Strengths and Weaknesses
Strengths:
- Analytical thinker: Gives close readings of media, like detailed speculation about Ryōshū’s memory and psychoments in Limbus Company in “ok so hear me out. maybe the reason the faces are blacked out here is because ryōshū cant actually recall them?” and “ok hear me out... the psychoment user is ryōshū and this is foreshadowing her next id”.
- Media literate: Shows strong grasp of themes and character writing, e.g. nuanced takes on Makima in “its interesting how much i cant fully hate makima... she just wanted a hug” and discussion of Canto 8 philosophy in “CANTO 8 IS PEAK!!!! i love all the philosophy stuff going on”.
- Emotionally honest: Open about being hurt by stories and relating to them, like describing Denji’s story hitting “oh so close to home” in the Makima tweet and introducing herself with “i tend to like stories that hurt me and just being hurt in general” in her intro post.
- Socially conscientious: Engages with gender, politics, and power critically, such as calling out weaponized concern for male SA victims in “men at large will never gaf about male SA victims, but they'll use them as pawns” and joking about Limbus ‘LGBTQ’ as corporate tags in “there's no lgbtq+ in limbus because it's actually lcl lcg...”.
- Passionate creative: States clear creative goals and enthusiasm, e.g. “im currently working on becoming a narrative designer/writer” and inviting recs in “if you think you know a story ill like lmk i will try”, plus frequent deep dives into storytelling choices across games and anime.
Weaknesses:
- Harshly judgmental: Often frames opinions as absolute condemnations, like calling Blood Money “one of the worst games ive seen in a while” and not understanding “why people like ts” in this tweet, or saying “so many people need to die” about a discourse target in this post.
- Easily frustrated: Shows low tolerance for fandom behavior and trends, e.g. being “lowkey pissed” about aura power creep in “lowkey pissed that my new fav shū id got out aura'd” and venting about EXP33 fans as “obnoxious” in “seeing everyone act like its jrpg ass gameplay is revolutionary is obnoxious”.
- Self‑critical insecure: Openly talks about getting disheartened by low engagement—“ive never really posted consistently cus i get disheartened if no one sees it” in this tweet—and calls her old pinned “kinda cringe” in “hmm i should make a new pinned. old one is kinda cringe...”.
- Conflict‑oriented: Frequently frames topics in oppositional terms, like saying “so many people need to die” in this tweet, stating she’ll be “in the trenches defending fujimoto” in “im going to have to be in the trenches defending fujimoto”, and mocking powerscalers and other fan groups in several quoted tweets.
- Cynically detached: Often dismisses works or cultural moments with broad cynicism, such as “every game is the last of us now. i wont elaborate” in this post or “posting on 4chan and being normal are mutually exclusive” in this tweet, which can shut down deeper dialogue.
Your Simpsons character
Lisa Simpson
Lisa Simpson fits best because she’s intellectually intense, politically engaged, and emotionally earnest in a way that matches this user’s vibe. They’re very online and analytical about media and narrative design, like when they dissect character writing in Limbus Company and JJK (“this canto really reinforced the open ends of the others for me. i mean with greg and sinclair we've confirmed that there Will be more character developments post canto.”, “its interesting how much i cant fully hate makima... she did awful things and her death was deserved but like. she just wanted a hug.”), which echoes Lisa’s tendency to overanalyze stories and ethics. Their leftist, trans, and pro-Palestine politics in the bio and posts about gender and male SA discourse (“there are 'real' issues. but none of them exist beyond their capacity to serve men in whataboutism.”) parallel Lisa’s social-justice streak. They’re also self-aware and a bit world-weary about fandom and culture, like complaining about powerscalers and overhyped games (“my issue with exp33 summed up... seeing everyone act like its jrpg ass gameplay is revolutionary is obnoxious.”), which matches Lisa’s frustration with mediocrity being treated as genius. Finally, under the sarcasm there’s genuine feeling and attachment to characters and art (“you'll probably see me talking about fujimoto, mecha, pm, cyberpunk, and whatnot. i tend to like stories that hurt me and just being hurt in general.”), very much like Lisa’s mix of cynicism and idealistic sensitivity.
Your MBTI personality Type
INTP
They come across as more introverted than extroverted: they talk about being disheartened when no one sees their posts and only recently deciding to post more, e.g. “ive never really posted consistently cus i get disheartened if no one sees it. but i think ive stopped caring.”, and their interests are mostly solitary media consumption (games, anime, analysis) rather than social events. Their tweets are heavily intuition (N)‑leaning, focusing on themes, symbolism, and hypotheticals, such as analyzing character psychology and narrative implications in Limbus Company and Chainsaw Man (“its interesting how much i cant fully hate makima… she just wanted a hug. she couldn't understand how to get it.”) rather than concrete sensory details. They show a strong thinking (T) preference through argumentative, critical takes and systems‑level observations, like critiquing fanbases and design discourse (“my issue with exp33 summed up… seeing everyone act like its jrpg ass gameplay is revolutionary is obnoxious.”) and dissecting power-scaling or media politics more than focusing on harmony, even when they care about social issues (“there are 'real' issues. but none of them exist beyond their capacity to serve men in whataboutism.”). Their style reads as perceiving (P) rather than judging: they bounce between interests, theorize and speculate (e.g. multiple speculative threads about Ryōshū’s IDs like “ok hear me out... the psychoment user is ryōshū and this is foreshadowing her next id (delusional)”), and openly say they can “add more later” to their intro rather than presenting a polished, finalized self‑description (“thats probably good enough i can add more later”). Altogether, an analytical, theory‑driven, critical but playful voice that lives in media concepts and ‘what if’ scenarios fits INTP best.
Some pickup lines for you
- If Ryōshū gave me top surgery, I’d ask her to carve your @ into the scar so I can permanently commemorate the moment I fell for the girl who said those scars would be ‘of unparalleled beauty.’
- You said you’d trade half your lifespan just to sit next to your beloved Walter — statistically, that means you can spare like twenty minutes to sit next to me and rant about Canto 9 Sinclair, right?
- You’re out here defending Sakura Matou, feeling bad for Makima, and loving that one character in Blood Money you ‘should’ hate — clearly you have a soft spot for morally awful women. As a morally questionable she/it, I think I qualify for your route.
- You said every game is The Last of Us now, but I’d rather we speedrun straight to ‘two freaks overanalyzing Canto 8 philosophy and Fujimoto panels at 3AM’ any% — no sidequests, just us and way too many feelings.
- You keep farming aura in Limbus, voting for Kishibe, and praying for Ryōshū’s ourple coins — statistically speaking, you’re due for a lucky pull, so how about you roll once on me and see if you get a 5★ disaster dyke with great conversation and questionable takes on Cyberpunk 2077?
Your 5 Emojis
Your new Twitter bio
Kip | she/it | narrative design goblin powered by mecha, CSM, and Limbus brainrot. Once paused a deadline to theorycraft Ryōshū’s sword and didn’t regret it.– @kipkip_36
Your signature cocktail
Ourple Psychoment Highball
Plum-infused gin brings the ourple vibe and sharp, slightly unhinged edge of their Ryōshū obsession, riffing on posts like “praying that ryōshū's season id gets ourple coins.” and their many Limbus deep-dives. Matcha liqueur nods to their thoughtful, analytical side and love of dense, philosophical narratives such as “CANTO 8 IS PEAK!!!! i love all the philosophy stuff going on, and all the characters are so interesting.”. Watermelon cordial adds a bright, playful sweetness that matches the 🍉 in their bio and their shitposty glee in tweets like “powerscalers hate csm cus if y'alls goat loses a rock paper scissors match they will turn into a nice hat”. Smoked black tea bitters capture their willingness to dive into darker, painful stories and politics, from “there are 'real' issues. but none of them exist beyond their capacity to serve men in whataboutism.” to “stories that hurt me” in their intro. Topped with soda water, it stays lively and a bit experimental—fizzy enough to match “ive never really posted consistently cus i get disheartened if no one sees it... everyone is subject to my musings effective immediately”—a sharp, bright, slightly bitter drink that still goes down dangerously easy.
Your Hogwarts House
Ravenclaw
Kip is intensely analytical and theory-driven about the media they like, which is very Ravenclaw-coded. They dive into close reading and speculative analysis, e.g. their Limbus discussions like “ok so hear me out. maybe the reason the faces are blacked out here is because ryōshū cant actually recall them? like how she'll address characters by hair color or call dante clockface. maybe she just cannot remember names or faces. or maybe she doesn't want to” and “ok hear me out... the psychoment user is ryōshū and this is foreshadowing her next id (delusional) (her odachi is 100% a psychoment tho its like the only way her check up power ranking makes sense)”. They explicitly care about narrative design and critique structure and fandom discourse thoughtfully, such as “this canto really reinforced the open ends of the others for me. i mean with greg and sinclair we've confirmed that there Will be more character developments post canto. hopefully it sticks in some way. idk” and “my issue with exp33 summed up. honestly i have nothing against the game but seeing everyone act like its jrpg ass gameplay is revolutionary is obnoxious. honestly it could be goty i just dont want to play it”. Their pinned-style intro also foregrounds being a writer and seeking emotionally complex, painful stories—“im currently working on becoming a narrative designer/writer. you'll probably see me talking about fujimoto, mecha, pm, cyberpunk, and whatnot. i tend to like stories that hurt me and just being hurt in general. if you think you know a story ill like lmk i will try”—which signals a reflective, literary temperament. While they show flashes of passion and moral conviction (which could hint at Gryffindor), their dominant mode is dissecting themes, fandom reactions, and game design with curiosity and wit, making Ravenclaw the best overall fit.
Your movie
Your song
People II: The Reckoning - AJJ
AJJ’s People II: The Reckoning fits Kip’s blend of political rage, gallows humor, and vulnerability. They’re openly leftist and exhausted by reactionaries, as seen when they note that “there are 'real' issues. but none of them exist beyond their capacity to serve men in whataboutism.” and joke about America’s military posture as “potential man since like WW2.” The song’s mix of self‑loathing, empathy, and fury at the world mirrors their love of stories that hurt, like when they say they like “stories that hurt me and just being hurt in general” in their intro post: “you'll probably see me talking about fujimoto, mecha, pm, cyberpunk, and whatnot. i tend to like stories that hurt me and just being hurt in general.” It also matches their tendency to feel for morally awful characters such as Makima and other complex, messy figures: “she did awful things and her death was deserved but like. she just wanted a hug. she couldn't understand how to get it. i feel ya”. Overall, the song’s anxious, politically-charged, emotionally raw tone lines up with how they tweet about games, anime, and politics with equal parts bitterness and affection.
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