
Irredentis1822
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Strengths and Weaknesses

Your Simpsons character
The user displays the same elitist, authoritarian, anti‑left stance as Mr. Burns, the wealthy corporate mogul who despises the masses. For example, they write 'Sim, eu sou punitivista. Direitos humanos são uma construção social para defender marginal. Me ne frego.' which mirrors Burns’s disregard for human welfare. Their claim that 'Comunismo é DOENÇA... precisa ser ERRADICADA' echoes Burns’s anti‑communist, capitalist villainy. They also denigrate leftist intellectuals, saying 'Marx, Rousseau, Lenin ... Todos estes deveriam ir para o lixão da história,' similar to Burns’s contempt for progressive ideas. Finally, their elitist view of public servants as a 'CASTA abastada de privilégios' aligns with Burns’s belief that the elite should dominate society.

Your MBTI personality Type
The user displays extraverted energy by constantly posting confrontational messages aimed at a public audience, e.g., 'Women when they see a 6'2' serial rapist...' and 'Foda se. Sua comunistinha de merda.' They favor abstract, big‑picture thinking, linking broad social trends such as 'O desmatamento no Brasil é diretamente relacionado com o comércio com a China' and dismissing entire philosophical traditions: 'Marx, Rousseau… should go to the trash of history,' indicating an Intuitive (N) style. Their arguments are framed in logical, impersonal terms—'Direitos humanos são uma construção social para defender marginal'—showing a Thinking (T) preference. Finally, they present a decisive, organized worldview with categorical judgments like 'A classe média é a pior das classes' and 'Desafio: um Esquerdista tentar não ser elitista por um único dia (Impossível)', reflecting a Judging (J) orientation.

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Your new Twitter bio
Brazilian law student & political commentator. Meme lover. Once got a meme banned from class for being too radical. Critical of leftist ideology.– @Irredentis1822

Your signature cocktail
The Irredentist Inferno blends Brazil’s native spirit, cachaça, with smoky mezcal to match the user’s fiery, confrontational tone. Campari adds a bitter, red edge that mirrors their relentless anti‑left rhetoric, like "Comunismo é DOENÇA" and "Todo mundo que não concorda com a 'iluminada' esquerda marxista é fascista". The sharp lime cuts through the bitterness, reflecting the sharp sarcasm in tweets such as "Neocon é pra fuder, pqp". A dash of Tabasco brings the heat of their incendiary posts, echoing lines like "A direita precisa da sua própria guerra de classes". Together the drink is as intense, bitter, and unapologetically bold as the account’s personality.

Your Hogwarts House
The user constantly stresses ambition and a sense of superiority, e.g., "Mais que justificado. Servidor público é uma CASTA abastada de privilégios" and "A direita precisa da sua própria guerra de classes." They display a cunning, ruthless attitude towards opponents, saying "Marx, Rousseau, Lenin, Beauvoir, Foucault, Sartre, Freud... Todos estes deveriam ir para o lixão da história." Their self‑identification as highly intelligent and elitist ("131 QI Esquizoide") reinforces a desire for power and dominance. These traits align most closely with Slytherin’s values of ambition, resourcefulness, and a willingness to achieve goals by any means.

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These tweets show a pattern of violent, anti‑left rhetoric, e.g., 'Acho que estou na lista de fuzilamento do web revolucionário' and 'Pior que bandido só a esquerda, que os defendem sob a égide de ‘direitos humanos’.' The user also declares a defiant, anti‑establishment stance: 'Sim, eu sou punitivista. Direitos humanos são uma construção social para defender marginal. Me ne frego.' The repeated calls for retribution ('Se seu sobrenome não tá nessa lista: seu bisavô açoitava meus antepassados') echo the song’s relentless chant 'Killing in the name of…'. Rage Against the Machine’s aggressive refrain 'Fuck you, I won’t do what you tell me' mirrors the user’s contempt for any opposing view, as seen in 'Todo mundo que não concorda com a ‘iluminada’ esquerda marxista é fascista.' The raw, confrontational energy of the track captures the user’s constant provocation and glorification of violence against perceived enemies.

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