
Strengths and Weaknesses

Your Simpsons character
They’re most similar to Lisa Simpson: a neurotic overthinker who’s academically engaged, very online, and deeply into niche interests. Their love of philosophy and historical/medieval stuff (“my philosophy lectures (so confusing it takes me out of it for an hour)”, “medieval enthusiast”) mirrors Lisa’s bookish, humanities-kid energy. The mix of self-aware anxiety and dark humour about their mental health (“is it normal to feel dread and nausea every night at the prospect of having to do literally anything the next day?”) fits Lisa’s tendency to spiral while still functioning. Their passionate, slightly obsessive media engagement—whether it’s Turn, The Terror, or ASOIAF (“2026 will be the year I embrace historical rpf”, “need to watch more turn asap so I can jandré properly”)—is very Lisa-core "special interest" behaviour. Add in the queer identity and political/cultural awareness implied by their posts, and Lisa’s the clearest match among the main characters.

Your MBTI personality Type
They lean Introvert: most activities are solitary or with one or two close friends (rewatching niche shows, gaming, fic, uni, walks in parks), and when social plans fail it hits hard, e.g. feeling clearly hurt that flatmates cancelled Burns Night last-minute: “burns night and my flatmates who I was meant to have dinner with only told me TODAY that they're too busy to have a proper dinner. thanks guys that's lovely I'm glad you gave me enough time to make plans :|”. Their interests and posting style show strong Intuition: they constantly spin media into headcanons/AUs (Terror werewolves vs vampires, Musketeers mappings, historical RPF, Gilded Age AU) and meta-comment on themes and characters rather than just surface details, e.g. “terror characters as my uni's confessions page: no.1 irving” and “2026 will be the year I embrace historical rpf”. They come across as a clear Feeling type: decisions and opinions are framed through emotional impact, moral vibes, and affection/annoyance more than logical structure, such as defending Shakespeare almost viscerally (“every time someone insinuates that shakespeare didn't write his plays I get closer to murder”) and talking about characters in terms of love, embarrassment, and ‘loser aura’ rather than rational analysis (“after numerous rounds of accurate testing, scientists have concluded that turn: washington's spies is the most second hand embarrassment inducing show ever”). Their relationship to structure and time suggests Perceiving: they often feel overwhelmed, unregistered with a GP, low on funds, and let things slide rather than tightly planning, as in “I'm also not even registered with a gp in glasgow so like. this might have to wait until the end of the semester anyway” and the self-deprecating chaos of eating toast-with-dip because there’s no proper food: “I have no food in my flat rn except bread and I just got so hungry that I've been eating sliced toast with the dip I got from my pizza order last night”. Taken together—intense inner world, affection for underdog/embarrassing characters, moral-emotional intensity, and somewhat unstructured day-to-day life—INFP fits better than adjacent types like INFJ or INTP.

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Your new Twitter bio
20 • they/she/he • Glasgow student of ships, spies & Shakespeare. Once helped a stranger with a bus route and now I’m #GLASGOWBUSMASTER by law.– @hivernnois

Your signature cocktail
Islay peated whisky stands in for their love of gloomy, dramatic historical media and Scottish pride, a smoky nod to “SCOOOTLANNDDDD FORRREVEEERRRRR 🏴… happy burns night” and studying in freezing old halls like “it's like, 600 years old… fucking freezing in there”. Blood orange juice brings a bright but slightly morbid sweetness, matching the mix of period cramps, dread, and delight in niche shows from “period cramps are killing me but I'm like 6 days early so?” to “after numerous rounds of accurate testing, scientists have concluded that turn: washington's spies is the most second hand embarrassment inducing show ever”. A thyme & heather honey syrup reflects the medieval nerd/romantic poet side in “terror freak, medieval enthusiast, recently Turned” and their soft spot for Shakespeare and Hamnet in “every time someone insinuates that shakespeare didn't write his plays I get closer to murder” and “I am a HAMNET VICTIM”. A tiny sea salt saline drop is for the constant polar expeditions in their brain – “need to go back to the sea NOW” and all the Franklin/Terror obsession like “terror randomly blowing up on normal twt is scaring me. leave us alonneeee”. Finally, a splash of dry vermouth keeps it a little classic but off-kilter, the queer, slightly theatrical twist suited to someone who identifies as a “loser lesbian” and spends weekends on “drunk hamilton karaoke… non stop, aaron burr, sir and washington on your side WILL be heard tonight”. This is a strong, bittersweet, slightly experimental drink for nights when you're shivering in a 600‑year‑old hall, bingeing Turn, and deciding that yes, actually, “2026 will be the year I embrace historical rpf”.

Your Hogwarts House
They consistently show a love of learning and intellectual engagement: they’re excited about philosophy lectures even when depressed (“the only things helping are a) my philosophy lectures (so confusing it takes me out of it for an hour)”), and gush about Shakespeare and authorship debates (“every time someone insinuates that shakespeare didn't write his plays I get closer to murder”). Their media interests skew heavily toward dense, historically and politically flavoured shows and books—Turn, The Terror, Hamnet, HBO Rome, Pentiment, ASOIAF—and they analyze them in detail, e.g. critiquing show treatment of Edmure’s political choices (“what the show did to edmure tully was SUCH a disservice…it makes me angry. he's one of the only characters to prioritise his people's wellbeing over his own ends”). They also enjoy elaborate mental games like cross‑fandom AUs and mapping character dynamics across works, as in their multi‑step musketeers/Turn comparisons (“culper ring? ben and caleb are SOO portamis to me… simcoe is rochefort duh. jandré and peggy are richelieu and milady but nicer”). The combination of historical nerdery (“medieval enthusiast”), intense meta, and the urge to learn skills purely to execute creative ideas (“I need to learn to edit so that I can make my silly guys dance to my wonderful songs”) is archetypally Ravenclaw. While they have Hufflepuffish warmth and some Slytherin bite, their primary driver is curiosity, analysis, and imaginative remixing of what they love.

Your movie

Your song
A well-known song that suits them is “Teen Idle” by MARINA, with its mix of melodrama, self-deprecation and yearning to be a different, cooler version of yourself. They constantly joke about being a loser lesbian and having "chronic bitchlessness" (“I'm kind of like if jopson and little had a baby… resulting in chronic bitchlessness”), which fits the song’s themes of awkward youth and not quite living the idealised life. Their posts about dread and depression (“fellas is it normal to feel dread and nausea every night at the prospect of having to do literally anything the next day?”, “period is making me so depressed and the only things helping are… philosophy lectures… and watching turn”) echo the song’s undercurrent of malaise beneath bright, dramatic aesthetics. At the same time, they’re deeply, almost theatrically obsessed with niche historical media and ships (“2026 will be the year I embrace historical rpf”, “need to watch more turn asap so I can jandré properly”), which parallels the song’s heightened, performative sense of identity. Overall, Teen Idle captures their combination of dark humour, queer yearning, and theatrical, history-nerd angst.

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