Strengths and Weaknesses
Strengths:
- Curious thinker: Regularly engages with complex ideas in politics and culture, e.g. praising Vanity Fair’s Suzy Wiles profile as like House of Cards and sharing it via his channel: “گزارش جدید ونیتیفر که حاصل یک سال مصاحبه...”.
- Cultural literacy: Shows deep familiarity with films, literature, and art, from Haavel’s The Power of the Powerless audio project: “قرعه کتاب اول به نام 'قدرت بی قدرتان' هاول افتاد...” to references to Sylvia Plath, Shafi’i Kadkani, Pamuk’s Museum of Innocence, and numerous contemporary films.
- Empathetic observer: Shows concern for others’ experiences, especially women, e.g. highlighting women’s struggles and agency in the documentary Taraneh: “چکیده ای است از آنچه که زنان ایران در این سه سال رقم زدند...” and seeking women farmers for a project: “اگر کشاورز زن... لطفا به من معرفی کنید”.
- Self-reflective: Openly reflects on personal feelings and growth, e.g. admitting to procrastination and finally starting his book-reading project: “تنبلی و همه چیز رو کنار گذاشتم و شروع کردم”, and sharing low moods and how Basquiat’s art helped: “این یکی دو هفته که حس وحال جالبی نداشتم...”.
- Community-minded: Actively recommends content and amplifies others’ work, from podcasts and stand-up to galleries and concerts, e.g. promoting اثر پروانهای: “پیشنهاد میکنم ببینید یا بشنوید” and inviting people to exhibitions like عکس اولی: “پیشنهاد میکنم فردا برید گالری ۰۰۹۸ و نمایشگاه 'عکس اولی' را ببینید...”.
Weaknesses:
- Overextended interests: Covers a very wide range—global politics, F1, football, countless films, books, podcasts—which can dilute focus and depth, illustrated by rapid shifts from comments on Noriega and Caracas: “آنچه که در کاراکاس... مانوئل نوریگا...” to detailed film takes in adjacent posts.
- Occasional cynicism: Tends to generalize negatively about groups, e.g. Iranian men: “مردِ ایرانیِ بدفازِ دوست نداشتنی...” or calling people broadly “badfaz” in response to tweet reactions: “فهمیدم کلا بدفاز هستیم و با هیچ چی حال نمیکنیم”.
- Emotional volatility: Swings between enthusiasm and frustration (e.g. “شکنجهی خالص” as a Man Utd fan: “واقعا هوادار منچستر یونایتد بودن سخت شده...” and talking about ‘not great’ days improved by programs: “بعد دو سه روزِ نه چندان جالب، زیبا کرد”), suggesting moods strongly color his commentary.
- Self-deprecating posture: Frequently frames his own contributions as trivial or ‘stupid’, e.g. calling himself “استاد نوشتن توییت ها و منشن های بیخودم” while noting they go viral: “اون از توییت بیخودم در مورد آهنگ 'عزیزم'...”, which can undercut confidence in his work.
- Attention-seeking humor: Sometimes leans on exaggerated pleas for recognition (e.g. hoping the Dutch embassy sees his tweets for “citizenship”: “کاش توییتامو... سفارت هلند ببینه...” or joking about becoming friends with anyone 60% like Chase Infinity: “هرکس تا ۶۰ درصد هم شباهت با چیس اینفینیتی داشت خواهان دوستی با او هستم”), which can read as slightly needy rather than just playful.
Your Simpsons character
Lisa Simpson
They most closely resemble Lisa Simpson: politically aware, bookish, culturally curious, and emotionally expressive. Their timeline is full of engaged commentary on politics and media, like when they discuss Seymour Hersh and political writers as window cleaners between people and power in “شیشه پاککن آزادی... اورول معتقد بود سیاسی نویسان شیشه بین دولتها و مردم را پاک نگه میدارند.”, mirroring Lisa’s critical, justice-oriented mindset. They show a deep love of literature, poetry, and serious non‑fiction—quoting Sylvia Plath, Shafi’i Kadkani, Herta Müller, and reading Hiroshima—and even start an audio-reading project with “یکی از کارهایی دوست داشتم تجربه کنم، خواندن کتاب و انتشار آن بود... 'قدرت بی قدرتان' هاول”, just as Lisa channels her intellect into creative projects. Their sensitivity to art, film, and social issues—praising documentaries about women in Iran in “مستند #ترانه چکیده ای است از آنچه که زنان ایران در این سه سال رقم زدند.”—matches Lisa’s blend of empathy and activism. Even in lighter tweets, like admiring female motorcyclists in “زنان موتورسوار چقدر زیاد شدن و خیلی زیباست که سلطه آقایون موتورسوار در خیابون داره کمتر میشه:)”, they consistently show a Lisa-like joy in seeing norms shift toward greater freedom and equality.
Your MBTI personality Type
ENFP
They lean Extraverted: they repeatedly seek and enjoy social interaction, from wanting "مهمونی و معاشرت با آدمای کاملا جدید" in “مدتیه به شدت دلم مهمونی و معاشرت با آدمای کاملا جدید میخواد...” to inviting strangers to introduce women farmers in “اگر کشاورز زن... لطفا به من ... معرفی کنید”, and interacting playfully with their audience like in “استاد نوشتن توییت ها و منشن های بیخودم که فیواستار میشن”. Their focus is strongly Intuitive: they gravitate to ideas, symbols and broader meanings in politics, art and film, such as calling architecture "تراپی" in “معماری به مثابه تراپی... 'کلمبوس' خود زندگی بود” and describing Mefistofeles as “روایت حرکت خزنده جامعهی تحقیر شده و فقیر به سمت فاشیسم” in “'مفیستوفلس' روایت حرکت خزنده جامعهی تحقیر شده و فقیر به سمت فاشیسم است”. They clearly favor Feeling over pure logic: their language is emotionally rich and value‑driven, praising films and movements for inspiration and empathy like “مستند #ترانه ... الهام بخش است و نقطه خوبیست برای همدلی و کنار هم بودن تا تفرقه” and reflecting on the pain of imposed loneliness in “تنهایی زیباست اما تنهاییای که انتخابت نباشد... تلخه...”. They seem more Perceiving than Judging: they romanticize going with the flow and embracing life’s messiness – for example admiring Frances for continuing to "برقص و نگران نباش" in “فرانسس ... یاد داد که با جریان زندگی حرکت کن و برقص و نگران نباش” and joking about spontaneous social desires and not over‑planning outcomes in “بدون فکر به اینکه بعدش چی میشه. فقط چند ساعت با کیفیت”. Taken together – highly social and expressive, idea‑oriented, emotionally driven, and flexible – they best fit ENFP.
Some pickup lines for you
- If journalism is the window-wiper between people and power like you wrote about Orwell, then consider me the smudge on the glass—stubbornly stuck here until you pay me some very close attention.
- You keep tweeting “for the aesthetic” with Renate Reinsve, Jessie Buckley, Chase Infiniti and co.—how about we add one more to the beauty canon: a long shot of you and me, lit like a Celine Sciamma frame, arguing about Nasser Taghvai?
- You said running is about resistance and resilience, and that marathons are respectable—can we start with a short-distance version where I just run through your favorite galleries and cinemas with you and try to keep up with your references?
- You called ‘Frances Ha’ and ‘Columbus’ ‘just like life’ and said those drifting conversations are ours too; I’d very much like to audition for the role of the person who walks your Tehran nights, talking films, poetry and politics until the credits roll.
- You said ‘ترانه’ taught you what being ‘of the people’ means, and that women have carried the torch 150 years; if you ever need someone to stand in the crowd, listen, learn, and hold the light a bit steadier for you—I volunteer as supporting character.
Your 5 Emojis
Your new Twitter bio
Journalist & film/arts geek in Tehran. Reviews, docs, poetry, politics. Once got a throwaway tweet on TV—still waiting for the Dutch passport.– @Farzanamiri98
Your signature cocktail
The Borderline Fire Dancer
Smoky mezcal with a chili-salt rim stands for their love of political heat and war-zone narratives, from praising Seymour Hersh and Orwell in “شیشه پاککن آزادی... اورول معتقد بود سیاسی نویسان شیشه بین دولتها و مردم را پاک نگه میدارند.” to dissecting House of Cards-level Trumpworld in “گزارش جدید ونیتیفر... سوزی وایلز فراتر از رییس دفتر ترامپ است.”. Strong black tea reflects Tehran roots and contemplative depth in their gallery and museum wanderings, like “از خواب من گلهای بنفشه روییده/ ... هنر به مثابه یک سلاح در جنگ با دشمن” and “به گزارش زنان موزه هنرهای معاصر”. The dash of Aperol adds a bittersweet, cinephile-European note for their endless film takes, from Frances Ha in “رونده باش... فرانسس به نظرم برای هم سن و سالان من... الهام بخش است.” to war documentaries like “به نام وطن... سربازانی که خرابههایی را آزاد میکنند”. Pomegranate syrup captures the romantic, poetry-soaked side in lines like “به روی تو آغوشی گشودهام آغوشی که دو ماه دارد و یک ستاره تنها” and their fondness for love-tinged melancholy in “ناگهان دیدم قهوه ی سیاه را از شط چشمان من می نوشی”. Finally, a mist of orange blossom water mirrors their recurring urge to ‘beautify the weekend’ with faces and images, from “جهت زیباسازی آخرهفته، جسی باکلی از شانس های اصلی اسکار امسال ببینیم” to “جهت زیباسازی آخرهفته، زویی کراویتز ببینیم که به نظرم آخر هفته تون خیلی زیبا شد:)”, turning a strong, smoky drink into something gently luminous and hopeful.
Your Hogwarts House
Ravenclaw
Their timeline is saturated with curiosity, analysis, and an almost scholarly love of ideas, art, and narrative, which are core Ravenclaw traits. They repeatedly seek out complex political and historical material and recommend it in an explanatory way, for example unpacking Seymour Hersh and Orwell in a thread about political writing and documentaries in “شیشه پاککن آزادی... اورول معتقد بود سیاسی نویسان شیشه بین دولتها و مردم را پاک نگه میدارند...” and dissecting right‑wing populism via Fareed Zakaria in “'Right wing populism is not destiny, it is nostalgia' چقدر این تحلیل فرید زکریا را دوست داشتم...”. Their engagement with books, from reading and recommending John Hersey’s Hiroshima in “این چند روز مشغول خواندن 'هیروشیما' از جان هرسی بودم... پیشنهاد میکنم بخوانید...” to starting an audio‑reading project of Havel’s The Power of the Powerless in “یکی از کارهایی دوست داشتم تجربه کنم، خواندن کتاب و انتشار آن بود... قرعه کتاب اول به نام 'قدرت بی قدرتان' هاول افتاد.”, shows a deep love of learning and sharing knowledge. They analyze cinema and television with attention to form, structure, and theme—calling Columbus “معماری به مثابه تراپی” and unpacking character psychology in “'کلمبوس' خود زندگی بود... مکالمههای وقت و بی وقت این دو کاراکتر را همهی ما در طول زندگی تجربه کردیم.”, or discussing war, ideology, and education in “کنشگر مرزی... روایت پاول از نظامی شدن و ایدئولوژیک شدن فضای آموزشی مدارس روسیه بعد از جنگ...”. Even when they talk about social movements and politics, the tone is reflective and interpretive rather than purely activist, as when they frame Mephistopheles as a study of society’s creep toward fascism in “'مفیستوفلس' روایت حرکت خزنده جامعهی تحقیر شده و فقیر به سمت فاشیسم است...”. This consistent pattern of intellectual curiosity, aesthetic appreciation, and analytical commentary, more than any single burst of bravery or ambition, makes Ravenclaw the best fit.
Your movie
Your song
Heroes - David Bowie
David Bowie's "Heroes" fits Farzan because it’s about fragile yet defiant hope in a broken world, which runs through their tweets on politics, art, and resistance. They repeatedly gravitate toward works about ordinary people facing systems of power, from praising documentaries that "shed light on the dark parts of politics" like in “Seymour Hersh was one of the most important journalists who shone light on the dark parts of politics” to calling the documentary Taraneh a distillation of what Iranian women have done and "a torch passed down for 150 years" in “the documentary #Taraneh is an essence of what Iranian women have done in these three years… a torch that for about 150 years has been passed from woman to woman”. Their love for films about resilience and everyday struggle—like seeing Frances Ha as a lesson to "move with the flow of life and dance and not worry" in “Frances… taught that you should move with the flow of life and dance and don’t worry”—echoes the song’s "just for one day" kind of stubborn optimism. They also mix tenderness and melancholy through poetry, from Sylvia Plath to Anna Akhmatova, such as “I know the gods turn humans into objects without taking their souls away… you have turned into a stone inside me so that grief becomes eternal”, mirroring the song’s simultaneous awareness of pain and insistence on transcendence. Finally, their admiration for art as survival—whether in "architecture as therapy" in Columbus in “‘Columbus’ was life itself… we who are between wanting and not wanting” or calling Formula 1 "pure excitement" in “‘F1’ is a magnificent portrayal of a phenomenon that combines sport, engineering, adrenaline and tragedy”—matches the way Heroes turns fleeting, human moments into something almost mythic.
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