Strengths and Weaknesses
Strengths:
- Self-aware humor: Frequently jokes at his own expense, like calling himself “fakecel” while reflecting on past loneliness in “essa imagem me encanta porque he's me fr mas nesse ano infelizmente já namorei já beijei sou da tropa dos fakecel tenho que ler subahibi”.
- Media insight: Shows thoughtful, specific criticism of games/anime, e.g. analyzing character development and combat systems in SMT and Muramasa in tweets like “Esse primeiro capítulo de Muramasa é bem escrito pra caralho… subversão de expectativa do início ao fim.” and “geralmente as opiniões sobre o combate do SMT IV se dividem…”.
- Emotional honesty: Openly shares strong feelings about media and life, such as crying at an opening in “quando a opening é tão boa que você só começa a chorar” and describing agonizing anticipation in “Estou agonizando brutalmente… EU SEI MUITO BEM AONDE ISSO TÁ INDO…”.
- Critical thinking: Questions fandom dogmas and political reactions, e.g. criticizing shallow discourse around popularity and ‘normie’ media in “Brutal que quando um anime ou mangá fica popular ele simplesmente começa a ser desprezado…” and mocking overbroad moral labeling in “De acordo com o twitter, você é pedófilo se gostar de…”.
- Playful creativity: Uses inventive metaphors and joke ‘laws’, like the friendship–gacha analogy in “Amizades são como um gacha… Os raríssimos 5★ vão ficar com você pra vida” and the mock legal code in “⚠️ TÁ NA LEI! ⚠️ • Art. 6969…”.
Weaknesses:
- Harsh language: Frequent use of insults and aggressive phrasing, e.g. calling 4chan “um lugar retardado” in “4chan realmente é um lugar retardado” and raging at a developer in “Edmund McMillen. You little fucker. You made a shit of piece…”.
- Edgy provocations: Leans into shock humor around sensitive topics, such as jokes about ‘mídias problemáticas’ and violence in “⚠️ TÁ NA LEI! ⚠️ • Art. 6969. Aquele que manifestar apreço por mídias problemáticas…” and posting about controversial fetish/incest content in “'uaaa you posted an innocent frame of the incest koishi video how could you' bro who the fuck cares…”.
- Pessimistic outlook: Occasionally romanticizes or leans into bleak thoughts, like fantasizing about his own death in “Se eu pudesse escolher onde, quando e como morrer, provavelmente seria sangrando em um campo de girassóis…” and expressing exhaustion with life in “tropa dos que não aguenta mais ou algo assim”.
- Conflict-prone tone: Often frames opinions in combative ways that can escalate discourse, like dismissing opposing SMT IV combat opinions as “não sabe jogar” in “gosta do sistema de smirk = 'peak'… não gosta do sistema = 'combate lixo' (não sabe jogar)” and cursing at communities or platforms in “4chan realmente é um lugar retardado”.
- Online dependency: Many emotional highs and lows are tied to games, anime, and Twitter drama, like intense rage over Isaac in “perdi mais uma run de tainted eden… EU NÃO CONSIGO JOGAR COM ESSE FILHO DA PUTA” and frustration with fandom politics in “vai bater 2026 e ainda tem nego querendo sinalizar virtude com idade de personagenzinha de anime vsffff”.
Your Simpsons character
Bart Simpson
The account fits Bart Simpson best: irreverent, chronically online, and always oscillating between shitposting and oddly sincere moments. Like Bart, they lean into edgy humor and provocation, from posts like “4chan realmente é um lugar retardado” to the mock-legal bit about problematic media in “⚠️ TÁ NA LEI! ⚠️ • Art. 6969...”. There’s also the same mix of juvenile horniness and self-awareness you’d expect from Bart growing up online, with tweets such as “se você se parece com alguma das 3 as minhas dms estão abertas!!” and “yeah bro just let me (a 23 year old balding male) ship myself with megumin there's nothing weird about it”. At the same time, you see surprising emotional insight and melodramatic flair akin to Bart’s rare serious episodes, like “Se eu pudesse escolher onde, quando e como morrer, provavelmente seria sangrando em um campo de girassóis às 08:30 de uma terça feira” and the friendship/gacha metaphor in “Amizades são como um gacha...”. The heavy focus on games and anime, constant exaggeration (“FULL METAL DAEMON MURAMASA ME ENSINOU A NÃO CONFIAR EM NENHUM HOMEM DE BIGODE PARTIDO”), and tendency to rant when frustrated (“perdi mais uma run de tainted eden PUTA QUE PARIU EU VOU DESINSTALAR ESSE JOGO”) all underline that chaotic, adolescent Bart energy rather than the more responsible or idealistic vibes of characters like Lisa or Marge.
Your MBTI personality Type
INTP
They come across as more introverted than extroverted: most tweets revolve around solo media consumption (games, anime, visual novels) and introspective feelings, like fantasizing about dying in a field of sunflowers in “Se eu pudesse escolher onde, quando e como morrer, provavelmente seria sangrando em um campo de girassóis às 08:30 de uma terça feira”, rather than parties or large social circles. Their interests and comments clearly favor intuition over sensing; they dive into themes, subversions and symbolism, as when they analyze Muramasa’s character writing in “Esse primeiro capítulo de Muramasa é bem escrito pra caralho, é subversão de expectativa do início ao fim” and talk about allegories in “minha alegoria trans favorita”. The tone is strongly thinking-oriented: they’re blunt, argumentative and analytical, often mocking others’ reasoning, like in “4chan realmente é um lugar retardado” and their sardonic breakdown of Twitter moralism in “De acordo com o twitter, você é pedófilo se gostar de...”. At the same time, they show emotional intensity but process it through critique and logic, such as dissecting character routes and design choices in Devil Survivor in “Deram um sprite pro fodendo amigo de 2 minutos do Atsuro… Isso diminui pra caralho o impacto do plot do Gin e da Haru”. Their lifestyle and expression fit perceiving more than judging: they complain about procrastination and chaos rather than structure, like “tropa dos que não aguenta mais ou algo assim”, binge media impulsively, and their feed is a rapid-fire stream of reactions, memes and shifting topics rather than orderly plans. Altogether, an inward, analytical media nerd who lives in abstractions, debates and spontaneous rants lines up best with INTP.
Some pickup lines for you
- You compared friendships to a gacha with 3★, 4★ and rare 5★ pulls… statistically speaking, what are the odds I roll you as my permanent 5★ if I keep investing all this aura in you?
- You’re out here begging ATLUS for a Devil Survivor Steam port, screaming about Honda and Law reps, and rating metroidvanias 5.5/10… be honest, if we went on a date and I actually understood all your Megaten rants, would that be your true ‘no killing’ route ending?
- You said you’d like to die bleeding in a sunflower field at 8:30 on a Tuesday; I say we compromise: we just go there alive, drink your cursed coffee/tea combo, talk Muramasa, and see if the universe can handle that much aura in one cutscene.
- You bully people for skipping anime openings, get emotional over Chainsaw Man cafeteria symbolism, and cried at an OP once—if I show you an opening that makes you cry again, do I at least get promoted from fakecel acquaintance to main heroine?
- You called Kageaki confusing, men with split mustaches untrustworthy, and some Discord-mod-looking guy the strongest build in DeSu—so when you say 'visualizing in the mirror the man I want to be', how much work would it take for me to become the woman you want to see next to him?
Your 5 Emojis
Your new Twitter bio
VN enjoyer, Megaten evangelist & coffee addict. Once nearly cried at a 3DS screen, now I just yell about game design and openings on main.– @David_Dot2
Your signature cocktail
Cathedral of Shadows Iced Aura
This drink starts with an espresso shot for the terminal caffeine enjoyer who’s up at absurd hours, like when they said they were “almost 2am and drinking coffee” in “quase duas horas da manhã e bebendo café quem nunca”. A cherry cola reduction nods to their junk‑fuel vibe and specific taste, as seen in “halls de cereja + coca zero”, giving the cocktail a sweet but slightly artificial edge. Smoky mezcal brings the heavy, dramatic energy of someone who jokes about dying in poetic ways like “If I could choose where, when and how to die, it would probably be bleeding in a sunflower field at 08:30 on a Tuesday”, and who rants in all caps about games and routes being PEAK in tweets like “FULL METAL DAEMON MURAMASA ME ENSINOU A NÃO CONFIAR EM NENHUM HOMEM DE BIGODE PARTIDO”. Dark chocolate bitters represent their mix of bitterness and thoughtfulness, from complaining about fandom discourse in “De acordo com the twitter, you are a pedophile if you like: short women, women with skirts…” to nuanced takes on characters like in “I really don't like that she only truly develops on the last day of the game”. Finally, a splash of sparkling tonic water adds fizz and chaos, mirroring the shitpost‑y, hyperactive timeline of someone who can go from “twitter taught me that ALL ROADS LEAD TO PORN” to emotional VN analysis like “This first chapter of Muramasa is insanely well written, subverting expectations from start to finish”. Altogether it’s strong, slightly bitter, oddly sweet, and very online—just like @David_Dot2.
Your Hogwarts House
Ravenclaw
Their timeline revolves around analysis and close reading, especially of games and anime, which strongly points to Ravenclaw. They dig into narrative structure and character writing in detail, like when they break down Muramasa’s first chapter as “subversão de expectativa do início ao fim” and explain character reversals in courage vs. cowardice in “Esse primeiro capítulo de Muramasa é bem escrito pra caralho, é subversão de expectativa do início ao fim. O que parecia ser o mais corajoso do grupo na verdade era o mais covarde, enquanto o que aparentava ser o mais covarde era o mais corajoso.”. They also show a habit of critically dissecting mechanics and design, e.g. discussing SMT IV combat opinions in terms of system understanding instead of vibes in “geralmente as opiniões sobre o combate do SMT IV se dividem em... (não sabe jogar)” and giving a numeric, fairly clinical verdict on a metroidvania in “tipo não é ruim mas tb não é 'CARALHO QUE JOGO PICA' é só um metroidvania em sua forma mais crua, 5.5/10”. Their enjoyment of meta-discussion about fandoms and media reception, as in “Brutal que quando um anime ou mangá fica popular ele simplesmente começa a ser desprezado pela bolha mais 'cult' de otaku. Dandadan, Frieren e Chainsaw Man são todas ótimas obras que nego não consegue dar valor agora que virou 'de normie'”, shows a reflective, pattern‑seeking mindset. There are flashes of Gryffindor-like moral commentary and Slytherin-style edge, such as their political filter joke in “FILTRAGEM DE BETA: TUTORIAL APERTEI 13 NA URNA (pra afastar os diddyreita) SOU PROFICTION E PROSHIP (pra afastar a esquerdalha)”, but these are wrapped in irony and media discourse rather than driving their core identity. Overall, the consistent focus on critique, theme analysis, and meta-humor about art and storytelling fits Ravenclaw best.
Your movie
Your song
Welcome to the Black Parade - My Chemical Romance
Their timeline mixes irony, depressive humor, and grand, melodramatic feelings in a way that fits Welcome to the Black Parade perfectly. They’ll casually say things like wanting to die rather than repeat a task, as in “hora de fazer mais duas vezes (prefiro a morte)”, but it’s wrapped in humor and exaggeration, just like the song’s theatrical angst. There’s a strong sense of identification with tragic or tormented characters and narratives, from Megaten and Muramasa to anime like Evangelion and Chainsaw Man, visible in tweets such as “Estou agonizando brutalmente. EU SEI MUITO BEM AONDE ISSO TÁ INDO...” and the way they praise tragic routes and characters. They also balance this darkness with affection and memes, like “minha esposa puta e nossos dois filhos estúpidos ❤️” and emotional gushing over hype moments and openings, which matches the song’s shift from grief to defiant, hopeful catharsis. Overall, the dramatic, self-aware, and emotionally intense tone of their tweets mirrors the theatrical emo grandeur of Welcome to the Black Parade.
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