awareness and snark about the world, like “no, un americano medio de 25 años tiene una deuda universitaria de 40000 dólares”, which feels exactly like a Lisa-style reality check. Overall, she’s passionate, clever, a bit overdramatic in a funny way, and very online about her niche interests—very Lisa Simpson coded.

Your MBTI personality Type
They lean Extraverted: they constantly live‑tweet experiences, concerts, sports, and family moments (e.g., excitement about getting tickets: “TENGO ENTRADAS PARA BRUCE!1!1”, joking about their dad saying woke as guoque: “mi padre acaba de decir woke como GUOQUE KWCKEKSJSJ 😭😭😭”, and sharing ambulance banter: “YO HOY EN LA AMBULANCIA DICIENDO QUE MI TOBILLO ERA UNA OFRENDA PARA QUE ESPAÑA PUDIESE GANAR HOY VAMOS HOSTIA”), which shows a strong outward, socially oriented energy. They appear strongly Intuitive: they’re obsessed with meaning, media, and big-picture culture (Beatles, Dickens, Joan Didion, The Bear, Succession), and they jump to conceptual takes like critiquing adaptations and representation: “que tal si no ignoramos que heathcliff NO ES BLANCO y que eso es algo super importante sobre el personaje!!! solo con eso ya han mandado a la mierda la adaptación” rather than focusing on mundane details. Their tone is clearly Feeling-oriented: they react with intense emotion and empathy (e.g., “robert de niro estará destrozado pobrecillo”, “sinceramente lo siento tanto por la gente que le odia, pero bueno peor para ellos”), and they judge things in terms of vibe and values, like calling saying THE Beatles a red flag: “si eres castellanoparlante y dices THE beatles en vez de LOS beatles no puedo confiar en ti, lo siento pero es que es una red flag como una casa”. They read as Perceiving rather than structured: they complain about chaotic experiences like long Ticketmaster queues (“6463 personas delante mio en la cola todavia de ticketmaster de paul todavia, me vomito encima”), struggle with closing tabs (“cerrar pestañas es TAN difícil”), and generally react spontaneously to whatever appears on their timeline instead of emphasizing plans or order. Overall, the combination of high-energy social engagement, pop‑culture and literary enthusiasm, emotional intensity, and improvisational chaos points most strongly to ENFP.

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19 | lit student powered by La La Land OST, Dickens, and The Beatles. Once did Hard Times homework early and called it a personality trait.– @blancobirds

Your signature cocktail
This drink starts with an Irish whiskey shot for her intense, slightly chaotic fangirl energy over Irish lads, like calling someone the “lady di de nuestra generación pero mejor porque no tiene ninguna relación con la realeza y además es irlandés” in “lady di de nuestra generación…”. Topped with Spanish cava, it nods to her Spanish timeline, football obsession, and national drama, from shouting about “todo el norte rojo 🚬🚬🚬” in “todo el norte rojo 🚬🚬🚬” to yelling in an ambulance that her ankle was “UNA OFRENDA PARA QUE ESPAÑA PUDIESE GANAR HOY” in “YO HOY EN LA AMBULANCIA…”. A black tea syrup with lemon represents her literary, slightly academic side—loving Dickens so much she says “charles dickens GOAT” in “me esta encantando hard times!!1!!!…” and arguing about Heathcliff not being white in “que tal si no ignoramos que heathcliff NO ES BLANCO…”. The dash of bitter herbal liqueur captures her sharp, ranty humor when she complains about ads as “HOW TO START BEING ANNOYING AS FCK”* in “no me dejan de salir estos anuncios de mierda…” and threatens Ticketmaster with “t1ck3tm4st3r os voy a qu€mar vivos a t0d0s” in “t1ck3tm4st3r os voy a qu€mar vivos…”. Finally, the blue curaçao float is the bright pop of fandom joy that sits on top of everything—her tried-and-true blue love for music and pop culture, from “que buenos los beatles, es que son muy buenos los beatles” in “que buenos los beatles…” to her plea “@PaulMcCartney regálame entradas” in “me voy a suicidar, @PaulMcCartney regálame entradas”, and her belief that “las adolescentes deberiamos tener preferencia para la gira de paul” in “las adolescentes deberiamos tener preferencia para la gira de paul…”.

Your Hogwarts House
They show a strong love of learning and literature in a way that feels intrinsically motivated and enthusiastic rather than dutiful. For example, they gush about being assigned Hard Times and end up loving it, writing that it was difficult at first but now they think “everyone should read it” and calling Dickens the GOAT: “me esta encantando hard times!!1!!! al principio me costó bastante pero !!!!! me parece que todo el mundo deberia leerlo!! estoy agradecidísima de que nos hayan obligado a leerlo !!! charles dickens GOAT”. They also engage in quite specific, almost pedantic literary/media criticism, as when they insist it’s important that Heathcliff is not white and that this ruins an adaptation: “que tal si no ignoramos que heathcliff NO ES BLANCO y que eso es algo super importante sobre el personaje!!! solo con eso ya han mandado a la mierda la adaptación”. Their timeline is full of references to authors (Joan Didion, Lucy Dacus’ lyrics read like text), detailed opinions on albums and soundtracks, and even joking about rhythm and phrasing in lines from songs, e.g. reading a tweet with the same cadence as a Phoebe Bridgers lyric: “lo leí con el mismo ritmo que el 'you are sick, and you're married, and you might be dying' de moon song”. This mix of literary focus, close reading, and cultural analysis — plus their playful, analytical takes on music, films, and TV — aligns most closely with Ravenclaw’s valuing of curiosity, wit, and intellectual engagement rather than the more straightforward bravery of Gryffindor, the service-focus of Hufflepuff, or the careerist ambition of Slytherin.

Your movie

Your song
The song that best suits them is “Now and Then” by The Beatles. They’re clearly a passionate Beatles fan, as shown when they gush that “que buenos los beatles, es que son muy buenos los beatles” and even joke that “son 4 :( son los beatles”. They react with genuine awe to the band’s continued legacy, writing that “now and then nominada a roty, me lo dicen hace dos años y me quedo blanca desmayada en el suelo”, which mirrors the song’s emotional mix of nostalgia and disbelief that something so cherished has returned. Their timeline is full of intense, heartfelt fandom—whether for books, series, or musicians—which matches the song’s themes of enduring affection and looking back with love. Now and Then encapsulates both their Beatles obsession and their sentimental, slightly dramatic, deeply attached way of caring about the things they love.

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