Strengths and Weaknesses
Strengths:
- Dedicated creator: Has worked on SQUID'S MANSLAUGHTER and FLESH HARVEST for years, documenting progress from early concept to Steam release and multiple updates, e.g. long development thread starting with “I've been silent on Twitter for a while now regarding my RPG Cease...” through “2.0 Is Here...! SQUID'S MANSLAUGHTER” and the Steam launch “you can now play the most meaningless JRPG video game, SQUID'S MANSLAUGHTER, on Steam”.
- Reflective analyst: Gives thoughtful, specific commentary on music and art, such as describing Spell #6 as “the final stage of pastiche 80s music” in “Spell #6 is has been in my top 3 albums...” and noting the “meticulously rough” mixing on Wayward Bus in “Wayward Bus by Magnetic fields is interesting...”.
- Experimental artist: Shows a taste for unusual, esoteric aesthetics and outsider influences, praising Gary Panter in “Songy Of Paradise, might be the best comic I've read recently...”, Tonetta’s disturbing honesty in “I suggest listening to Tonetta's album 777...”, and designing religious-horror and ‘sociopathy simulator’ games in “I've recently been developing a game that's a sociopathy simulator...”.
- Community‑minded: Offers budget composition services to other devs in “If anyone is looking for music for there projects on a budget I can do just about anything...”, opens a Discord and Patreon with perks in “I've recently started a public Discord Server, as well as a Patreon...”, and thanks donors even when funding is low in “Flesh Harvest's Kickstarter isn't really doing that well... I am thankful for those who have donated”.
- Self‑aware humor: Frequently uses playful, self-deprecating marketing and jokes, like calling SQUID'S MANSLAUGHTER “the most meaningless JRPG video game” in “you can now play the most meaningless JRPG video game, SQUID'S MANSLAUGHTER, on Steam”, describing his ‘graphically superior’ game in “the most graphically superior game of all time, SQUID'S MANSLAUGHTER...”, and writing “Support on Ko Fi ...I never post, go away” in his bio.
Weaknesses:
- Inconsistent presence: Repeatedly apologizes for inactivity or disappearing, as in “Hello, I know I haven't posted anything on the internet for a while...” and “Sorry for not updating as much this month. I've been working hard on my game behind the scenes...”, and even jokes in the bio that he “never” posts.
- Self‑undermining marketing: Often frames his work and campaigns in a way that downplays them, calling his own game “meaningless” in “you can now play the most meaningless JRPG video game...”, suggesting “I know most won't care” about dev videos in “I kind of want to upload more Youtube videos... I know most won't care”, and writing a dismissive “go away” in his bio.
- Project instability: Mentions multiple reworks, hiatuses, and restarts for FLESH HARVEST and SQUID'S MANSLAUGHTER, such as “Due to some life complications, Squid's Man Slaughter is on yet again, another hiatus...” and “it's being reworked this year for the third and final time...”, which suggests difficulty maintaining a steady development direction.
- Financial vulnerability: Openly notes money problems impacting work, as in “it's more somber in tone as I've run into some money problems. It won't last forever...”, and highlights a struggling Kickstarter in “Flesh Harvest's Kickstarter isn't really doing that well... I've only raised $102 out of $400”.
- Limited outreach: Despite strong projects, follower count is relatively low and he mostly promotes within the same circles, visible in repeated calls like “Anyone please play Squid's Manslaughter...” and “I implore you to play SQUID'S MANSLAUGHTER on Steam...” without signs of broader collaboration or platform diversification in the tweets.
Your Simpsons character
Lisa Simpson
They come across as a thoughtful, slightly reclusive creative who obsesses over art and ideas, which lines up closely with Lisa Simpson. Like Lisa, they’re deeply into music and niche culture, gushing about albums and production details in tweets like “Spell #6 is has been in my top 3 albums ever since I heard it in 2022. Every song is beautiful and dream like…” and “Wayward Bus by Magnetic fields is interesting, I noticed the way it was mixed is really rough, however, I would say it's meticulously rough…”. Their love for offbeat comics and experimental art, as in “Songy Of Paradise, might be the best comic I've read recently, the visuals can get very esoteric and beautiful…”, matches Lisa’s tendency to dig into more intellectual, obscure media instead of mainstream tastes. They’re also idealistic yet self-aware and a bit self-deprecating, talking about money issues and creative struggle in posts like “I struggled writing the blog for this month as it's more somber in tone as I've run into some money problems.” while still pushing their games and zines. Overall, they feel like an adult, more jaded Lisa: principled, creative, nerdy about music and literature, and quietly determined to make meaningful art even if few people are watching.
Your MBTI personality Type
INTJ
They lean strongly Introvert: their bio says “...I never post, go away,” and they consistently focus on solo creative work (composing, game development, zines) rather than socializing, e.g. the long‑term, mostly one‑way promotion of SQUID'S MANSLAUGHTER and FLESH HARVEST like “Anyone please play Squid's Manslaughter...”. Their interests and language point to Intuition over Sensing: they’re drawn to surreal, esoteric media and conceptual descriptions, as in “Songy Of Paradise... the visuals can get very esoteric and beautiful” and their description of Beach Boys Love You as “Outsider music” that is “so uniquely itself” in this tweet. Thinking over Feeling shows in how they analyze structure, production, and systems more than personal emotions: “Wayward Bus by Magnetic fields... the way it was mixed is really rough, however, I would say it's meticulously rough” and their breakdown of Pretzel Logic’s lyrical vagueness vs pop structure in this tweet. They also design game mechanics around systems and incentives (e.g. the morality‑inversion design of FLESH HARVEST in “it rewards you for being terrible”) and ruthlessly self‑deprecating marketing lines like “the most meaningless JRPG video game, SQUID'S MANSLAUGHTER”, which fits a T style more than a harmony‑oriented F. Judging is evident in their persistent long‑term planning and structured updates: they repeatedly announce schedules and iterative versions (“I'll be updating it at the end of each month”, monthly blogs, version 2.0/2.1, Kickstarter timelines, Steam roadmaps) and apologize when progress doesn’t match plan, as in “Sorry for not updating as much this month. I've been working hard on my game behind the scenes”. Altogether, the combination of solitary, vision‑driven creativity, abstract/artsy focus, analytical commentary, and structured long‑term projects makes INTJ the best fit.
Some pickup lines for you
- If SQUID'S MANSLAUGHTER is the ‘most meaningless JRPG,’ can I be your most meaningful side quest—somewhere between the aquarium donations and the dating minigame, right where Zeke stops being unfaithful and I start being extremely loyal?
- You hand‑drew tiles for Flesh Harvest and then repainted them digitally for that oil‑painted look; if you ever need another rough sketch to refine, I volunteer my life for iterative improvement… just promise not to buff my sociopathy stats like in your ‘sociopathy simulator.’
- You said Beach Boys Love You feels like outsider music and that Part Time is the ‘final stage of pastiche 80s music’—if your taste in people is as good as your taste in strange albums, I’m hoping I can be your weird, dreamy deep cut instead of just chart filler.
- That SQUID'S MANSLAUGHTER trailer you called ‘the most graphically superior game of all time’ may be a joke, but honestly your Windows 95 Photoshop art and Romanesque‑inspired Flesh Harvest designs have more personality than most AAA games—and I’d like to unlock the secret achievement of ‘Person Who Actually Gets How Cool That Is.’
- You keep calling yourself reclusive and telling us to ‘go away,’ but you’re also dropping monthly zines, cult horror RPGs, Steam updates, and Aphex Twin percussion analyses—statistically speaking, I think the true hidden mechanic here is that you’re secretly hoping one stubborn NPC like me refuses to log out.
Your 5 Emojis
Your new Twitter bio
Indie dev & composer behind SQUID'S MANSLAUGHTER & FLESH HARVEST. Draws mutants on Win95, mixes cults with jazz, once fixed a PC through sheer panic.– @KumoriThe
Your signature cocktail
The Squid’s Manslaughter Spritz
Overproof dark rum stands for their intense, obsessive dev energy and late‑night grind on projects like SQUID'S MANSLAUGHTER and FLESH HARVEST, echoing how they “poured a lot of blood sweat and piss” into the game in “I implore you to play SQUID'S MANSLAUGHTER on Steam, I poured a lot of blood sweat and piss into this fantastical free indie game”. Cold brew coffee captures their introspective, slightly melancholic side, mirrored in blogs about money problems and hiatuses, like “The end of Summer has cometh... I struggled writing the blog for this month as it's more somber in tone as I've run into some money problems.”. Blue curaçao gives the drink a surreal, retro‑neon hue for their love of weird, outsider aesthetics and esoteric art, reflected in comments like “Songy Of Paradise, might be the best comic I've read recently, the visuals can get very esoteric and beautiful” and their fondness for strange albums such as “I think it's one of the strangest albums made by a mainstream band”. Tonic water adds a bitter fizz that nods to their dark humor and fascination with sociopathy sims and cult horror, as in “I've recently been developing a game that's a sociopathy simulator, it rewards you for being terrible.”. The smoked sea salt & lime zest rim represents their aquatic, tentacled branding and salty self‑deprecation—someone who jokes “...I never post, go away” while constantly dropping heartfelt updates like “Some big SQUID'S MANSLAUGHTER stuff is coming this year, thank you...!”. Strong, slightly bitter, visually loud, and unexpectedly refreshing, this cocktail is a glitchy, indie‑game fever dream in a glass.
Your Hogwarts House
Ravenclaw
Their tweets show a strong, almost obsessive engagement with ideas, art, and craft for their own sake, which is quintessentially Ravenclaw. They constantly analyze music and albums in detail, like when they describe Wayward Bus as “meticulously rough” and talk about mix choices and instrumentation in depth in “Wayward Bus by Magnetic fields is interesting, I noticed the way it was mixed is really rough, however, I would say it's meticulously rough…”, and when they dissect Steely Dan’s lyrics and structure in “Listened to Pretzel Logic… I feel like it has more of a general pop sound… still equally complex with the jazz elements.”. There’s also a clear pattern of intellectual curiosity and taste-driven exploration: they compare eras and genres (’60s/’70s music vs modern indie/shoegaze) in “When I first heard this song… it's still surreal listening to this knowing it was recorded in the 60s 70s cause it has so many Shoegaze elements…” and talk about the aesthetics and structure of outsider music in “I suggest listening to Tonetta's album 777… his story and songs are both disturbing but also very honest and morbidly funny…”. Their game-dev posts emphasize design decisions, experimentation, and self-imposed constraints (like drawing tiles by hand and reworking Flesh Harvest multiple times) rather than just chasing success, as seen in “The tiles where all hand drawn on paper, then redrawn digitally in Photoshop for a distinctive look...!” and “I've barely done any work on Flesh Harvest, as it's being reworked this year for the third and final time… the art style will be inspired by Romanesque art”. While there is some Slytherin-style ambition in seeking gigs and a Kickstarter, the dominant through-line is a cerebral, aesthetic, and analytic mindset—someone who wants to understand and craft strange, intricate worlds and sounds—which aligns most strongly with Ravenclaw.
Your movie
Your song
Paranoid Android - Radiohead
A well‑known song that fits them is “Paranoid Android” by Radiohead, because it fuses anxious, fragmented narrative with ambitious, experimental structure—very similar to their games and art. They describe SQUID'S MANSLAUGHTER as “the most meaningless JRPG video game” and invite players to “explore a putrid world full of weirdos and nonsense” in “I poured a lot of blood sweat and piss into this fantastical free indie game, explore a putrid world full of weirdos and nonsense”, which matches the song’s surreal, dystopian tone. Their fascination with unsettling cults and broken authority in FLESH HARVEST—“the story is about a child being indoctrinated into a cult that has ties to government involvement through his father, who's mind was corrupted by the CIA” in this tweet—parallels the song’s paranoia about systems and power. They gravitate toward emotionally off‑kilter, sometimes outsider‑adjacent work, like “I think it's one of the strangest albums made by a mainstream band… it has a lot questionable lyrics and bizarre creative decisions, but it is so uniquely itself” about The Beach Boys Love You, which mirrors Radiohead’s own embrace of strangeness within the mainstream. Even their self‑effacing, reclusive persona—“Support on Ko Fi ...I never post, go away” and dreams of big‑company tie‑ins in “if you're a big multimedia conglomerate who owns a franchise hit me up ; )”—echo the tension in Paranoid Android between alienation and a desire to be seen.
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