Strengths and Weaknesses
Strengths:
- Creative gamer: Frequently creates and shares game-related commentary and memes, e.g. tierlists and critiques of asym games in “>Game takes 2 years to drop...” and detailed takes on specific killers in “I think I genuinely had the most abysmal dogshit john doe round ever...”.
- Musically inclined: Actively produces music/remixes and shares them, such as the visualizer in “vro ts visualizer is so vladcore (Fanmade...)” and the FNF remix in “oh right i also do music right uhh heres a remix of that one fnf weekly song okay?”.
- Technically curious: Shows interest in tools and sound design, like experimenting with FL Studio (“FL studio if not crashing every 5 minutes was a class”) and trying sound design for BLOCKBOUND in “this video made a little lightbulb go off in my head like 'aha!' so i wanted to kinda do my take on the sound design for this”.
- Engaged critic: Offers concrete criticism of games and communities rather than only vague complaints, such as the structured breakdown of an asym’s problems in “>Game takes 2 years to drop...” and nuanced comparison of experiences in “I think that ive had less bullshit experiences playing outcome memories...”.
- Community involved: Interacts heavily with mutuals and creators, e.g. joking about fake arguments in “when youre fake arguing with a mutual and some random shows up”, mentioning being mutuals with a co-owner of Teuthida in “i completely forget im mutuals with the co owner of Teuthida I love this chud”, and engaging with other devs/creators in quoted tweets.
Weaknesses:
- Violent rhetoric: Frequently uses extreme violent language, e.g. bio saying “kill kill kill…” and tweets like “Kill EVERY tiktok user” and “I want to see you dead in a ditch for wasting over half of these potatos just for a bit”.
- Personal hostility: Directly attacks individuals with insults and slurs, such as “Your ass is just as bad as altaz have fun rotting in hell cunt” and calling someone a “disgusting fuckwad” in the potato tweet.
- Harassment focus: Targets specific groups or players with dehumanizing language, e.g. “if you play killdroid in die of death i firmly believe you are an israeli IDF soldier who loves watching the gruesome murders of innocents...” and celebratory hostility like “rip bozos #outcomememories #deadgame”.
- Self-destructive branding: Public persona leans heavily on death/hell imagery and aggression, like the name “david baszuckis smoldering corpse in hell,” bio “kill kill kill…”, and threats toward David Baszucki in “بمجرد انتهاء يوم 19 فبراير، سيُترك ديفيد باسزوكي ليواجه مصيره المحتوم.”.
- Escalatory language: Tends to escalate disagreements into extreme statements, e.g. wishing others to “rot in hell” in “Your ass is just as bad as altaz have fun rotting in hell cunt” and saying “Kill EVERY tiktok user” in this tweet rather than keeping criticism focused on behavior or ideas.
Your Simpsons character
Bart Simpson
This user most closely matches Bart Simpson: loud, irreverent, and constantly pushing boundaries, often through edgy humor and open hostility. Their bio (“kill kill kill kill kill kill…”) and posts like “Kill EVERY tiktok user” and “Your ass is just as bad as altaz have fun rotting in hell cunt” reflect Bart’s antagonistic, confrontational streak. At the same time, they’re very online, into games and niche fandoms, much like Bart’s obsession with TV, video games, and pranks, as seen in tweets about Roblox asym games and Payday 2 like “On the first playthrough this was literal hell #payday2”. Their tendency to overreact dramatically, such as “I want to see you dead in a ditch for wasting over half of these potatos just for a bit”, mirrors Bart’s flair for melodrama and over-the-top revenge fantasies. Despite the edge, they show social engagement and a desire for interaction—“PLEASE interact with me first I WILL message back i promise”—which fits Bart’s underlying need for attention, mutuals, and chaotic camaraderie more than any of the more reserved or earnest Simpsons characters.
Your MBTI personality Type
INTP
They lean Introvert (I): their social focus is heavily online/gaming rather than real‑life events, and they describe late‑night solo activities like “Currently 2 in the fucking morning and I cannot stop thinking about fictional characters fuck my chud life Image related”, plus they frame interaction as something they want others to initiate: “PLEASE interact with me first I WILL message back i promise”. Their style is strongly iNtuitive (N), full of abstractions, hyperbole, and conceptual commentary on games and communities rather than concrete day‑to‑day life, as in the long meta‑critique of an asym game: “>Game takes 2 years to drop >Drops in the most unbalanced state an asym had seen by then … >Garners the most toxic fanbase in an asym”. They come off as more Thinking (T) than Feeling: their arguments emphasize evaluations and impersonal judgments (often harsh) like “Ngl I think 90% of the time people who say they 'block freely' are the most annoying people on the site” and detailed mechanical critiques of killers and game balance such as “this fucking killer is horrid to play as its just artful 0.5 because he gets countered by needing to STAND STILL FOR 50 FUCKING YEARS”. Their organization and lifestyle read as Perceiving (P) rather than Judging: they reference doing things late at night on impulse (“idk man its like 12am”), forgetting they even make music until after the fact (“oh right i also do music right uhh heres a remix…”), and generally reacting in the moment instead of methodically planning. Overall, the combination of introverted online focus, abstract/meta commentary, analytical but emotionally blunt critiques, and spontaneous, late‑night, project‑hopping energy fits INTP better than the other types.
Some pickup lines for you
- If we queued into the same asym match, I’d let you stun-lock me longer than John Doe has to stand still, because unlike that killer, I actually *want* to get caught by you.
- You said that one Payday 2 heist was literal hell on first playthrough—wanna squad up so the only thing we’re stealing is each other’s sleep schedule at 2 a.m. while we rant about broken Roblox asyms?
- You called FL Studio crashing every 5 minutes a whole class—if you ever need a study partner, I’ll sit through every crash just to hear you talk about your Forsaken/Outcome/FNF music and visualizers.
- For someone who says they’re thinking about fictional characters at 2 in the morning, you’re dangerously close to becoming *my* canon main—mutuals-to-DM speedrun when?
- You didn’t pay for Premium and still pull flooded likes when you post something serious; I respect the grind—can I be your unofficial, totally free, New York!–based premium supporter in the replies and DMs?
Your 5 Emojis
Your new Twitter bio
17 • Bi & enby • New York. I make music, yell about asym horror & Roblox, and once lost sleep theorycrafting a Flood Escape collab.– @KodaCovers
Your signature cocktail
The Smoldering Outcome
The overproof dark rum is their unfiltered, chaotic energy and love of violent hyperbole, like “Kill EVERY tiktok user” and the bio line “kill kill kill kill kill kill kill kill kill”. Sour cherry liqueur brings a sharp, bright sweetness that nods to their playful side when they geek out about games and music, such as “vro ts visualizer is so vladcore (Fanmade, obviously…)”. The burnt sugar & smoked chili syrup captures how their humor is equal parts bitter and scorching, echoing posts like “Your ass is just as bad as altaz have fun rotting in hell cunt” and “I couldnt care less if this was ragebait I want to see you dead in a ditch…”. A shot of espresso represents the insomnia-core, hyperfocused gamer grind in tweets such as “Currently 2 in the fucking morning and I cannot stop thinking about fictional characters fuck my chud life”. Finally, the charcoal-black citrus salt rim is a visual callback to their edgy, hellish branding—“david baszuckis smoldering corpse in hell” and ominous lines like “By the time the 19th of February ends, David Baszucki will be left to face his inevitable fate.”—giving the drink a dramatic, outcome-of-your-actions finish.
Your Hogwarts House
Gryffindor
KodaCovers shows very strong Gryffindor-style confrontational bravery and a tendency to jump in hard when they think something is wrong. They repeatedly express violent anger toward people or groups they see as harmful, e.g. “kill kill kill kill kill kill kill kill kill * I DID NOT PAY FOR PREMIUM * 17, Bi, and Enby” and “Kill EVERY tiktok user”, which, while extreme, fits the impulsive, hot-headed side of Gryffindor more than the colder calculation of Slytherin. Their moral outrage toward perceived cruelty or injustice is very direct and personal, as in “I couldnt care less if this was ragebait I want to see you dead in a ditch for wasting over half of these potatos just for a bit you disgusting fuckwad.” and “be a decent human for once dale.”. They also publicly call out people they associate with serious wrongs, like “if you play killdroid in die of death i firmly believe you are an israeli IDF soldier who loves watching the gruesome murders of innocents during a genocide. Fuck you Killdroid”, showing a willingness to take loud, controversial stances rather than protect their own image. While there is some creativity and humor in their gaming/music posts, the dominant traits are combative passion, blunt defense of their values, and a "charge in first, think later" energy—all classic Gryffindor qualities.
Your movie
Your song
My Songs Know What You Did in the Dark (Light Em Up) - Fall Out Boy
A song about chaotic energy, anger, and theatrical revenge fits them well, and My Songs Know What You Did in the Dark captures that mix of edginess and self-awareness. Their bio (“kill kill kill kill kill kill kill kill kill * I DID NOT PAY FOR PREMIUM * 17, Bi, and Enby”) shows an over-the-top, performative aggression that mirrors the song’s fiery dramatics. Tweets like “Kill EVERY tiktok user” and “Your ass is just as bad as altaz have fun rotting in hell cunt” reflect the same explosive, vengeful tone as the chorus’s “light ‘em up.” Their repeated fixation on David Baszucki (“davidd wil gget whatt hee hass nearneddd” and “بمجرد انتهاء يوم 19 فبراير، سيُترك ديفيد باسزوكي ليواجه مصيره المحتوم.”) parallels the song’s theme of someone finally getting what they ‘deserve.’ At the same time, their heavy involvement in gaming, online drama, and shitposting (“tierlistslop for asymslop retroslop asthmaslop robloxslop games”) fits the track’s loud, hyper-online, arena-anthem vibe. Overall, the song’s mix of rage, spectacle, and dark humor lines up closely with how they present themself on Twitter.
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