
Strengths and Weaknesses

Your Simpsons character
They come across as sharp, media-savvy, and a bit jaded, very much like Lisa Simpson when she’s extremely online and over it. Their mix of pop culture criticism and niche gaming takes shows a Lisa-like blend of brains and obsession with her favorite media, like when they say “3 god tier games and a series thats better off being an animated series” and dissect League and Genshin details. There’s also a strong moral and critical streak, dragging companies and politics with lines like “oh american activism” and “this company actually can just go bankrupt idc”, which fits Lisa’s tendency to call things out. At the same time, they’re earnest and passionate about their interests, gushing over music and games in tweets like “best opening in gaming herstory actually the music gives me chills everytime” and “put this shit on spotify NOW”. The mix of sardonic humor (e.g. “cant have a little fun cuz of woke omg”) and genuine enthusiasm feels like Lisa when she’s oscillating between cynicism and heartfelt fandom. Overall, they read as the internet-poisoned, pop-culture-immersed version of Lisa rather than a chaotic Bart or laid-back Homer.

Your MBTI personality Type
They lean Extraverted: they constantly engage with others, tag oomfs, and react loudly to media and games with performative flair, e.g. “you people are insane im crying” and “she knew she was the winner of this weeks challenge”, showing comfort in public, social expression. Their tweets show strong Intuition over Sensing: they focus on concepts, vibes, and fictional worlds (League, X‑Men, Genshin, K‑pop, MCU) rather than concrete day‑to‑day details, as in “genuinely who wants to live in new york earth 616 when a world ending calamity happens every 3 business days” and “league lore if they actually cared and explored more of the camavor content cuz why is the only thing we know about nilah's birthplace like maybe one tiny paragraph long”. They come across as Feeling: their judgments are driven by emotional reactions, aesthetics, and stan culture—calling things “gagged,” “fierce,” or “chop,” as in “bitch this is fierce” and “another low effort IVE album cover has hit the tower”, rather than structured logical argumentation. Finally, they lean Perceiving: they appear spontaneous and flexible—staying up despite needing to wake at 5am in “having to wake up at 5 am but not wanting to go to sleep im gonna regret this tomorrow”, discovering gameplay mechanics late in “it took me until the final boss to realize that mages in metaphor are allowed to stand in the back row”, and reacting in-the-moment to patches, hotfixes, and announcements rather than talking about long-term structure. Altogether, their energetic online presence, imaginative media focus, emotionally charged language, and go-with-the-flow lifestyle fit ENFP best.

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Your 5 Emojis
Your new Twitter bio
24 • he/him • interior design goblin by day, games & comics critic by night. Once spent 13 hours on a client project they postponed in 5 minutes.– @bonajadeprotect

Your signature cocktail
This cocktail is bright, a little chaotic, and very online—much like Sym live-tweeting games, K‑pop, and Marvel in one breath. The gin with herbal citrus nods to their methodical, detail‑oriented side, like spending “13 hours on interior design for client” only to be rescheduled (“spent 13 hours on interior design for client yesterday to reach the deadline only for the client to delay the appointment”). Elderflower liqueur brings a pretty, almost magical sweetness for their love of witches, mages, and sorcerers—whether it’s “hexenzirkel buffs” (“being shafted into hexenzirkel buffs instead of having his own knights of favonius faction buff they will go to hell”) or chanting “HEVEN… FALLS” over game music (“HEVEN… FALLS”). Blood orange adds drama and a hint of bitterness, perfect for the person who says “this company actually can just go bankrupt idc” (“this company actually can just go bankrupt idc”) yet still cares enough to rant about every hotfix and album rollout (“good cuz it baffles me that mid tier groups can outsell actual global superstars entirely cuz of how predatory companies make the albums”). Sparkling yuzu soda captures their excited, effervescent stan energy—gagging over “the best opening in gaming herstory” (“best opening in gaming herstory actually the music gives me chills everytime”) or screaming “WHOLE HOUSE PULLING” at a match (“WHOLE HOUSE PULLING”). Finally, a dash of chili tincture represents their sharp tongue and occasional menace, like calling out “your ass too grown” (“your ass too grown”) and declaring “WE DONT WANT BELGIUM” (“WE DONT WANT BELGIUM”)—just enough heat to make the whole spell crit.

Your Hogwarts House
Their timeline shows an analytical, media-literate mind that constantly evaluates games, shows, and companies with a sharp, almost academic eye, which leans heavily Ravenclaw. They dissect game design and character mechanics in detail, like when they note how a character becomes fun only once you understand her combos and strategies in a replayed game: “the way on my initial playthrough i never really found her playstyle fun but after replaying the game she easily becomes the most fun character to use once you understand the amount of combos and strats you can pull off with her”. They also show systems-level thinking about industry practices, criticizing predatory K‑pop album economics in “good cuz it baffles me that mid tier groups can outsell actual global superstars entirely cuz of how predatory companies make the albums”. Their engagement with lore and worldbuilding (e.g., wanting deeper exploration of Nilah’s birthplace in League in “league lore if they actually cared and explored more of the camavor content cuz why is the only thing we know about nilah's birthplace like maybe one tiny paragraph long”) further highlights a love of detailed knowledge rather than just surface-level fandom. Even their humor is quick and referential, such as the deadpan media critiques in “genuinely what about this is giving disco” and the joke about turning a Jools Holland title into Jools Holland’s Annual Hooting and Hollering in “Jools Holland’s Annual Hooting and Hollering”, which suggests wit and creative wordplay. While there are flashes of loyalty and frustration at unfairness, the dominant pattern is intellectual curiosity, critique, and cleverness, which fits Ravenclaw best.

Your movie

Your song
Their mix of gaming, pop culture, and campy dramatics fits the unapologetic confidence and chaotic resilience of ANTIFRAGILE. They literally reference it with “antifragile started playing on shuffle”, showing it’s already part of their personal soundtrack. The way they power through work stress like “spent 13 hours on interior design for client yesterday to reach the deadline only for the client to delay the appointment” and still joke about it is very ‘break me, I get stronger’ coded. Their dramatic, stan-Twitter tone in posts like “BRING OUR FAMILY BACK TOGETHER PLEASE” and “HATE?????” also matches the song’s theatrical flair. Overall, ANTIFRAGILE captures their resilient, pop-savvy, slightly unhinged but self-aware vibe perfectly.

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