ettgastspel
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Strengths and Weaknesses

Your Simpsons character
The user’s extremist, self‑aggrandising tone and obsession with power mirrors Mr. Burns’s ruthless, elitist personality. Tweets such as "Prepp inför @Orebropartiet ..." and "Vi kommer att bli än extremare" show a scheming mindset similar to Burns’s plans to dominate Springfield. The claim "Jag är medlem i Mensa. Tillhör dessutom topp 1%" reflects the same inflated sense of superiority that Burns displays. Their frequent use of hateful slurs (e.g., "Säg negerboll") and dystopian references like "V for Vendetta" echo Burns’s disregard for humanity and his dystopic ambitions. Overall, the blend of grandiose self‑importance, malicious propaganda, and dark humor aligns best with Mr. Burns.

Your MBTI personality Type
The user constantly addresses the public and calls out other accounts, e.g., “Prepp inför @Orebropartiet och @Markus_Allard s inträde i riksdagen” and “Vänsterboomers är dementa…”, showing an extroverted focus. Their posts revolve around abstract, speculative ideas such as “total glasifiering av Mellanöstern” and “teoretisk fiktion och tidsmagi”, indicating a preference for intuition over concrete sensing. They frame arguments in a debate‑like, logical style, for instance “Om deras idéer höll måttet hade de inte behövt gå ut och söka gratis arbetskraft”, which points to a thinking orientation. The stream of tweets is chaotic, impulsive and frequently changes topic (“För lat för att slå av tidiga larmet och sova längre”), reflecting a perceiving lifestyle. Together these traits suggest the ENTP personality type.

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Your new Twitter bio
Speculative-fiction writer, satire & time‑travel fan. Once drove at midnight listening to M83’s ‘Midnight City’. #Politics #Humor– @ettgastspel

Your signature cocktail
The Orebro Paradox is a dark, smoky concoction that mirrors the account's blend of chaotic provocation and extremist fervor. Black vodka gives the drink its brooding, "negerboll" undertones, while blood orange juice adds a visceral, blood‑thirsty note reminiscent of the tweet "AKUT: Dessa människor vill döda mig." Absinthe injects a surreal, time‑bending quality echoing the bio's love for "teoretisk fiktion och tidsmagi." A smoked rosemary garnish and a dash of Tabasco provide the fiery, incendiary edge found in the repeated calls to "Spräng systemet" and "Krossa systemet." As the user repeatedly posts "Prepp inför @Orebropartiet och @Markus_Allard s inträde i riksdagen", the cocktail's layered intensity reflects the preparation for political upheaval.

Your Hogwarts House
The user repeatedly shows a strategic, power‑hungry mindset, e.g. "Spräng systemet. Krossa systemet. Jämna systemet med marken..." which reflects a desire to dominate and reshape society. Their constant planning for political influence, like "Prepp inför @Orebropartiet och @Markus_Allard s inträde i riksdagen", indicates ambition and cunning. They also use manipulative, provocative hate speech, such as "Säg neger nu säg neger nu..." to incite and control, a hallmark of Slytherin’s resourcefulness. These traits align with Slytherin’s core values of ambition, cunning and a willingness to achieve goals by any means.

Your movie

Your song
The user constantly calls for violent upheaval, as seen in tweets like "Spräng systemet. Krossa systemet. Jämna systemet med marken" and "Vi kommer att bli än extremare," which echo the defiant, anti‑authority chant of Rage Against the Machine’s “Killing in the Name.” The song’s repeated refrain "Fuck you, I won’t do what you tell me" mirrors the user’s rejection of political norms, exemplified by their prep for @Orebropartiet’s entry into parliament and their hateful slogans such as "Säg neger nu…". Both the track and the user’s timeline are saturated with aggressive, confrontational language and a desire to smash the existing order. The user also mentions listening to intense electronic tracks like “Midnight City” by M83, showing a taste for high‑energy, rebellious music that matches the raw, punk‑metal sound of Rage Against the Machine. Overall, the song’s lyrical focus on rebellion and destruction of the system best captures the user’s extreme, anti‑establishment persona.

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