Strengths and Weaknesses
Strengths:
- Intellectually curious: Frequently engages with philosophy and social theory, e.g. reading Rousseau, Hegel, Gilligan, Wallerstein, Diamond, and commenting on them in tweets like “ルソー『人間不平等起原論(人々の間における不平等の起源はなんであるか、そしてそれは自然法によって容認されるか)』を読中。”.
- Culturally eclectic: Combines high theory and pop culture, discussing Angel Beats!, May'n concerts, Bakemonogatari alongside basic income, global cities, and contemporary dance, e.g. “明日は映像用のテロップ作り、、、明日新宿バルト行くか迷ってる。テロップ作りの勉強のためにもMay'n Special Concert 2010は参考になるかもな。。 ”.
- Reflective empathetic: Shows self-reflection and concern for others, e.g. analyzing a late-night quarrel with his partner in a mini-essay starting from “気分はもう最悪だ。が気持ちの整理のためにも、自分の体験を文章化してみたい。” and thoughtfully helping an elderly woman home in “先日赤坂で目の悪いおばあちゃんに逆ナンパされ、手を繋いで、ばーさんの自宅まで一緒に歩いた。”.
- Conceptual synthesizer: Coines or adopts concepts and weaves them into broader frameworks, like “主体的雑種化” and “青空系,” linking them to queerness, real-life activities, and social theory in tweets such as ““主体的雑種化”を貫く人は、奇妙でカワイイ。その行動はかなりの勇気がいりそうろう。” and “リアルな活動の充実を希求する“リア充願望者”を「青空系」と呼ぶらしい。”.
- Engaged observer: Closely follows politics, economics, and media, offering critiques of governance, welfare debates, and TV shows, e.g. “鳩山政権退陣。〈群衆の正義〉をめぐるメディア・コミュニケーションは、ステレオタイプの消費を繰り返してばかりだねぇ。” and curating links on basic income like “朝までニコニコ生激論 テーマ『ベーシック・インカム』”.
Weaknesses:
- Abstract dense: Often writes in highly theoretical, jargon-heavy ways that could alienate casual readers, e.g. “経済成長は“価値観”のパラダイム抜きに語ることはできない。16世紀の近代世界システムの台頭から…” and “普遍的普遍主義（西洋的近代化）に対する相対的普遍主義（オルタナティブな近代化）みたなこと。”.
- Scattered focus: Jumps rapidly between numerous topics—river law, games, feminist ethics, anime, housing policy—without clear through-lines, as seen in the tight sequence from “明治29、30年の「治水三法」の制定…” to “ギリガンをロールズに接続するのはまずい。”.
- Self-critical harsh: Directs critique sharply at himself and his own circles, which can read as harsh or dismissive, e.g. “ギリガンをロールズに接続するのはまずい。こういう読書はためにならない。” and “現代思想オタクはリスク社会ばかり気にしているけれど、「流域社会」という裏のキーワードには疎いようだ。”.
- Overextended lifestyle: Admits to rarely going home and juggling many obligations, suggesting possible overwork or instability, e.g. “実は、僕自身家に帰るのは一ヵ月に五回くらい。” and “さて、久し振りのツイート。10日ぶりに自宅に戻る途中。”.
- Emotionally volatile: Describes intense mood swings around personal conflict, such as the late-night argument sequence beginning with “気分はもう最悪だ。が気持ちの整理のためにも、自分の体験を文章化してみたい。” and “恋人と言い争うことのやるせなさ。「個人的なことは政治的である」というスローガンを声高に謳いたくもなる。”, hinting at difficulty maintaining emotional equilibrium.
Your Simpsons character
Lisa Simpson
This user most closely matches Lisa Simpson, given their intellectual curiosity, love of theory, and tendency to philosophize everyday life. They read and comment on political philosophy and social theory, from Rousseau and Hegel to Rawls and Gilligan, as seen in tweets like “ルソー『人間不平等起原論(人々の間における不平等の起源はなんであるか、そしてそれは自然法によって容認されるか)』を読中。” and “ギリガンのケアの倫理が『隠れたもの』を発見したことはそれなりに重要ですね。”. Like Lisa, they connect abstract ideas to contemporary politics and society, for example when they critique media treatment of politics in “鳩山政権退陣。〈群衆の正義〉をめぐるメディア・コミュニケーションは、ステレオタイプの消費を繰り返してばかりだねぇ。”. They also bridge high theory and pop culture (anime, May’n, Angel Beats!, Bakemonogatari), as in “僕が先日May'nのライ部動画を新宿バルトに観に行ったという行動も…これも“雑”の実践ですよ（笑）”, which fits Lisa’s mix of earnestness and slightly nerdy fandom. Finally, their reflective, sometimes anxious self-analysis about relationships and ethics—e.g. “恋人と言い争うことのやるせなさ。「個人的なことは政治的である」というスローガンを声高に謳いたくもなる。”—is very much in line with Lisa’s habit of turning personal experiences into moral and political reflection.
Your MBTI personality Type
INTP
They lean Introvert because their tweets center on reading, thinking, and niche interests rather than seeking social visibility, e.g., long solo reflections on philosophy and politics like “経済成長は“価値観”のパラダイム抜きに語ることはできない。” and private experiences such as “気分はもう最悪だ。が気持ちの整理のためにも、自分の体験を文章化してみたい。” that emphasize internal processing. Their strong focus on abstract ideas over concrete details points to Intuition: they discuss “普遍的普遍主義と相対的普遍主義” in “要するに“マルサスの罠”を乗り越える別様の近代再構想、普遍的普遍主義と相対的普遍主義の両立ということが大きな課題です。” and theorize about “主体的雑種化” and “クィア的な雑種化” in ““主体的雑種化”を貫く人は、奇妙でカワイイ。” rather than everyday practicalities. They clearly favor Thinking: they critique arguments and frameworks, as in “ロールズを使って討議デモクラシーを市民裁判員制度まで拡張するのは危険。” and analyze media and policy in “〈群衆の正義〉をめぐるメディア・コミュニケーションは、ステレオタイプの消費を繰り返してばかりだねぇ。”, showing a logical, detached style even when topics are emotional. Their lifestyle and tone are more Perceiving than Judging: they frequently mention last‑minute or drifting choices like “明日新宿バルト行くか迷ってる。” and juggling work spontaneously, as in “明日は映像用のテロップ作り、、、明日新宿バルト行くか迷ってる。”, and they explore ideas experimentally (e.g., calling going to an anison concert an experiment in “主体的雑種化” in “僕はいろんな方からアニソンはやめておけと言われたけれど、あえてアニソンを聴きに行くという主体的行動に意義があると思っています。”) rather than following strict plans. Overall, the pattern of introspective, theory‑heavy, analytical, and open‑ended tweeting best fits INTP.
Some pickup lines for you
- You called ancient Greek ethical life a kind of “aesthetic artwork” and talked about rivers and流域社会—how about we test that theory and build a tiny polis of two over tsukemen at 三田製麺所 in 赤坂?
- You once braved the crowd to watch May’n’s live at 新宿バルト as an act of “subjective hybridization.” If you ever need a new species to cross with—halfアニソンオタク, half現代思想オタク—I volunteer as your experimental hybrid.
- You wrote about arguing with your girlfriend at 3 a.m. and how ‘the personal is political.’ I promise if we’re on the phone at 3 a.m., I’ll listen like ギリガン, negotiate like ロールズ, and only interrupt to say, ‘I’m really glad I met you.’
- You’re the only person I’ve seen who can go from ベーシックインカムと公益資本主義 to “暗闇祭りなう” and May’n待ち受け in one timeline. I don’t want to follow more accounts—I just want to subscribe to the long 21st century of you.
- You said you can’t resist “ディシプリナリーな欲望” and you hum 小唄 and 端唄—if loving a doujin-editing, philosophy-quoting, K-outa-humming Tokyo flâneur is a discipline, I’m ready to submit to peer review by taking you out for a night of ちょいと遊びでチントンシャン together.
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Your new Twitter bio
Editor/designer in Tokyo, juggling doujin e-publishing with philosophy, festivals and anime gigs. Once got reverse-picked-up by a sweet grandma in Akasaka.– @karekore
Your signature cocktail
The Disciplined Nose-Singer Negroni
This cocktail is strong but reflective, built on a Japanese gin base that nods to his Tokyo life and design/editing work, plus the convenience-store tomato mornings he mentions in “セブンのトマトを朝一に食す。”. Dry umeshu brings a bittersweet, nostalgically literary note for the man who reads Rousseau, Hegel, and debates democracy and care ethics in tweets like “ルソー『人間不平等起原論…』を読中。” and “ギリガンのケアの倫理が「隠れたもの」を発見したことはそれなりに重要ですね。”. The cold-brew coffee cordial captures his late-night philosophizing and emotionally charged phone arguments about politics and intimacy as in “恋人と言い争うことのやるせなさ。「個人的なことは政治的である」というスローガンを声高に謳いたくもなる。”. A dash of black sesame bitters represents his love of dense, earthy theory and local/commons debates, echoing his concern with rivers, flow, and locality in “現代思想オタクはリスク社会ばかり気にしているけれど、「流域社会」という裏のキーワードには疎いようだ。”. Finally, a float of sparkling mineral water adds a playful fizz for the side of him that taxis to anison concerts and calls it "雑の実践" in “僕が先日May'nのライ部動画を新宿バルトに観に行ったという行動も…これも“雑”の実践ですよ（笑）”, and for the nose-singing, slightly rakugo-esque persona in his bio, "ちょいと遊びでチントンシャン。"
Your Hogwarts House
Ravenclaw
This user shows a pronounced love of theory, philosophy, and complex ideas, which strongly aligns with Ravenclaw’s emphasis on learning and intellect. They tweet through dense political-philosophical and sociological material, such as reading Rousseau and commenting on Hegel’s concepts of ethical life and the polis, e.g. “ルソー『人間不平等起原論…』を読中。” and “ヘーゲルはポリス的共同体そのものを「倫理的芸術作品」と呼び…”. They also actively synthesize and critique ideas across fields—linking welfare, globalization, and environmental thought in reflective threads like “経済成長は“価値観”のパラダイム抜きに語ることはできない…” and “普遍的普遍主義（西洋的近代化）に対する相対的普遍主義…”. Their curiosity is wide-ranging and eclectic, spanning game theory, basic income debates, urban sociology, queer theory, and design, for example “京王線新宿ナウ。今日は暗闇祭りです。ビンモアの『ゲーム理論』を開く。” and “クィア的な雑種化 @han_org 「クィア」概念にはシンパシーを感じます。”. Even their reflections on relationships become analytical, as they invoke feminist slogans and moral philosophy in a breakup context: “恋人と言い争うことのやるせなさ。「個人的なことは政治的である」というスローガンを声高に謳いたくもなる。”. This persistent tendency to theorize life, coupled with clear enjoyment of conceptual play and interdisciplinary thinking, marks them most strongly as a Ravenclaw rather than primarily driven by Gryffindor-style boldness, Hufflepuff-style duty, or Slytherin-style ambition.
Your movie
Your song
Paranoid Android - Radiohead
The restless, intellectually overloaded tone of Paranoid Android fits @karekore’s mix of political critique, philosophy, and otaku culture. They jump fluidly from Hegel and Rousseau (“ルソー『人間不平等起原論…』を読中。”) to globalization and basic income (“普遍的普遍主義（西洋的近代化）に対する相対的普遍主義…”), mirroring the song’s abrupt shifts in mood and structure. Their fascination with risk, justice, and media spectacle (“鳩山政権退陣。〈群衆の正義〉をめぐるメディア・コミュニケーションは、ステレオタイプの消費を繰り返してばかりだねぇ。”) echoes the song’s anxiety about modern society and dehumanization. At the same time, the vulnerable, self-analytical side of the lyrics resonates with tweets about late-night fights and emotional miscommunication (“恋人と言い争うことのやるせなさ。”, “気分はもう最悪だ。が気持ちの整理のためにも、自分の体験を文章化してみたい。”). Like the song’s blend of cynicism and fragile hope, @karekore mixes sharp critique with curiosity and a kind of playful, ‘queer’ hybridity in culture and identity (““主体的雑種化”を貫く人は、奇妙でカワイイ。”).
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