
Strengths and Weaknesses

Your Simpsons character
They most closely resemble Lisa Simpson: passionate, opinionated, smart, and very online about their interests. Like Lisa ranting about politics and ethics, they go off about systemic issues and art, e.g. “I FUCKING LOVE TECHNOFASCISM AND CAPITALISM ITS SO GREAT I FUCKING LOVING HAVING MY ACCESS TO ART RESTRICTED BECAUSE OF GIGANTIC CORPORATIONS” and long thoughts on AI art and media. They’re intensely nerdy about niche things (Unstable Universe, JJK, Mark Z. Danielewski, game mechanics) and want to turn that into essays or videos, as seen in “I might make a yt video about the Mace simply because there‘s so many misconceptions and they all piss me off” and their idea for recommendation threads. The mix of sincere ethics (ranting about boundaries in fanfiction, art theft, AI slop) and self-aware social anxiety mirrors Lisa’s mix of moral intensity and awkwardness, shown in “social anxiety is genuinely so useless cuz like am i being funny or mad annoying i cant tell please send help”. At the same time, they have Lisa’s dorky, excitable side, gushing over media and characters in all caps like “YES YES YES YES OH FUCK YES YAYY YIPPIE YAYYYY YES YESSSSSSS HOORAYYYYYY”, which fits Lisa when she’s allowed to be a hyperfan rather than just the responsible one.

Your MBTI personality Type
They lean introvert (I): most of their joy is in solitary media consumption and writing (books, anime, games, UU analysis), and their social focus is largely parasocial/online rather than in-person events, plus they often worry about being annoying and consider leaving Twitter, e.g. “might have to leave twitter for a few days again. 😁 i can feel my capabilities for making fun comments and good jokes completely drained and i lowkey feel as though I’m greatly annoying some of my oomfs”. They strongly prefer intuition (N): they love theoretical and meta discussion about art and narrative rather than concrete details, like their complaint about non-diegetic foreshadowing as a storytelling principle in “non diagetic foreshadowing is so stupid, like foreshadows should only happen if they also make sense within the current story” and their interest in what “interactive literature can do” in “If you‘ve ever wanted to see what interactive literature can do; THIS IS THE E BOOK FOR YOU.”. Their arguments are characteristically thinking (T): they dissect narrative ethics and fandom takes with analytical language and principled distinctions, for example in “there‘s this weird argumentation… „wemmbu has been working on himself but that doesnt excuse all the bad things he did…“ and „parrot does lots of useless/bad things but his intentions are sincere so he is a good person“” and in their rant about AI/art excess in “One thing I rarely see mentioned about AI Slop that invalidates it as a substitute for actual art is the excess of it… There are five comedy specials Bo Burnham made, and that‘s all I have.”. They read as perceiving (P): they frequently start potential projects and ideas without firm structure (thread ideas, video ideas, recommendation series, Lawdog AU rewrite) such as “I might make a yt video about the Mace simply because there‘s so many misconceptions and they all piss me off” and “I‘ve been thinking about doing a li‘l series where whenever i play a game or read a book or watch a series I write a short recommendation thread about it, … Is that something anyone would be interested in?”, and they admit research chaos in “researching for my book rn like what is this shit even about”. Taken together—introverted, highly conceptual and meta, argumentative and logic-oriented, yet spontaneous and slightly disorganized—they best fit INTP.

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Your new Twitter bio
German writer & media nerd yelling about Unstable Universe, JJBA & JJK. Once bought fem clothes during a snowstorm and called it heaven.– @EmptyAnthology

Your signature cocktail
This cocktail is a chaotic little blend, just like their timeline flipping from UU meta to thigh-high propaganda in seconds. Blue Curaçao stands in for their obsession with Unstable Universe and all things blue, echoing hype like “this unstable universe shit is pretty peak ngl” and “IRIS OUT ts so peak”. The German wheat beer anchors it to their roots (“german” in their bio) while keeping the drink light but a bit unhinged, like sacrificing oomfs for uploads in “More Unstable Uploads. More sacrifices.”. Lavender syrup adds a soft, slightly floral sweetness to match the vulnerable, needy side in tweets like “i need a boyfriend like really really bad” and their social anxiety in “am i being funny or mad annoying i cant tell please send help”. A sharp shot of espresso captures their late-night, overstimulated rant energy from “heyyy so guess who hasn’t slept tonight! 😁” and all-caps media takes like “CAN WE FUCKING STOP SAYING THAT DEMON SLAYER INFINITY CASTLE WAS BETTER THAN CSM REZE ARC?”. Finally, soda water brings fizz and unpredictability, the bubbly chaos of a wuber who will go from “fuckkkkkk thigh highs are so comfyyyyyy” to “I FUCKING LOVE TECHNOFASCISM AND CAPITALISM ITS SO GREAT” in the span of a scroll.

Your Hogwarts House
They show a strong analytical and intellectual streak that fits Ravenclaw best. They literally describe themselves as a writer and frequently talk about books and literature, such as enthusiastically recommending The Fifty Year Sword as interactive literature (“If you‘ve ever wanted to see what interactive literature can do; THIS IS THE E BOOK FOR YOU. Fantastic read. Incredible.”) and discussing re‑writing and naming conventions for their own Lawdog AU project (“My plan of re writing UAC Lawdog AU might be cooked cause i got no idea what to call it yo”). They enjoy dissecting media structure and themes rather than just consuming it passively: they critique non-diegetic foreshadowing as bad craft (“non diagetic foreshadowing is so stupid, like foreshadows should only happen if they also make sense within the current story”) and want to make explanatory videos/threads about misunderstood mechanics and characterizations (“I might make a yt video about the Mace simply because there‘s so many misconceptions and they all piss me off”, “i might talk about all the wemmbu mischaracterisation going around on uutwt soon cause there is a lot”). Their curiosity is broad and deliberate: they ask their followers to recommend any kind of media so they can interact with it and synthesize it into a tier list (“Recommend me any media/art you enjoy… i‘ll interact with it all and then i‘ll make a tierlist”), and they consider starting a recurring series of recommendation threads across books, games, and shows (“a li‘l series where whenever i play a game or read a book or watch a series I write a short recommendation thread about it”). While they do show loyalty and strong opinions (Hufflepuff and Gryffindor traits) when defending creators and characters (“THEYRE FICTIONAL CHARACTERS. THEY DONT THINK AND MEAN ANYTHING BECAUSE THEY ARE FICTIONAL. WE CAN ASSUME AND INTERPRET THINGS ABOUT THEM BECAUSE THEY ARE FICTIONAL”), those arguments themselves are grounded in close reading and interpretive logic, reinforcing that their core mode is critical, creative analysis—very much in line with Ravenclaw.

Your movie

Your song
Bo Burnham’s Welcome to the Internet fits them because it’s chaotic, hyper-online, and self-aware in the same way their timeline is. They bounce between intense media criticism like “I FUCKING LOVE TECHNOFASCISM AND CAPITALISM ITS SO GREAT I FUCKING LOVING HAVING MY ACCESS TO ART RESTRICTED BECAUSE OF GIGANTIC CORPORATIONS THANK YOU FOR DOING THE WORK OF GOD” and detailed thoughts on storytelling such as “idk if this is an unpopular opinion but non diagetic foreshadowing is so stupid…”. The song’s rapid-fire shifts from humor to existential dread mirror how they tweet jokingly about sacrificing oomfs for uploads (“starting from today ill sacrifice one hostage/oomf for every day without an wemmbu upload. chop chop”) right next to posts about social anxiety like “social anxiety is genuinely so useless cuz like am i being funny or mad annoying i cant tell please send help”. Their constant engagement with fandoms, games, anime, and online drama reflects the song’s portrayal of the overwhelming, addictive sprawl of internet culture.

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EmptyAnthology
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