Strengths and Weaknesses
Strengths:
- Aesthetically-curious: Frequently shares art and photography, e.g. Umbo’s Träumende “Träumende, Umbo (Otto Maximilian Umbehr)”, André Masson’s Acéphale cover “Ilustração de André Masson para a capa da primeira edição da revista Acéphale, de Georges Bataille (1936).”, Tibetan thangka “Tibetan anatomical thangka by Romio Shrestha.”.
- Musically-engaged: Shows detailed music taste and rankings, like Frank Zappa album list “1. Hot Rats 2. Apostrophe (') 3. Sheik Yerbouti 4. Uncle Meat 5. We’re Only in It for the Money” and references to Cryptopsy “Grito de 30 segundos do Lord Worm em Open Face Surgery do Cryptopsy”.
- Literary-minded: References Bataille and Acéphale “Ilustração de André Masson para a capa da primeira edição da revista Acéphale, de Georges Bataille (1936).” and creates a strawpage for writing or interaction “Eu criei um strawpage, sintam se livres para me mandar qualquer coisa”.
- Self-aware: Openly frames himself as misunderstood and on a ‘mission’, showing a conscious persona-building, e.g. “Eu sou o homem mais mal compreendido do século e todos querem minha cabeça num disco de prata” and “Na verdade, estou cumprindo uma missão e assim que alcançar meus objetivos, serei oculto por D’us no Monte Nebo.”.
- Darkly-humorous: Uses grotesque exaggeration and absurdism for effect, such as proposing a ‘foneocracia’ run by serial killers “O país DEVE ser governado por um grupo seleto de assassinos em série, homicidas.” and surreal Hitler motel scenario “Eu me encontrei com Adolf Hitler num motel ontem e fui impregnado com sua doença”.
Weaknesses:
- Aggressively-insulting: Frequently directs harsh personal insults at individuals and groups, e.g. “Que nojo, você me dá vontade de vomitar. Eu cuspo no chão sempre que algo seu aparece na fy.” and “Fisionomia de brasileiro pobre e burro sem instrução de porra nenhuma”.
- Dehumanizing-rhetoric: Uses explicitly dehumanizing language about Brazilians “Brasileiros são MACACOS. MACACOS com M maiúsculo. E não devem opinar sobre absolutamente PORRA nenhuma.”, undermining any constructive critique.
- Violence-fixated: Invokes fantasies of harm and domination, from killing ‘Sexo’ and ‘parir o Amor’ “Em 2026 nós vamos matar o Sexo e parir o Amor” to wanting a child dead “Eu e meu filho Bilau o qual eu odeio e quero matar”.
- Misogynistic-tones: Uses body-shaming and humiliation aimed at women, e.g. “Oi não não foi e você é gorda” and the scenario of forcing his partner to urinate for public shaming “impedindo a de ir ao banheiro para que ela se mije na frente do médico e eu possa humilhá la”.
- Empathy-deficient: States indifference to large-scale suffering, such as “Eu não me importo com o ‘Genocídio em Gaza’”, signaling a lack of concern for others’ pain.
Your Simpsons character
Bart Simpson
This user most closely resembles Bart Simpson, with a blend of juvenile provocation, nihilistic humor, and deliberate offensiveness. Like Bart, they seem to revel in antagonizing others and courting outrage, as in openly declaring “Brasileiros são MACACOS. MACACOS com M maiúsculo. E não devem opinar sobre absolutamente PORRA nenhuma.” and boasting that they are “o homem mais mal compreendido do século” while claiming that “todos querem minha cabeça num disco de prata”. The pseudo-edgy fantasies about violence and domination, such as “Eu me encontrei com Adolf Hitler num motel ontem e fui impregnado com sua doença” and “O objetivo é transformar o Brasil numa foneocracia… governado por um grupo seleto de assassinos em série, homicidas.”, echo Bart’s tendency to push boundaries to a cartoonish extreme. At the same time, the mix of cultural references (Frank Zappa rankings, esoteric art, Buddhist imagery) alongside crude insults and hashtags like “#RapeRenatoIMPERA” feels like Bart aged into a hyper-online, media-saturated edgelord. The persona here is less a stable adult worldview and more a continuous prank, trolling, and testing of limits—very much in the spirit of Bart’s perpetual, chaotic adolescence.
Your MBTI personality Type
INTP
They read as more Introverted than Extraverted despite being provocative: they talk about a private, almost prophetic mission and withdrawal, e.g. “Não estou aberto à possibilidade de conhecer ninguém no momento. Na verdade, estou cumprindo uma missão e assim que alcançar meus objetivos, serei oculto por D’us no Monte Nebo.”, and describe themselves as misunderstood: “Eu sou o homem mais mal compreendido do século e todos querem minha cabeça num disco de prata”. Their focus is strongly Intuitive: they gravitate toward abstract, symbolic or esoteric content—Buddhism and Tibetan art (“As Quatro Nobres Verdades em escrita Uchen…”, “Pegadas do Buda”), surrealist and occult references (“Ilustração de André Masson para a capa da primeira edição da revista Acéphale…”), and visionary political fantasies like “O objetivo é transformar o Brasil numa foneocracia (phoneús + kratía). O país DEVE ser governado por um grupo seleto de assassinos em série, homicidas.”. They are clearly Thinking-oriented: their style is hyper-analytical, contemptuous and unemotional, favoring harsh judgments over harmony, e.g. “Brasileiros são MACACOS. MACACOS com M maiúsculo. E não devem opinar sobre absolutamente PORRA nenhuma.” and the cold dismissal “Eu não me importo com o ‘Genocídio em Gaza’”. Their behavior suggests Perceiving more than Judging: the feed is chaotic, impulsive, and exploratory—jumping from Frank Zappa rankings (“1. Hot Rats 2. Apostrophe (') 3. Sheik Yerbouti 4. Uncle Meat 5. We’re Only in It for the Money”) to grotesque fantasies (“Eu me encontrei com Adolf Hitler num motel ontem e fui impregnado com sua doença”) without any sense of structured planning or orderly life organization. Taken together—introspective, abstract, analytical, and chaotic—they most closely resemble an INTP profile rather than a more rigid INTJ or socially driven ENTP.
Some pickup lines for you
- You ranked ‘Hot Rats’ above ‘Uncle Meat’, worship Genesis P-Orridge at Spahn Ranch, and quote Bataille—are you sure you’re not the real great annihilator I’m supposed to fall into?
- You said in 2026 we’re going to kill Sex and birth Love—can I apply for the role of co-parent, or is that reserved for serial killers in your future foneocracy?
- For someone who dressed ‘fascistically’ out of boredom just to stare in the mirror, you’re remarkably democratic with your references—Zappa, Tibetan thangkas, Acéphale… any chance you’d add one more obscure artifact and go out with me?
- You wrote that you’re the most misunderstood man of the century and everyone wants your head on a silver platter; I just want it resting on my shoulder while we listen to Cryptopsy and argue about which /mu/ albums actually deserved salvation.
- You don’t care about Gaza discourse, think Brazilians are capital-M Macacos, and still went out of your way to make a strawpage for people to send you things; statistically speaking, that means you’re 100% likely to ignore this—but on the off chance you don’t, coffee in Batel instead of humiliating your imaginary Vietnamese girlfriend at the ophthalmologist?
Your 5 Emojis
Your new Twitter bio
Hank | 22, anthropologist of Brazilian fauna, black metal apologist, Hot Rats evangelist. Once dressed fascistically out of boredom, still not over it.– @carpathianfreak
Your signature cocktail
The Great Annihilator Negroni
This drink starts with overproof mezcal, a volatile, aggressive spirit that matches the confrontational edge of lines like “Brasileiros são MACACOS. MACACOS com M maiúsculo.” and “Eu não me importo com o “Genocídio em Gaza”. A dark amaro brings bitterness and complexity, echoing the misanthropic political surrealism of “O objetivo é transformar o Brasil numa foneocracia (phoneús + kratía). O país DEVE ser governado por um grupo seleto de assassinos em série, homicidas.” and the chaotic election fantasia in “Nessas eleições teremos: 🔴 Lula — Decapitado com uma cimitarra...”. Smoked black tea syrup captures the aesthetic, morbid art-kid side—Genesis P-Orridge at Spahn Ranch, André Masson’s Acéphale, and the poetic fatalism of the bio: “We will fall right through the wall of the place where we were made. Right into the open mouth of the great annihilator.”. A dash of saline nods to the self-mythologizing martyr vibe of “Eu sou o homem mais mal compreendido do século e todos querem minha cabeça num disco de prata”, making everything sharper and more in-your-face. Finally, it’s served over a charcoal-infused ice cube, a literal black heart slowly bleeding into the glass, channeling the gleefully cruel, transgressive fantasies of “Eu me encontrei com Adolf Hitler num motel ontem e fui impregnado com sua doença” and “Forçando minha namorada vietnamita a tomar 3 litros de água [...] para que ela se mije na frente do médico e eu possa humilhá la”, while still being stylish, deliberate, and disturbingly well composed.
Your Hogwarts House
Slytherin
This user shows a strong mix of elitism, contempt for perceived inferiors, and self-aggrandizing ambition that is very characteristic of Slytherin. He frames himself as a misunderstood, persecuted figure — for example, claiming “Eu sou o homem mais mal compreendido do século e todos querem minha cabeça num disco de prata” and envisioning Brazil ruled by “um grupo seleto de assassinos em série” in his proposed “foneocracia” “O país DEVE ser governado por um grupo seleto de assassinos em série, homicidas.”. He is openly status- and class-conscious, defending his own position and mocking others as inferior, such as when he brags about living in an elite neighborhood and being financially independent at 22 “Se morar no Batel (bairro mais nobre de Curitiba), ser um jovem pensador livre e independente financeiramente aos 22 é fracassar na vida, então não sei qual é seu parâmetro de sucesso...”. His willingness to dehumanize entire groups and dismiss moral concerns, e.g. “Eu não me importo com o ‘Genocídio em Gaza’” and “Brasileiros são MACACOS. MACACOS com M maiúsculo. E não devem opinar sobre absolutamente PORRA nenhuma.” reflects ruthless self-interest rather than courage, empathy, or fairness. Combined with his theatrical, almost propagandistic self-mythologizing — talking about being hidden by God on Mount Nebo after his ‘mission’ “Na verdade, estou cumprindo uma missão e assim que alcançar meus objetivos, serei oculto por D’us no Monte Nebo.” — this places him squarely in Slytherin rather than any of the other houses.
Your movie
Your song
Street Hassle - Lou Reed
Lou Reed’s Street Hassle fits Hank’s mix of nihilism, cruelty, and romanticized decay. The song’s spoken-word darkness and fascination with seedy lives mirrors tweets like “Eu sou o homem mais mal compreendido do século e todos querem minha cabeça num disco de prata” and “Eu não me importo com o “Genocídio em Gaza””, which show a performative alienation and moral abrasion. Hank’s self-stylization as an outsider-intellectual, citing Bataille and Acéphale, aligns with Reed’s blend of literary sensibility and gutter imagery, seen when he posts “Ilustração de André Masson para a capa da primeira edição da revista Acéphale, de Georges Bataille (1936).” The fixation on transgression and violence, e.g. “O objetivo é transformar o Brasil numa foneocracia (phoneús + kratía). O país DEVE ser governado por um grupo seleto de assassinos em série, homicidas.” and grotesque sexual fantasies, echoes the song’s unvarnished depictions of death, sex, and exploitation. Even his choice of Lou Reed as a profile icon (“Whatsapp: Lou Reed”) suggests an identification with Reed’s persona, making Street Hassle an especially fitting soundtrack to his online character.
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