
Strengths and Weaknesses

Your Simpsons character
This user most closely matches Lisa Simpson: smart, emotionally intense, politically and socially aware, and very fandom/interest-driven. Like Lisa, they’re openly introspective and neurodivergent, talking about being ND and relating deeply to characters such as Columbina as an outsider looking in (“I think the reason why columbina in the AQ hit so close to home is bc im ND and literally a lotta my life feels like an outsider looking in”). They care about representation and media critique in a very Lisa way, such as discussing diaspora Chinese portrayals (“i don't think people get how a lot of diaspora chinese people almost never see ourselves portrayed in a non derogatory way”) and calling out issues like fetishization in fandom (“I'm so tired of seeing fu/tan/ari first in the la/ufer tag lmao just write them as trans bruh why we gotta fetishize like that”). Their job working with kids but still asserting boundaries about not necessarily wanting children themselves (“love them but that's my day job!!!”) also echoes Lisa’s blend of compassion and firm personal values. On top of that, their deep dives into games, storytelling, and voice acting (“I went on a five minute exposition abt how much of a loveletter e33 is to jrpgs”) fit Lisa’s passionate, nerdy, and analytical side perfectly.

Your MBTI personality Type
They lean Introvert over Extrovert: most content centers on solitary/online hobbies and close work circles rather than big social scenes, and even at parties they sound more like an outside observer, e.g. watching friends play AMVs in “My friends at the new Years party are playing SpongeBob yaoi amvs pls save me”, or quietly bonding with select coworkers who let them infodump about games in “I love some of my coworkers so much because I went on a five minute exposition abt how much of a loveletter e33 is to jrpgs (and rpgs too) and they listened”. Their style is clearly Intuitive: they constantly abstract media into themes and symbolism, like reading Mavuika as a metaphor in “thinking about how mavuika is such a good personification of the sun . she's bright… the sun who is dying to keep the world bright;” or discussing narrative structure and representation in “i don't think people get how a lot of diaspora chinese people almost never see ourselves portrayed in a non derogatory way outside of chinese media”. They are strongly Feeling-oriented: they foreground emotional resonance and ethics over analysis, such as crying over character relationships in “The way I ugly cried at this... Robin and Sunday's relationship is so important to me” and critiquing fetishizing content in “I'm so tired of seeing fu/tan/ari first in the la/ufer tag lmao just write them as trans bruh why we gotta fetishize like that”. Their approach looks more Perceiving than Judging: they often mention being broke or unprepared (e.g. “oh shit it's december tmrw... i haven't crocheted anyone their christmas presents yet” and “i need my paycheck to hit so i can justify buying the bp HHHH”), bounce between games and interests on impulse in “OK FINE ILL PLAY WUWA AGAIN”, and embrace multishipping and open-ended headcanons as in “this is just my hc on the character's sexualities n stuff they're all personal interpretations”. Overall, their introspective, values-driven media analysis, emotional depth, and flexible, somewhat chaotic lifestyle cues are most consistent with INFP.

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Your new Twitter bio
Teacher by day, JRPG & gacha analyst by night. Chinese-Canadian, she/they, 28. Once named my baby after a character and my coworkers weren’t even surprised.– @cptnkira

Your signature cocktail
Jasmine-infused gin captures their soft but sharp, introspective vibe and love of emotionally complex femmes like Shadowheart and Edelgard, as well as the way they describe Columbina and Mavuika with almost poetic tenderness in “thinking about how mavuika is such a good personification of the sun” and “6.2 spoilers (not really) // I think the reason why columbina in the AQ hit so close to home is bc im ND and literally a lotta my life feels like an outsider looking in”. Lychee liqueur brings in that distinctly East Asian sweetness and diaspora joy they talk about in “i don't think people get how a lot of diaspora chinese people almost never see ourselves portrayed in a non derogatory way outside of chinese media”, while yuzu juice adds a bright, tart kick for the chaos of teaching kids who throw pencil shavings like Elsa and spin to “life is a party” in “a kid in my room today took a handful of pencil shavings” and “my children made me take a video of them … spinning in circles”. Rose syrup embodies their unabashed romantic multishipper heart—crying over yuri and yaoi ships from nefhoda to Arlebina and Sandbina in “being a multishipper is fun bc i get to enjoy both arlebina and sandbina content” and “It took a while but found a nefhoda fic so good I think I've become a convert”. Finally, sparkling sake adds a fizzy, experimental finish that mirrors both their constant hopping between games—Genshin, HSR, WuWa, Reverse 1999, Persona, Baldur’s Gate—in tweets like “OK FINE ILL PLAY WUWA AGAIN” and “omg fiiiiine i'll play another eden”, and their self-aware, ND, queer educator energy, joking about pride flags and listening coworkers in “we're all ND and work with kids I guess that's the perk” and “One of my coworkers asked me if I had a spare pride flag around for her classroom”. This cocktail is lightly sweet but emotionally strong, like a night of crying over story quests and gacha pity in “BRO TOOK 72 PULLS IT WAS ALMOST HARD PITY (LOST THE 5050 BTW)” while still getting up the next day to wrangle kindergarteners with k-pop soundtracks in “It's so heartwarming watching these kindergarteners love the kpop demon hunters soundtrack”.

Your Hogwarts House
Their tweets consistently center on care work, loyalty, and emotional generosity, which are core Hufflepuff traits. They clearly love and advocate for the children they work with, sharing stories like the kid who threw pencil shavings in the air and saying they "clapped for the performance" even while managing the cleanup, showing patience and kindness to kids rather than frustration: "a kid in my room today took a handful of pencil shavings threw it up in the air and started acting like they were elsa like yeah i clapped for the performance but boy was the clean up a doozy for them". They also push back against unrealistic expectations on teachers and childcare workers, emphasizing that you can love kids and still be tired or have complex emotions: "i hate it when teachers and childcare workers get hit with the 'but how could you be grumpy/sad/depressed...[...] we can love working with them AND be tired because we have to work". Their loyalty to their media faves and communities shows in how they defend often-maligned works and creators with warmth instead of elitism, like passionately describing E33 as a love letter to RPGs to coworkers who actually listen: "I went on a five minute exposition abt how much of a loveletter e33 is to jrpgs (and rpgs too) and they listened LMAO we're all ND and work with kids". Finally, they show a strong sense of fairness toward representation and marginalized identities—calling out how diaspora Chinese people rarely see themselves portrayed non-derogatorily while also critiquing fetishizing content in their ships—doing so in a firm but community-minded tone: "i'm tired of pretending like i don't love liyue... i don't think people get how a lot of diaspora chinese people almost never see ourselves portrayed in a non derogatory way outside of chinese media" and "I'm so tired of seeing fu/tan/ari first in the la/ufer tag lmao just write them as trans bruh why we gotta fetishize like that". All of this paints a picture of someone whose defining traits are care, loyalty, and a commitment to treating others kindly and fairly, aligning them most strongly with Hufflepuff.

Your movie

Your song
A fitting song for them is Same Love, especially because they explicitly reflect on how much it meant to them growing up, saying that “we can find same love by macklemore cringe all we like but it doesn't change the fact that mary lambert's verses hits like a truck and it esp did in 2013”. The track’s themes of queer love and visibility resonate with their identity as a queer, ND adult who works with kids and moves through fandom and life loudly and unapologetically, from talking about pride flags at work (“One of my coworkers asked me if I had a spare pride flag around for her classroom”) to critiquing fetishization in fandom (“I'm so tired of seeing fu/tan/ari first in the la/ufer tag lmao just write them as trans bruh”). They’re deeply invested in representation, both as a Chinese diaspora fan loving Liyue and the Xianzhou (“i don't think people get how a lot of diaspora chinese people almost never see ourselves portrayed in a non derogatory way outside of chinese media”) and as someone who treasures queer, complex women in games. The song’s mix of vulnerability and defiant softness mirrors the way they talk about being ND and feeling like an outsider (“a lotta my life feels like an outsider looking in, always feeling a strange sense of rejection”) while still choosing love, community, and fandom joy. Like Same Love, their timeline is a blend of political awareness, queer affirmation, and heartfelt attachment to the stories and characters that helped them survive.

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cptnkira
green: confident, yellow: guess, red: uncertain
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