
Strengths and Weaknesses

Your Simpsons character
The user is closest to Lisa Simpson, but as if Lisa grew up on edtwt and French cinema Twitter. Like Lisa, they’re bookish and philosophically inclined, calling themselves a “twenty , philosophy , catholic theology / french vintage cinema enjoyer . absurdist,” and posting about Camus and cinema, e.g. “i love my favorite tunisian writer albirt al camus” and “cinema is dead and it remains dead, for we have killed it.”. They mix serious moral-political concern with irony, as when they complain about “the horrors of a materialistic consumerist society” or say “you go outside to treat yourself … and all you see is fascisms distorted smile”, which fits Lisa’s blend of earnestness and frustration with the world. At the same time, they have intense emotional introspection and self-critical spirals—especially around food, body image, and health, like “i’m gonna do the socially acceptable form of an eating disorder because i am an adult” and “i don’t like feeling hungry because it makes me feel ashamed”—mirroring Lisa’s perfectionism and anxiety turned inward. The yearning and romantic sensitivity in tweets such as “situation tough asf i love and miss her, what kind of hostage situation is this 😭” also parallel Lisa’s tendency to fall hard, overthink, and process everything through an almost literary lens. Overall, they read as a darker, more online, more absurdist Lisa: hyper-verbal, politically and philosophically engaged, highly self-aware, and perpetually caught between idealism and melancholy.

Your MBTI personality Type
They read as more introverted (I) than extroverted: most activities are solitary or online (walking alone, chain-smoking, watching old films, obsessing over writers and philosophy) and they often frame their life as internal monologue, e.g. “sometimes u gotta walk to your local calisthenics park and just deadhang to realign your back…” and “my spotify wrapped proves that i am in fact a professional yearner”. Their interests and language clearly favor intuition (N) over sensing: they love philosophy, Catholic theology and French vintage cinema, post absurdist, metaphor-heavy lines like “cinema is dead and it remains dead, for we have killed it”, and make abstract socio‑political comments about fascism and consumerism, rather than detail-focused practicalities. They seem strongly feeling (F): decisions and self-image are filtered through emotion, shame, yearning, and concern for others, shown in tweets like “i don’t like feeling hungry because it makes me feel ashamed” and empathy about a friend whose girlfriend’s friends are mean to him, “sweetest guy i know told me his gfs friends are picking on him…”. Finally, they look more perceiving (P) than judging: they constantly talk about needing to "lock in" but then binge, wander, or get derailed (“2026 started with me binging like crazy how about i lock tf in”; “idk what i weigh rn but i have like 3 weeks to lose 3 4kg”), showing loose planning and spontaneous behavior rather than structured follow‑through. The combination of deep internal emotions, idealistic/absurdist framing, strong personal values, and chaotic, non‑rigid lifestyle best fits INFP.

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Your new Twitter bio
20 • writes about theology, absurdism & old French films • once walked half of Paris on coffee & philosophy alone • views my own life like a noir– @DAZAISSPO

Your signature cocktail
Dry French vermouth stands in for their obsessive love of French cinema and dead French men, from “true girlhood is starving yourself and yearning for dead french men” to “nobody here knows how down bad i am for albert camus… i don’t even like his philosophy but he was fine”. A bitter aperitivo like Campari captures both their political edge and their exhaustion with the world, echoing “you go outside to treat yourself because you’re going on vacation and all you see is fascisms distorted smile” and “the way the internet is handling the epstein files is making me sick… yet i’m disappointed.”. The espresso shot is their stimulant core and restless AUDHD energy, straight out of “audhd kicking in because why am i so restless and needing to move around ????” and “when billionaires ABUSE stimulants it’s okay and chic but when i USE stimulants with PURE INTENTIONS i’m a retarded ass loser??”. Sparkling water with citrus keeps it light and walkable, mirroring their 12k-step pilgrimages and Paris wandering in “sometimes u gotta fast for 24h and walk through half of paris” and “paris may be the ed dream, lots of coffee shops around and things to explore plus VERY walkable”. Finally, a dash of absinthe nods to their ghostly, absurdist Catholic-theology vibe and occasional tipsy chaos in “bad decisions may come from alcohol but at least i feel good” and the existential drama of “cinema is dead and it remains dead, for we have killed it.”. This cocktail is strong but airy, bitter yet caffeinated, like someone who walks through Paris half-starved, quoting Camus, subtweeting their situationship, and still making it to midnight mass of the timeline.

Your Hogwarts House
Their bio foregrounds “philosophy” and “catholic theology / french vintage cinema enjoyer . absurdist,” which already signals a reflective, theory-oriented personality rather than a purely impulsive or status-driven one. They repeatedly center intellectual and aesthetic interests, like missing “my homie albert camus” and planning to “drink 2night” in his memory in “missing my homie albert camus, it’s been exactly 66 years… will drink 2night, rip.”, or joking about “my favorite tunisian writer albirt al camus” in “i love my favorite tunisian writer albirt al camus”, which shows playful, literate humor. Their love of classic and noir cinema, as shown in “noir films” and the pseudo-Nietzschean riff “cinema is dead and it remains dead, for we have killed it. how shall we comfort ourselves? the murderers of all murderers.”, points to someone who enjoys analyzing culture in a clever, intertextual way. Tweets like “i bought some chocolate wafer things and i’m acting like this is a the wages of fear (1953) scenario…” show them turning an everyday situation into a film-referential thought experiment, a very Ravenclaw style of coping. Even their political and media comments, such as “the way the internet is handling the epstein files is making me sick (it was to be expected) yet i’m disappointed.”, have a critical, analytical tone rather than purely emotional outrage. Overall, the consistent mix of intellectual interests, dry wit, and reflective absurdism aligns most strongly with Ravenclaw.

Your movie

Your song
A bittersweet, melodramatic classic like The End of the World fits their mix of irony, yearning, and depressive romanticism. They constantly oscillate between self-aware humor and genuine despair about love and relationships, like when they say “situation tough asf i love and miss her, what kind of hostage situation is this 😭” and describe “how it feels to communicate indirectly w her (i miss you too)”. Their timeline is full of fatalistic and morbid humour about existence and adulthood, such as “being an adult is so weird because wdym 13 year old me assumed we’d be dead by now and i’m now thinking about how ill die at 46”, which mirrors the song’s sense that everything’s ending because of heartbreak. They romanticize suffering, philosophy and dead French men — for example “true girlhood is starving yourself and yearning for dead french men” and their love for Camus — which lines up with the song’s quietly apocalyptic tone. Even their body and ED struggles, like “i’m gonna do the socially acceptable form of an eating disorder because i am an adult”, add to that sense of internal catastrophe set against a world that seems to just keep going, exactly the emotional contradiction that the song captures.

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