Strengths and Weaknesses
Strengths:
- Imaginative writer: Frequently creates vivid, strange images and micro-stories, like inventing a unique bird as symbol in “Esse pássaro que só eu vi e conheço…” and the cryptic dachshund/sausage scene in “vi um cachorro salsicha… depois a garagem cheia de salsichas”.
- Self-aware: Openly reflects on own contradictions and limitations, such as questioning being a good poet because they only think “passarinho :o” and “flores :o” in “Não posso ser um bom poeta…” and mocking their internal “entende?” in “Peguei a mania de perguntar pra mim mesmo ‘entende?’”.
- Dark humorist: Uses morbid themes with irony to cope, as in “Você quer viver da sua escrita? … Eu quero viver de apagar.” and the mock-manual “Desista de tudo e MORRA: teoria e prática.” in this tweet.
- Literary curiosity: Shows broad cultural and literary interest: mentioning Artaud and Tibetan figures in “A única coisa que discordo na carta do Artaud ao Dalai Lama…”, medieval sects in “Me compadeço com todos os unitários do leste europeu…”, Dante in “Alguém teria o Vida Nova de Dante…”, and niche epics in “rapaz que nunca leu nem a Ilíada… mas leu a Batracomiomaquia”.
- Observant narrator: Notices small, odd details in daily life and turns them into stories, like the two birds that stop fighting out of embarrassment in “Hoje vi dois passarinhos brigando…” and the commentary on Bruegel’s figures as “pedaços de terra” in “Gosto muito como as pessoas parecem ser feitas de barro…”.
Weaknesses:
- Self-destructive ideation: Repeatedly invokes death and annihilation, including “vamos morrer” and meeting to die in “Vamos morrer. Vamos nos encontrar e morrer…” and advocating “Mate todo mundo e morra. Desista de tudo e morra.” in this tweet.
- Physical neglect: Reports worrying health and fatigue without clear follow-through, such as extreme sleepiness and blood test in “Marquei um exame de sangue. Não pode ser normal. Não está certo ser tão sonolento e cansado assim.”, chronic-fever episodes in “Passando pela febre debilitante mensal…”, and needing to stay in bed after going out in “Sempre que saio de casa, volto me sentindo com febre…”.
- Social withdrawal: Expresses desire to disappear and fear of contact, as in “Estou tentando sumir. Não me chame se não eu reapareço.”, anxiety about making the account private in “Pensando em privar minha conta mas e se tiver alguém legal…”, and moving “pelos cantos como uma assombração” in “Temeroso com insetos. Com animais. Com pessoas e com coisas.”.
- Harsh self-image: Describes self with very negative labels and metaphors, like calling themselves “retardado” in “Suponhamos que eu seja mesmo retardado…”, “cabeça encolhida” in “Acho que sou o primeiro exemplar de uma cabeça encolhida…”, and lacking “características”, only “condenações” in “Não tenho características. São condenações.”.
- Pervasive pessimism: Often frames life as failure or emptiness, saying “Está tudo errado. Nada está certo.” in this tweet, “Meu aniversário. … Mais um ano de nada acontecendo.” in this tweet, and feeling like “pó da borboleta” or a stuck insect in “Situação terrivelmente similar à de um besouro de costas…”.
Your Simpsons character
Lisa Simpson
They’re closest to Lisa Simpson: introspective, hyper-verbal, bookish, and perpetually exhausted by the world. Like Lisa, they oscillate between self-deprecation and a sharp, oddly precocious intellect, e.g. describing themselves as “especialista em nada aqui. Isso é um monte de nada. Espero ter ajudado em nada.” while casually referencing Artaud, Tibetan lineages, and apocrypha in “A única coisa que discordo na carta do Artaud ao Dalai Lama…” and “Azazel ensinar os humanos a se ‘embelezar’ no Livro de Enoque…”. Their physical/mental malaise and sense of alienation mirror Lisa’s melancholy—see “Passando pela febre debilitante mensal. Não dá nem gosto de dizer que estou morrendo mais. É só dor.” and “Dias forrageiros. Pequenos, curtos e muitos. Estou vegetando. Virando pasto pro tempo.”. At the same time, there’s a gentle love of animals and nature beneath the morbid humor, like in “Hoje vi dois passarinhos brigando…” and “Eu sou do mal. E gosto de bicho. E de plantas. E de árvores. De flores e de maldade.”, very Lisa-coded in its mix of darkness and tenderness. Finally, their anxiety about sincerity and isolation—“Estou tentando sumir. Não me chame se não eu reapareço.” and “Sinceridade. Sincero. É isso que falta.”—fits Lisa’s permanent feeling of being out of step with everyone else.
Your MBTI personality Type
INFP
They read as strongly introverted: they talk about trying to disappear (“Estou tentando sumir. Não me chame se não eu reapareço.”), fear of people and the outside world (“Muito cuidado com as outras pessoas. Elas têm mais que segundas intenções.”; “Temeroso com insetos. Com animais. Com pessoas e com coisas. Se eu não andar pelos cantos como uma assombração...”), and even anxiety about making the account private because of missing “someone nice” (“Pensando em privar minha conta mas e se tiver alguém legal que. Não vai me descobrir por estar privado.”). Their posts are clearly intuitive, full of symbolism, hypotheticals and references: inventing a unique bird as a metaphor (“Simplesmente inventar coisas e referenciar elas. Esse pássaro que só eu vi e conheço... representa exatamente o que eu quero expressar.”), liking Bruegel because people look like clay-form ants (“Todo mundo parece ser parte da mesma coisa. Pedaços de terra. Quase formigas.”), and spinning theology/occult ideas into jokes (“Azazel ensinar os humanos a se ‘embelezar’… implica que, até então, só os anjos se maquiavam.”). They lean Feeling over Thinking: they emphasize sincerity (“Sinceridade. Sincero. É isso que falta.”), dwell on emotional states like exhaustion and despair (“Passando pela febre debilitante mensal… É só dor. Não tem fim.”; “Desistindo de tudo e morrendo.”), and frame even sarcastic cruelty in an intensely affective, dramatic way (“Você quer me enganar. Você quer o meu mal.”). Finally, they appear more Perceiving than Judging: they show little interest in structure or planning and instead drift through moods and images (“Dias forrageiros. Pequenos, curtos e muitos. Estou vegetando. Virando pasto pro tempo.”), joke about being disorganized mentally (“Não sei nenhuma regra gramatical de cabeça. Só lembro por instinto e neurose.”), and treat life as a stream of impressions, dreams, and oddities (“Dois relampejos de um sonho… esgoto com masmorra, tentando aplicar o que aprendi na palestra.”). Together, this combination of inward focus, metaphorical and poetic abstraction, emotionally saturated expression, and loose, drifting lifestyle matches INFP better than any other type.
Some pickup lines for you
- You said you’re not a good poet because every bird is just “passarinho :o” and every flower is “flores :o” — lucky for me, I only need to know the name of one rare animal: whatever creature you are that passed Bojador sem dor nenhuma and still thinks you’re ‘nothing special’.
- You keep talking about wanting to be despedaçado por mênades and recommending forms of dismemberment… but hear me out: what if, instead, we just slowly decompose together olhando pro céu um dia, pro chão no outro, até virarmos figurantes de barro num quadro do Bruegel?
- You woke up once convinced you were still dreaming and were afraid of ‘acordar errado’. If this is a dream, I hope I don’t wake up, because I’ve finally found someone whose Kindle is overflowing, whose iglu derreteu, and whose head sounds oca when scratched — a clearly perfect match for my own system errors.
- You said you were born and raised in the jungle and brought to the city recently, asking if it’s socially acceptable to bite someone ‘amigavelmente, um pouco’. As a responsible citizen, I volunteer as a controlled study: for science, of course.
- On your birthday you posted ‘mais um ano de nada acontecendo’ with a melancholic soundtrack, but from Azazel teaching make-up to Bruegel’s formigueiros and the Irk Bitig calling you a ‘veadinho sem grama e sem água’, it seems to me the only thing missing in that year was a co-conspirator. May I apply for the role?
Your 5 Emojis
Your new Twitter bio
Writes like a medieval chronicler with sleep debt. Once saw a dachshund vanish and a garage fill with sausages and still chose literature over therapy.– @leharquebusier
Your signature cocktail
The Contrato Associal Negroni
This is a strong, short, melancholic cocktail, because they’re clearly more "desista de tudo e MORRA" than spritz-and-sun umbrella, echoing the mood of “Desista de tudo e MORRA: teoria e prática.”. The bitter Campari is for their constant sense that everything is slightly cursed and wrong, like when they write “Está tudo errado. Nada está certo. Minha nossa.”. Espresso gives the illusion of energy to someone who says “Não está certo ser tão sonolento e cansado assim.”, while also matching their nocturnal, overthinking vibe. The smoked tea syrup embodies their gothic, slightly feral nature — the one who claims “Eu nasci e cresci na selva e me trouxeram pra cidade há pouco tempo.” — and adds a campfire-haunted-forest feel. A dash of absinthe nods to their literary/occult obsessions and invented mythologies, like when they boast “Assino o muito mais legal e radical Contrato Associal.”. The scorched orange peel is the tiny star in their void, a faint glimmer for someone whose place is “no vazio entre as estrelas. O meio do nada.”
Your Hogwarts House
Ravenclaw
This account is steeped in obscure references and intellectual playfulness in a way that is very characteristic of Ravenclaw. They casually mention reading and judging marginal or esoteric texts like the Irk Bitig and Batracomyomachia in tweets such as “Perdão, não vou poder sair hoje. Consultei o Irk Bitig…” and “Rapaz que nunca leu nem a Ilíada e nem a Odisseia mas leu a Batracomiomaquia.”, which shows a taste for odd corners of knowledge rather than mainstream status. Their curiosity and love of learning are visible in posts about Anna’s Archive and overloading their Kindle, like “Primeira vez que uso a aba de baixar artigos no Anna's Archive. Divertido.” and “Consegui entulhar meu Kindle com tantos livros…”. The account also exhibits philosophical and historical curiosity, from musing on medieval heresies in “Me compadeço com todos os unitários do leste europeu…” to joking about social contracts in “Assino o muito mais legal e radical Contrato Associal.”. Their humor is cerebral and meta, as in “Você quer viver da sua escrita? De escrever? Isso é fácil. Eu quero viver de apagar.” and the recursive wordplay of “O homem é o lobo do lobo…”, indicating wit and analytical thinking rather than straightforward bravery, ambition, or loyalty. While there are strong themes of melancholy and self-deprecation, the dominant through-line is an intensely reflective, bookish, and reference-heavy mindset—classic Ravenclaw traits.
Your movie
Your song
Creep - Radiohead
A song that best suits them is “Creep” by Radiohead, because it captures the mix of self‑loathing, alienation, and dark humor that runs through their timeline. They repeatedly describe themselves as wrong or broken, like when they say “Está tudo errado. Nada está certo. Minha nossa.” and “Suponhamos que eu seja mesmo retardado. E que eu aceite isso. O que acontece depois?”, mirroring the song’s core feeling of not belonging. Their fascination with self‑erasure and disappearance — “Estou tentando sumir. Não me chame se não eu reapareço.” and “Desistindo de tudo e morrendo.” — fits the track’s wish to vanish from the gaze of others. Even their bodily exhaustion and estrangement, like “Não está certo ser tão sonolento e cansado assim.”, resonate with the song’s sense of being fundamentally out of joint with the world. At the same time, they lace this gloom with irony and odd little jokes, which parallels how Creep is both painfully sincere and strangely cathartic for listeners who feel like outsiders.
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