
Strengths and Weaknesses

Your Simpsons character
They most closely match Lisa Simpson: a creative, opinionated teen who’s very online and passionate about media and ethics. Like Lisa, they combine serious critique with nerdy enthusiasm, switching from righteous rants like “from all of those stories and anecdotes of how Disney fired their entire staff who worked for Inside Out 2, this new genuinely makes my stomach turn on itself in absolute disgust.” to heartfelt reflections such as “I think the most crucial aspect of making art is to love what you make, even if it looks bad in your eyes…”. Their timeline is full of niche fandom analysis and ship meta, similar to Lisa’s overthinking and deep-dives, like when they say “bylers don't know what REAL queerbaiting feels like.” and dissect The Amazing Digital Circus dynamics in “though the likelihood of Jax going through something extremely traumatic is high, I just think he's terrified of facing the real world…”. They’re also earnest about wanting to nurture others’ creativity and even mention wanting to teach art, reflected in posts like “this is why I want to be an art teacher.”, which aligns strongly with Lisa’s caring, mentor-like side. Even their self-aware humor and occasional melodramatic outbursts, for example “TOBY PLEASE FINISH CHAPTER 5 OH MY FUCKING GOD”, fit Lisa’s mix of passionate overreaction and genuine heart.

Your MBTI personality Type
They read as an Extrovert (E): they openly share face reveals and cosplay (“idgaf anymore face reveal ig”, “I went in my Marionette cosplay”), actively seek interaction and feedback (“if anyone is interested, there's still 8 slots available!”, “SPAMTENNA NATION HOW WE FEELIN????”), and constantly engage others with questions and calls to discussion (“WHAT DO YOU YOU R.M FANS SEE OF VALUE IN THIS SCAT SLOP”). Their focus on patterns, metaphors, and media analysis points to Intuition (N): they compare shows and tropes conceptually (“Welcome To Awesome Blog is as if The Smurfs and Smiling Friends had a lovechild”, “this whole music video encapsulates how Stranger Things Season 5 camera work… feel like”) and spin AU concepts out of small ideas (“PATF TADC AU”, “FROGDOLL PATF YURI AU”). Their judgments are strongly value-based and emotionally expressive, suggesting Feeling (F): they rail against things that feel wrong or dehumanizing (“this is fucking vile and I am genuinely sick of how normalised it is…”, “this new genuinely makes my stomach turn on itself in absolute disgust.”) and talk passionately about what art and characters mean emotionally (“I think the most crucial aspect of making art is to love what you make”, “I gen adore how Stevonnie is the walking embodiment of what it feels like…”). Their lifestyle and creative process look flexible and spontaneous, pointing to Perceiving (P): they frequently post WIPs and half-finished ideas (“//WIP I feel sick in the head”, “[unfinished WIP] … I've been dying to show yall”), get “hit with lightning of an idea” and immediately sketch it (“GOT HIT WITH LIGHTNINH OF AN IDEA AND I GOTTA SKETCH IT ASAP”), and describe going through unstructured "vegetable state" scrolling before snapping back into hyperfixations (“my almost 2 week vegetable state of 'my brain is frozen and all I can do is scroll…'" ). Altogether, their outward energy, imaginative AU-building, emotionally charged takes, and impulsive, idea-driven workflow best match ENFP.

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Your new Twitter bio
18 • he/they • Chilean trans artist & animation nerd. Draws TADC, Garfield & more, occasionally stims over wolves in cooking ads. Comms sometimes open.– @las4ga

Your signature cocktail
Pisco anchors it in Chilean flair and theatrical drama, nodding to their dream of teaching art and cosplay/fandub energy like “this is why I want to be an art teacher.” and “I went in my Marionette cosplay”. Electric blue curaçao mirrors their hyper-online fandom life and neon multiship chaos from posts like “SPAMTENNA NATION HOW WE FEELIN????” and their #tadc/#deltarune brainrot. Passion fruit brings bright sweetness and intense fixation for comfort blorbos such as “I need him. #jonarbuckle” and “I NEED HIM. CARNALLY.”. Sparkling tonic keeps it fizzy and playful, fitting someone who says “yo! I'm merely a dude that talks plenty and may draw every now and then” and posts “WIPPP HEHE” art with nonstop enthusiasm. The chili tincture is a sharp kick for their unapologetic media rants like “WHAT DO YOU YOU R.M FANS SEE OF VALUE IN THIS SCAT SLOP” and blunt fandom takes, giving the spritz a spicy, chaotic afterburn that matches their timeline.

Your Hogwarts House
They show a persistent pattern of analysis and media critique that fits Ravenclaw’s curiosity and love of thinking things through. For example, they don’t just say they dislike a show; they dissect its value and community, contrasting Rocket Monkeys with Fanboy and Chum Chum in terms of fandom dynamics and charm: “at least Fanboy and Chum Chum had a really beautiful community of preteens bonding over art, a really kind and sweet creator who interacted w/ said fanbase, and the show had charm outside of that singular foot fetish joke WHAT DO YOU YOU R.M FANS SEE OF VALUE IN THIS SCAT SLOP”. They repeatedly engage in comparative, quasi-essay-style takes on fiction and tropes, such as their breakdown of Stevonnie’s symbolism: “I gen adore how Stevonnie is the walking embodiment of what it feels like to have a romantic partner in your childhood the clumsiness, the uncertain excitement of it all, it's painfully accurate”, and their critique of a beloved commercial’s craft down to tiny animation details: “I adore how much care they took on the wolf's skill improving, yet even at his most advanced level, he is still prone of doing small mistakes. such as cutting too fast that he cuts some of the celery shorter than the previous two rolls”. Their feed is full of imaginative AUs, ship-name wordplay, and concept art (e.g. the Princess and the Frog TADC AU: “these are some really rough drafts, but messy concept art of human Caine, Ribbit and Kaufmo for that PATF TADC AU!” and clever shipname brainstorming like “#TADCEpisode7 WHAT IF THEIR SHIP NAME IS 'HAT TRICK' SINCE CAINE IS A RING MASTER… AND JAX IS A RABBIT”), showing a strong creative and conceptual bent. Even when they rant, it’s framed as structural or thematic critique—whether about fandom behavior, design choices, or narrative tropes—such as their annoyance with clichéd separation scenes: “can we please talk about that godforsaken trope where the characters part ways and they ALWAYS go like: 'b but wait! you have to believe me! don't go!'”. This mix of critical analysis, constant media comparison, and inventive reinterpretation points most strongly to Ravenclaw rather than the more straightforward bravery of Gryffindor, loyalty-focus of Hufflepuff, or ambition-driven Slytherin.

Your movie

Your song
A fitting song for them is We Are Young because it captures a chaotic, emotional, hyper-online youth vibe that matches how they tweet about fandoms, art, and feelings all at once. They bounce between shitposting and passionate critique, like when they rant about Rocket Monkeys and fanbases in tweets such as “WHAT DO YOU YOU R.M FANS SEE OF VALUE IN THIS SCAT SLOP”, which feels like the same loud, dramatic intensity the song thrives on. At the same time, they show vulnerable, artsy sides and big feelings about characters and ships, for example “maybe they could've water it more often maybe they could've given it more sunlight…” and their deep brainrot posts like “I NEED HIM. CARNALLY.”. Their bio and timeline present them as a young, queer, very online artist who thrives on community and late-night obsessions, much like the song’s theme of messy nights, intense emotions, and found-family chaos. The mix of humor, drama, self-expression, and coming-of-age energy throughout their posts — from face reveals like “idgaf anymore face reveal ig” to being inspired by small things like the wolf cooking commercial in “this commercial genuinely inspires me to pursue baking even more…” — fits the song’s big, youthful, slightly unhinged heart.

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las4ga
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