
Strengths and Weaknesses

Your Simpsons character
This user is closest to Lisa Simpson: sharp, self-aware, politically and socially opinionated, but wrapped in a very sarcastic, world-weary humor rather than earnest pep. Like Lisa, she’s clearly bright and overqualified for a lot of the nonsense around her at work and in life, as seen when she mocks hollow productivity/LinkedIn culture in posts like “Vi un posteo en LinkedIn que decía algo como 'nunca necesité un hobbie o un interés fuera del trabajo'. Dios mío, podés ser tan triste y pelotuda, hermana?” and corporate zen-positivity in “Que bronca que me da esa gente que se hace la zen... Me voy a seguir quejando todo lo que se me de la gana, gila.”. She constantly reflects on her own contradictions and neuroses with intelligence and irony, like calling her habits “habitando mis contradicciones” while storing lettuce in an ice-cream tub in “la lechuga lavada la guardo en un tupper de torta helada Grido”, which fits Lisa’s blend of ideals and everyday absurdity. The mix of cultural references (Di Tella, K-pop, Rocky Horror), bookish nostalgia, and biting but ultimately empathetic humor toward family and kids—e.g., “Born to be la tía copada, forced to completar un excel de mierda”—is very Lisa-coded: smart, critical, emotionally complex, and funnier than everyone around her.

Your MBTI personality Type
They consistently describe themselves as low‑social and circle‑averse, e.g. calling themselves “una gorda antisocial que conoce a 4 personas” in “Soy una gorda antisocial que conoce a 4 personas y no se gasta en ampliar su circulo” and joking about a tiny social circle of “3 personas, Marge y la estufa” in “Mi círculo humano está compuesto de 3 personas, Marge y la estufa”, which points strongly to Introversion (I) over E. Their humor is grounded in everyday realities and concrete details—bank problems, subte abanicos, cajas navideñas, pollerías de barrio, and specific work annoyances—rather than abstract speculation, like in “Fui al super a comprar carne, volví con un cynar, una toalla y un scrabbel” and “Para que chota sos cliente premium… si no puedo hablar con un humano”, suggesting Sensing (S). They evaluate situations with a dry, cutting, and often ruthless logic, prioritizing blunt assessment over harmony: see “Vi un posteo en LinkedIn que decía algo como 'nunca necesité un hobbie'… podés ser tan triste y pelotuda, hermana?” and “Haga patria y faje a un Gen Z hasta que aprenda a googlear”, which aligns with Thinking (T) rather than F. At the same time, they are clearly responsible, deadline‑aware, and structured in work matters—complaining about project leadership, Teams notifs, January not being “tranquilo,” and crafting believable excuses as in “Me invitaron a un evento y metí una excusa tan elaborada y verosímil que el mismísimo Metz me tendría que dar la gracias”, pointing toward Judging (J) over P. Overall, their practical focus, sarcastic but systematic work ethic, and small‑circle introversion fit ISTJ better than any other type.

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Your new Twitter bio
Buenos Aires. Corporate ranter, part-time aunt, full-time complainer. Once corrected a coworker on what counts as ‘coming to America’ and never looked back.– @casicasiperono

Your signature cocktail
This drink starts with Buenos Aires pink gin for the low-key but sharp chaos of someone whose year highlight was Oasis and who greets the new year “with intentions of drinking a gin tonic under this lamp” (“Hola! (con intenciones de beber un gin tonic debajo de esta lámpara)”). A dash of cynar spritz nods to going to buy iron-rich meat and volver “con un cynar, una toalla y un scrabbel” (“Fui al super a comprar carne, volví con un cynar, una toalla y un scrabbel.”), because priorities are spiritual, not nutricional. The grapefruit & pickle brine cordial is for the salty-sweet fear of summer funk and that brutally honesta vibe of “my motivation not to keep getting fatter is the fear of smelling like pickle with this heat” (“La estética y la salud me preocupa cero, mi motivación para no seguir engordando es el miedo a oler a pickle”). Sparkling water with lime keeps it drinkable and ligera, like the normie reset of “I took mate, painted, ate cremona, listened to music... and it passed” (“tomé mate, pinté, comí cremona, escuché musiquita… y se me pasó”). Finally, a rim of crushed cremona & sugar crowns it with tía energy worthy of the one who is “born to be the cool aunt, forced to complete a shitty Excel” (“Born to be la tía copada, forced to completar un excel de mierda”).

Your Hogwarts House
They show a very Slytherin mix of sharp self‑preservation, strategic social maneuvering, and unapologetic edge. At work, they brag about ducking the whole idea of networking while still winning through one key relationship: “Soy una gorda antisocial que conoce a 4 personas y no se gasta en ampliar su circulo, aún así acabo de romperla en una reunión por tener el contacto de la persona adecuada en el momento adecuado. Que el networking me coma los dos huevos.” — that’s classic resourcefulness over grind. They’re openly calculating about when to expend social energy, inventing elaborate excuses to avoid events: “Me invitaron a un evento y metí una excusa tan elaborada y verosímil que el mismísimo Metz me tendría que dar la gracias” and asking “Cuántas excusas polite hay que inventar hasta que las personas entiendan que te dan paja?”, which fits Slytherin’s preference for indirect, tactical approaches rather than blunt confrontation. Their humor is cutting and survival‑oriented, as when they say “Haga patria y faje a un Gen Z hasta que aprenda a googlear” or threaten, only half‑joking, “Al próximo que me diga 'pero enero es tranquilo' le pego un tiro sin mediar palabra”, suggesting a willingness to bite first in stressful contexts. Even their approach to stress and career risk is sly and defiant rather than dutiful: “Más de la mitad de las decisiones laborales que tomé esta semana fueron bajo la consigna 'y sino que me echen'”. They’re witty and intelligent, but the dominant pattern is cunning, guardedness, and a strong instinct for their own comfort and advantage — hallmarks of Slytherin over the other houses.

Your movie

Your song
Joan Jett’s Bad Reputation fits them because they clearly don’t care about conforming to polite or corporate expectations, constantly choosing blunt honesty and sarcasm over being "zen" or nice for show, like when they say they’ll keep complaining as much as they want: “Me voy a seguir quejando todo lo que se me de la gana, gila.”. The song’s rebellious, "I don’t give a damn" energy matches tweets where they fantasize about reacting violentemente to workplace clichés, e.g. “Al próximo que me diga 'pero enero es tranquilo' le pego un tiro sin mediar palabra”. They embrace being antisocial and outside networking culture, writing “Que el networking me coma los dos huevos.”, which mirrors the song’s refusal to play along with social expectations. Even in professional contexts they operate on a "fire me if you want" vibe: “Más de la mitad de las decisiones laborales que tomé esta semana fueron bajo la consigna 'y sino que me echen'”. Overall, their mix of self-deprecating humor, sharp tongue, and proudly unbothered attitude aligns closely with the defiant spirit of Bad Reputation.

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