
Strengths and Weaknesses

Your Simpsons character
This account most closely matches Lisa Simpson: thoughtful, politically aware, and constantly concerned with justice and inequality. Like Lisa, he focuses on social issues and fairness, for example sharing that “La tenencia vehicular es uno de los impuestos más progresivos… Un triunfo cultural de la derecha disfrazado de ‘alivio’ fiscal.” and amplifying the “reporte 2026 sobre desigualdad en el mundo”. His interest in sustainable mobility and environmental impacts echoes Lisa’s activism, as seen when he highlights that “Ciudad de México vuelve a ser la urbe más congestionada del planeta” and discusses cycling, pedestrians, and public transport in multiple Movilidad en Milenio TV posts. He is explicitly feminist and critical of machismo, mirroring Lisa’s strong stance on gender equality, for instance insisting that “Tenemos que hablar mucho más entre hombres de acabar con el machismo y el patriarcado” and reminding that it is “'madres autónomas', no 'madres solteras'”. His empathy for victims and focus on human rights, such as amplifying stories of mothers searching for missing people and cases of violence, also reflect Lisa’s moral seriousness and compassion. Even when he touches pop culture—like analyzing Bad Bunny’s strategy in “Bad Bunny aplica una estrategia para democratizar sus conciertos”—he does it with an analytical, values-driven lens, very much in Lisa’s spirit.

Your MBTI personality Type
Their timeline strongly suggests Extraversion: they are a TV host and columnist, constantly inviting people to join public conversations and broadcasts, e.g. “Acompáñennos, hoy tendremos una mesa sobre violencia vial…” and repeatedly promoting Movilidad en Milenio TV shows and interviews, which implies energy from interaction and public engagement more than private reflection. They lean toward Intuition over pure Sensing because they consistently frame concrete news within broader patterns like inequality, patriarchy, and geopolitics, as in “En la nueva geopolitica imperial las preocupaciones surgen lo mismo en América Latina que en Dinamarca” and their interest in reports on global inequality and the climate crisis, where the emphasis is on systemic ideas rather than just raw facts. Their style points to Feeling: they foreground ethical concerns, empathy and human impact, for example “Tenemos que hablar mucho más entre hombres de acabar con el machismo y el patriarcado” and their focus on victims’ families, mothers searching for the disappeared, and campaigns against gender violence, often highlighting dignity and justice rather than detached analysis. At the same time, they are not purely sentimental; they integrate data and expertise, but usually in service of values (e.g. highlighting traffic deaths, ‘pobreza de tiempo’, or environmental harm through expert quotes and reports) rather than as an end in itself. Finally, they read as Judging rather than Perceiving: their feed shows a structured, planned rhythm of regular segments and special topics (violence, mobility, inequality, climate), such as “Hoy hablaremos en especial de discapacidad y de las nuevas licencias…” and “Hoy con un tema sobre desigualdad, el de la pobreza del tiempo”, and they consistently advocate clear societal norms and policies (tenencia vehicular, fotomultas, alcoholímetro, road safety) rather than a flexible, open‑ended stance. This blend of outward-focused communication, big-picture social themes, value-centered messaging, and organized, issue-driven work aligns best with ENFJ — the socially engaged, advocacy-oriented type often drawn to media, education, and public causes.

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Your new Twitter bio
Journalist at @Milenio. I chase politics, inequality and safe streets in CDMX. Once missed a meeting because I biked to follow a protest instead.– @hzamarron

Your signature cocktail
Espresso-infused mezcal captures Héctor’s sharp, investigative edge as a journalist who moves between politics and inequality, echoing his bio on “política, desigualdad, movilidad, peatones, café y cerveza” and his focus on issues like “El reporte 2026 sobre desigualdad en el mundo. En el siguiente post, el caso de México”. Grapefruit tonic adds a bitter-citrus brightness for his constant critiques of environmental and urban policy, like when he notes that “Ciudad de México vuelve a ser la urbe más congestionada del planeta” in this tweet and questions car-centric culture in “La tenencia vehicular es uno de los impuestos más progresivos…”. Cold brew coffee ice cubes stand for his caffeinated, steady presence en Movilidad en Milenio TV, linking to his recurring segments such as “Movilidad en Milenio TV Jueves 8 de enero de 2026”. A dash of chile bitters reflects the emotional heat with which he aborda temas de violencia y machismo, resonating with his call that “Tenemos que hablar mucho más entre hombres de acabar con el machismo y el patriarcado” in this tweet and his coverage of gender violence like “En el 𝗗𝗶́𝗮 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝗰𝗶𝗼𝗻𝗮𝗹 𝗱𝗲 𝗹𝗮 𝗲𝗹𝗶𝗺𝗶𝗻𝗮𝗰𝗶𝗼́𝗻 𝗱𝗲 𝗹𝗮 𝘃𝗶𝗼𝗹𝗲𝗻𝗰𝗶𝗮 𝗰𝗼𝗻𝘁𝗿𝗮 𝗹𝗮 𝗺𝘂𝗷𝗲𝗿…”. Finally, the orange peel twist nods to his cultural and human-touch stories—from Bad Bunny’s marketing genius in “Bad Bunny aplica una estrategia para democratizar sus conciertos” to the poetic pieces on grief and hope like “El duelo como fuerza vital, el ejemplo de Luz del Carmen Zenteno”—giving this cocktail a bright, reflective finish that matches his mix of rigor and warmth.

Your Hogwarts House
Héctor consistently centers analysis, data, and expert knowledge, which aligns strongly with Ravenclaw’s love of learning and critical thought. He highlights research and indicators on mobility and inequality, such as when he shares the global inequality report and promises more detail on Mexico: “El reporte 2026 sobre desigualdad en el mundo. En el siguiente post, el caso de México”, and when he emphasizes evidence-based policy on safety and transport like the Puebla speed camera measures: “Puebla cobrará fotomultas a autos con placas foráneas… Medida busca reducir accidentes de tránsito…”. He shows intellectual curiosity across diverse topics — from geopolitics and climate costs “¿Cuánto cuesta la crisis climática en Mexico? @greenpeacemx calculó su costo” to scientific innovation at UNAM: “Del laboratorio al mundo real: innovaciones de salud creadas en la UNAM”. He also values reflective, critical thinking, as when he shares about critical thought and historical memory in the context of youth marches: “El pensamiento crítico es tener memoria histórica, a partir del pasado, podemos saber a dónde queremos ir y cuestionar las desigualdades…”. While he clearly cares about justice and empathy (traits of other houses), the throughline of his feed is using information, research, and nuanced discussion to understand complex systems, which is quintessentially Ravenclaw.

Your movie

Your song
A fitting song for Héctor Zamarrón is “El breve espacio en que no estás” by Pablo Milanés, because it blends tenderness, social awareness, and reflective melancholy—tones that echo across his timeline. He moves between global geopolitics and local realities, from “'Algo hay que hacer con México', la advertencia de Trump esta mañana, en una geopolítica donde lo que menos importa es la democracia, lo que Estados Unidos persigue es el petróleo, no las drogas ni las dictaduras.” to everyday urban struggles like “Ciudad de México vuelve a ser la urbe más congestionada del planeta via @Milenio”. The song’s theme of holding on to love and dignity in a harsh world mirrors how he centra human dignity in topics like “Hoy con un tema sobre desigualdad, el de la pobreza del tiempo” and “Tenemos que hablar mucho más entre hombres de acabar con el machismo y el patriarcado”. There is also a quiet resilience in how he highlights people who transform pain into action, such as “El duelo como fuerza vital, el ejemplo de Luz del Carmen Zenteno” and “Samara Martínez (@samaraamm) nos habla sobre su lucha por legalizar la eutanasia con la ‘Ley Trasciende’”, which matches the song’s emotional depth. Finally, his love of mobility, pedestrians, and city life—reflected in his constant threads on road safety, cycling, and public transport like “Ciclistas bloquean Insurgentes ante muertes viales en CdMx via @Milenio”—aligns with the song’s sense of movement through spaces marked by both absence and hope.

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