Strengths and Weaknesses
Strengths:
- Culturally-aware: Shows deep engagement with music, TV, and festivals, e.g. tracking Grammys, festivals, and artists like in “artists i've seen live this year ✨️” and “dinobjorked 2025 YEAR END LIST (one song per artist)”.
- Politically-engaged: Critiques artwashing and Zionism explicitly in “you can try rationalising it or deflecting the blame…” and “when i'm in a performative activism competition…”.
- Humorously-critical: Uses sharp, meme-savvy humour to comment on pop culture, e.g. “smelliest concert audience award goes to... 2hollis!” and “doctor who after strictly this is so 2018 core 😭”.
- Loyal-fan: Shows long-term, consistent support for artists, like “10 years of being a poppyseed” and still streaming albums in “i'm amongst the 5 people on earth still streaming cowboy carter”.
- Community-minded: Engages with stan and festival communities, tagging and thanking others in “@whothehellisteya thank u for saving ziovision” and suggesting lineups in “realistic sziget 2026 wishlist”.
Weaknesses:
- Harshly-judgmental: Often frames opinions as absolute put-downs, e.g. “i hope fadga wins nothing” and “this is a billie eilish music video (derogatory)”.
- Conflict-prone: Directly attacks individuals or groups, calling someone “najgluplja persona” in “ovaj iskreni komentar najgluplja persona na balkanskom stan twitteru” and mocking fandoms in “truly the lowest common denominator fandom”.
- Cynically-pessimistic: Frequently frames events as pointless or abysmal, e.g. “is it safe to say this was a waste of everyone's time” and “sziget lineup so abysmal at least i'll be saving some money by not going”.
- Aggressively-snarky: Relies on cutting sarcasm that can read hostile, like “~ 60y old man who grifts off of taylor swift to sell his awful books” and “oh selloutjörk the rosaliacharity monthly listeners got to her head”.
- Dismissive-toned: Quick to write things off instead of engage, calling takes “tired” in “not this tired take” and mocking others’ excitement in “why is everyone suddenly switching up and glazing over a teaser…”.
Your Simpsons character
Lisa Simpson
This user most closely matches Lisa Simpson: niche-obsessed, politically engaged, and unapologetically opinionated. Like Lisa’s hyper-specific passions, they dive deep into music and TV minutiae, from detailed year-end lists to takes like “only artists in music history to get an abba sample cleared: fugees madonna fakemink” and “musictwt not understanding the grammy eligibility window in big 2026”. They share Lisa’s moral streak and activist edge, calling out artwashing and complicity in Israel’s actions with posts like “your legacy as an artist will be complicity with israel's government funded campaign to artwash its apartheid and genocide against palestinians”. The dry, cutting humor toward fandoms and celebrities — for example “the concept of harry styles having an aoty to his name” and “i hope fadga wins nothing” — fits Lisa’s sardonic, over-it intellect when she’s surrounded by people she thinks should know better. Finally, the mix of genuine pop love (like “solar power you are loved”) and world-weary cynicism mirrors Lisa’s blend of earnestness and jaded, precocious critique.
Your MBTI personality Type
INTP
They come across as more introverted than extroverted: their social life is mostly framed through media and fandom rather than personal oversharing, and even live events are filtered through commentary like “smelliest concert audience award goes to... 2hollis!” “smelliest concert audience award goes to... 2hollis!” rather than self‑focused attention seeking. Their timeline is heavily intuition‑leaning, with constant conceptual takes and meta‑commentary, e.g. “the concept of drake having an empress like fascination with albania” “the concept of drake having an empress like fascination with albania” and “remember when things just used to be camp without writers feeling the need to lampshade it” “remember when things just used to be camp without writers feeling the need to lampshade it as if they're embarrassed of what's being put on the page”, showing preference for ideas and patterns over concrete details. Their tone is cutting, analytical and often critical, suggesting Thinking: they call things “a pisstake” “soty category truly a pisstake this year”, talk about “the stupidity of cancelling someone” while dissecting fandom dynamics “we need to unpack the stupidity of cancelling someone for drawing eurovision porn and then signal boosting the drawings for everyone to see, truly the lowest common denominator fandom”, and directly challenge artists over political complicity “your legacy as an artist will be complicity with israel's government funded campaign to artwash its apartheid and genocide against palestinians”. Their feed feels perceiving‑oriented: it’s reactive, improvisational and driven by whatever new music, TV episode or lineup drops, like suddenly deciding “oomf said new black mirror was good maybe i should watch” “oomf said new black mirror was good maybe i should watch” or quickly pivoting opinions when new information arrives “why is everyone suddenly switching up and glazing over a teaser that just reiterates the premise we'd already been aware of”, rather than showcasing long‑term structured planning. Overall, the mix of media‑centric introspection, conceptual humor, sharp critique, and go‑with‑the‑flow engagement with culture aligns best with INTP: an internally focused, idea‑driven analyst who enjoys deconstructing art, fandom, and industry logic in a spontaneous, somewhat chaotic way.
Some pickup lines for you
- If you’re revoking your stan card when his coked up ass skips All Points East, you might need a new act to obsess over live — I promise I show up on time and know every word to “headphones on.”
- You said you’re one of the five people still streaming Cowboy Carter; statistically that means you’ve got room in your rotation for one more underappreciated classic… namely, a date with me.
- Your 2025 year-end list, the Vulnicura era, Solar Power being loved, defending Addison’s Grammy chances, and dragging fadga in the same timeline? That curatorship is insane — I don’t want to be your favourite artist, I just want to be your most streamed person.
- You planned relatives + Paris around a show, mourned fakemink and lorde cancellations, and survived smelliest 2hollis crowds — clearly you’re committed to good live experiences. Let me take you out and finally give you a gig that doesn’t get cancelled and smells like deodorant.
- You tweeting ‘ttpd you are loved’ and ‘solar power you are loved’ makes me think you’re good at rescuing misunderstood eras — do you think you could do the same for my love life if I asked you out?
Your 5 Emojis
- 🎧
They’re deeply into music across pop, experimental, and festival scenes: sharing streaming stats, year-end lists, and Spotify links like “she was on a mission to end bjork”, talking about Grammys, Black Mirror soundtracks, and describing tracks in detail such as “the synth that kicks in at the end of headphones on is one of the best moments in music this year”.
- 🎭
They have a very camp, ironic, and stan-twitter sense of humor, making dramatic pop culture comments and memes like “the concept of harry styles having an aoty to his name” and “this is a billie eilish music video (derogatory)”, while also recounting absurd IRL anecdotes such as “wewantwraiths stopped me on the street and offered me a balloon for an instagram follow”.
- 🌍
They show strong political awareness and anti‑zionist, pro‑Palestinian positions, for example calling out artwashing and complicity in tweets like “your legacy as an artist will be complicity with israel's government funded campaign to artwash its apartheid and genocide against palestinians”, and mocking performative activism as in “when i'm in a performative activism competition and my opponent is a '🍉🇵🇸🇪🇸🇮🇸🇸🇮🇮🇪🇳🇱' ziofan”.
- 🏟️
Live shows and festivals are a big part of their life: they list artists they’ve seen like “artists i've seen live this year ✨️ 2hollis 454 addison rae billie eilish burna boy charli xcx drake…”, talk about cancellations such as “fakemink show cancelled, lorde show cancelled, i'm at my limits”, complain about lineups like “sziget lineup so abysmal at least i'll be saving some money by not going”, and even imagine concepts like “koncept: lorde u boćarskom domu u zagrebu”.
- 🌀
Their timeline is a whirlwind of niche references (Doctor Who, Black Mirror, Eurovision, Balkan Twitter drama), sarcasm, and rapid‑fire opinions, from “new black mirror season actually decend all the way through i cheered” to very specific fandom commentary like “musictwt not understanding the grammy eligibility window in big 2026”, giving the impression of a chaotic but very online cultural brain.
Your new Twitter bio
Music + TV brain in Zagreb. Once got offered a balloon for an Instagram follow; now I just rate concerts, streams and soundtracks instead.– @dinobjorked
Your signature cocktail
The Björked Lux Spritz
The Björked Lux Spritz is strong but sparkly, like someone who can tweet about Balkan supermarkets and Grammy eligibility windows in the same breath. The base of Croatian rakija nods to their Zagreb/Balkan identity and tweets like “svaki dućan u zagrebu ima svog geja koji upravlja muzikom na razglasu”, grounding the drink in regional chaos. An Icelandic-style herb liqueur represents their enduring Björk obsession and self-mythologising handle, from “10 years of being a poppyseed” to “she was on a mission to end bjork”. Sparkling rosé with edible glitter captures their pop stan shimmer and festival dreams, as seen in “realistic sziget 2026 wishlist: tame impala doja cat yung lean arca twigs (again)” and the breathless live-show chronicles of “artists i've seen live this year ✨️”. A shot of cold brew adds their sharp, sometimes acerbic stan-twitter realism, like “i hope fadga wins nothing” and the drag of “soty category truly a pisstake this year”. Finally, a smoked sea salt and citrus peel mist evokes their love of sci-fi/camp TV worlds from Doctor Who and Black Mirror, shimmering between sincere fandom and snarky commentary in tweets like “new black mirror season actually decend all the way through i cheered” and “doctor who after strictly this is so 2018 core 😭”.
Your Hogwarts House
Ravenclaw
Their timeline is dominated by sharp media commentary and meta-analysis, which fits Ravenclaw’s wit and critical thinking. They frequently dissect industry details and structures, like Grammy rules and submissions, e.g. mocking confusion over eligibility in “musictwt not understanding the grammy eligibility window in big 2026” and critiquing strategy in “addison's team is so dumb for not submitting headphones on at the grammys”. There’s a clear love of niche knowledge and cultural literacy, from tracking festival lineups and setlists (“realistic sziget 2026 wishlist: tame impala doja cat yung lean arca twigs (again)”) to detailed viewing habits and year-end lists (“dinobjorked 2025 YEAR END LIST (one song per artist)”). Their humour is highly referential and self-aware, like the commentary on camp writing in TV in “remember when things just used to be camp without writers feeling the need to lampshade it” and the Doctor Who narrative comparison in “at the end of the doctor falls nardole ends up taking the same mantle 11 took in time of the doctor”. While they do show moral conviction (e.g. calling out artwashing in “your legacy as an artist will be complicity with israel's government funded campaign to artwash its apartheid and genocide”), it’s expressed through argument and analysis rather than impulsive crusading, which still leans more Ravenclaw than Gryffindor or Slytherin.
Your movie
Birdman or (The Unexpected Virtue of Ignorance)
Their timeline blends sharp media criticism, stan culture, and meta-humor in the same way Birdman skewers Broadway, Hollywood, and artistic ego. They constantly dissect pop and prestige culture with a mix of affection and contempt, like when they say “remember when things just used to be camp without writers feeling the need to lampshade it as if they're embarrassed of what's being put on the page” and drag fandoms for low-effort discourse in “we need to unpack the stupidity of cancelling someone for drawing eurovision porn and then signal boosting the drawings for everyone to see, truly the lowest common denominator fandom”. Their feed is obsessed with the politics of art, from Grammys and festival lineups to Israel-related artwashing, e.g. “your legacy as an artist will be complicity with israel's government funded campaign to artwash its apartheid and genocide against palestinians”, mirroring Birdman’s fixation on what it means to be a "serious" artist versus a commercial one. They juggle highbrow and lowbrow with zero shame, stanning Björk and Lorde while joking about grocery-store music and messy TV like “i've been in denial of how terrible joy to the world actually was, like how did the script make it on air”. That mix of cynicism, camp, and genuine passion for art – plus their constant commentary on performance, legacy, and spectacle – makes Birdman feel like the movie version of their Twitter presence.
Your song
Green Light - Lorde
A well‑known song that best fits them is Green Light by Lorde, blending sharp pop fandom with restless, slightly chaotic energy. They’re very obviously a Lorde person, from “solar power you are loved” to manifesting shows with “koncept: lorde u boćarskom domu u zagrebu” and tagging her directly in “.@lorde @SibenikTB @szigetofficial”. Green Light is about yearning, anticipation and being slightly unhinged in a fun way, which matches their dramatic stan life – like being ready to “revoke” a stan card in “i'm revoking my stan card if his coked up ass doesn't show up at all points east” or spiralling over cancelled shows in “fakemink show cancelled, lorde show cancelled, i'm at my limits”. The song’s mix of dancefloor catharsis and pop‑nerd obsession parallels their timeline full of festival wishlists such as “realistic sziget 2026 wishlist: tame impala doja cat yung lean arca twigs (again)” and detailed streaming stats in “13x lorde 7x frank ocean 7x jai paul...”. Like Green Light, they oscillate between ironic detachment and genuine feeling, as seen in acerbic posts about pop culture alongside tender stanning like “10 years of being a poppyseed”.
Your time travel destination
the mid‑2010s pop and prestige TV era (around 2013–2016)
They show a heavy nostalgia for mid‑2010s pop and adjacent culture: they celebrate a decade of being a Lorde stan in “10 years of being a poppyseed”, and keep returning to Lorde as a central reference point, even imagining her in small Zagreb venues in “koncept: lorde u boćarskom domu u zagrebu”. Their Doctor Who tweets are obsessed with the RTD/Moffat eras and their afterglow, like “doctor who after strictly this is so 2018 core 😭”, suggesting they miss that specific cultural moment. They complain about current media losing its effortless camp in “remember when things just used to be camp without writers feeling the need to lampshade it…”, which implies a desire to return to when that tone felt natural—again, very mid‑2010s coded. Even their music taste clusters (Lorde, Frank Ocean, Jai Paul, early Billie/Charli era references) in “13x lorde 7x frank ocean 7x jai paul…” point to that window as their ideal cultural peak. Taken together, they’d most likely time-travel back to the mid‑2010s, when their favorite artists and shows were defining the zeitgeist rather than being looked back on nostalgically.
Your video game
Disco Elysium
They come across as hyper-online, politically sharp, and very into pop culture and music discourse, which matches the intensely talky, socially aware nature of Disco Elysium. Their timelines are full of critique and irony, like calling out artwashing and complicity in genocide in “your legacy as an artist will be complicity with israel's government funded campaign to artwash its apartheid and genocide against palestinians” and dragging fandom hypocrisy in “we need to unpack the stupidity of cancelling someone for drawing eurovision porn and then signal boosting the drawings for everyone to see”, which fits the game’s interrogation of ideology and moral posturing. Their love of deeply specific, sometimes niche music and TV (Bjork, Lorde, Doctor Who, Black Mirror, Grammys minutiae, festival lineups) in tweets like “randomly in my vulnicura era” and “new black mirror season actually decend all the way through i cheered” reflects the kind of player who enjoys dense lore, long dialogue trees, and layered worldbuilding rather than twitchy mechanics. They feel more like a thoughtful, slightly jaded narrative enjoyer than a hardcore mechanical grinder, a vibe echoed in posts like “wait there's only one war between episode left not two??? is it safe to say this was a waste of everyone's time”, which aligns with Disco Elysium’s slow-burn, text-heavy, choice-driven structure. Finally, their dry humour and self-aware stan culture references in “musictwt not understanding the grammy eligibility window in big 2026” and “i'm amongst the 5 people on earth still streaming cowboy carter” suggest they'd appreciate the game’s sardonic writing and the freedom to build an unhinged yet oddly principled protagonist.
Your spirit animal
magpie
A magpie fits them perfectly: sharp‑eyed, a little chaotic, and obsessed with collecting glittery bits of pop culture, from Björk, Lorde and Rosalia to Grammys discourse and Doctor Who lore. Their timeline is a nest of shiny references and niche jokes, like meticulously tracking streaming and awards in “most streamed artists this year ✨️” and “dinobjorked 2025 YEAR END LIST (one song per artist)”. Magpies are loud commentators, and so are they, happily dragging things they dislike with cutting humour in posts like “i hope fadga wins nothing” and “soty category truly a pisstake this year”. At the same time, magpies are strangely sentimental, which shows when they defend or cherish their faves in tweets like “solar power you are loved” and “10 years of being a poppyseed”. Social, clever, a bit messy, and forever hoarding cultural ephemera—spiritually, they’re a magpie perched on the TL, cawing about playlists and pop girlies.
Your (un)funny joke
Why did Björk refuse to perform at Sziget 2026? Because when she saw the lineup, even she said, “This is too experimental.”
Your superpower
Perfect Pop Timeline Manipulation
They’d want the ability to subtly rewind and branch the timeline of pop culture so music releases, tours, festivals, and awards all happen in their ideal version of reality. This would let them prevent cancellations like the ones in “fakemink show cancelled, lorde show cancelled, i'm at my limits” and lock in perfect setlists as wished in “i hope he doesn't release a new album in the following months i need the setlist to stay exactly the same next summer”. They could also fix award seasons and eligibility chaos that annoys them, smoothing out issues behind “musictwt not understanding the grammy eligibility window in big 2026” and reshaping outcomes so that things like “soty category truly a pisstake this year” never happen. With this power, they could engineer dream festivals and lineups in place of the “abysmal” ones they complain about, rewriting situations like “sziget lineup so abysmal at least i'll be saving some money by not going” into once‑in‑a‑lifetime experiences. Essentially, they’d be the unseen showrunner of the music/TV universe they constantly critique and curate in their timeline, turning everyday disappointments into canon-defining moments.
Your fictional best friend
Clara Oswald
They’re deeply into Doctor Who and specifically see Clara as “the blueprint,” as shown in “clara who is the blueprint”, which suggests they already view her as an idealized figure. Clara’s mix of sharp wit, teacher energy, and reckless fandom-style devotion fits with their tone across music and TV discourse, like when they roast awards discourse in “soty category truly a pisstake this year”. Their love of camp, pop culture meta, and slightly chaotic stan behaviour aligns with Clara’s tendency to dive headfirst into danger while quipping through it. Plus, their enjoyment of era-based media obsessions and live events, from “artists i've seen live this year ✨️” to “doctor who after strictly this is so 2018 core 😭”, mirrors Clara’s constant jumping between lives, jobs, and timelines. Together, they’d be the type to livetweet alien invasions and Grammy snubs with equal intensity.
Your dream vacation
Sziget Festival, Budapest, Hungary
They’re deeply into live music and festivals, constantly talking about artists and lineups, and even shared a detailed “realistic sziget 2026 wishlist: tame impala doja cat yung lean arca twigs (again)”, which shows they actively dream about this specific event. Their timeline is full of concert experiences like “artists i've seen live this year ✨️ 2hollis 454 addison rae billie eilish burna boy charli xcx drake…”, so a multi-day European festival fits their habits and priorities. They also tweet about Zagreb and Balkan/European shows, for example “svaki dućan u zagrebu ima svog geja koji upravlja muzikom na razglasu”, suggesting Budapest is logistically and culturally aligned with their life. Their mix of pop, experimental, and alternative tastes (Bjork, Rosalia, Lorde, Fakemink) matches Sziget’s eclectic, artsy lineup, making it the perfect vacation where they can binge sets, camp all week, and turn their stan habits into a full immersive trip. A Sziget vacation would let them live out their festival wishlist while staying in the European pop-culture orbit they clearly thrive in.
Your alternate career path
Music and Pop Culture Critic
Their timeline is dominated by sharp, opinionated commentary on music, awards, and industry politics, which fits perfectly with a critic’s role. They dissect industry decisions like Grammy submissions and eligibility, e.g. calling out strategy in "addison's team is so dumb for not submitting headphones on at the grammys" and mocking confusion in "musictwt not understanding the grammy eligibility window in big 2026". They show deep, eclectic listening habits and historical awareness, celebrating artists from Björk and Lorde to niche acts, as in "dinobjorked 2025 YEAR END LIST (one song per artist)" and "10 years of being a poppyseed". Their critical eye isn’t just musical but cultural, mixing humor and politics in posts like "you can try rationalising it or deflecting the blame, whatever helps you sleep at night, but your legacy as an artist will be complicity with israel's government funded campaign to artwash its apartheid and genocide against palestinians". They also bring a similar analytical tone to TV and film discourse, critiquing Doctor Who and Black Mirror in tweets such as "new black mirror season actually decend all the way through i cheered" and "remember when things just used to be camp without writers feeling the need to lampshade it as if they're embarrassed of what's being put on the page". Taken together, their wit, taste, and political consciousness would translate well into a career writing reviews, thinkpieces, and festival coverage as a music and pop culture critic.
Your celebrity match
Charli XCX
This account is deeply terminally online and music-industry–brained, constantly ranking, nitpicking, and stanning in a way that mirrors Charli XCX’s own hyper-aware, extremely online pop persona. They mix sharp industry takes with shitposting, e.g. dragging performative politics in “when i'm in a performative activism competition and my opponent is a '🍉🇵🇸🇪🇸🇮🇸🇸🇮🇮🇪🇳🇱' ziofan” while still caring intensely about awards, lineups, and setlists in tweets like “soty category truly a pisstake this year” and “addison's team is so dumb for not submitting headphones on at the grammys”. They have a niche-but-global pop palate (Lorde, Björk, Rosalia, Addison Rae, Black Mirror, Doctor Who) and talk about them with a dry camp sensibility, similar to how Charli will earnestly stan and clown in the same breath, as in “this is a billie eilish music video (derogatory)”. The blend of highbrow/lowbrow, festival and touring obsession, and casual chaos (complaining about smelly crowds in “smelliest concert audience award goes to... 2hollis!”) lines up closely with Charli’s own internet-facing personality. Even their handle and Björk fixation in tweets like “randomly in my vulnicura era” echo Charli’s love of avant-pop while still living in messy pop-stan discourse.
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