Strengths and Weaknesses
Strengths:
- Passionate fan: Shows deep enthusiasm for specific artists and films, like repeated John Lennon praise (“2015: John lennon 2016: John lennon…”) and excitement about seeing Paul McCartney and Caetano.
- Culturally engaged: Comments on cinema, music, and literature with range, e.g., Polanski, Godard, Glauber Rocha, Letterboxd review of Narcissus Off Duty, ranking music decades, and detailed Led Zeppelin and Beatles takes.
- Humorous irreverence: Uses playful exaggeration and sarcasm, like calling someone “tão 2017” (“esse maluco é tão 2017”) or joking about “o dinheiro faz esses rapazes se suportarem” (“o dinheiro faz esses rapazes se suportarem”).
- Honest directness: Gives blunt opinions without sugarcoating, such as “tim maia e queen são insuportáveis pqp” (“tim maia e queen são insuportáveis pqp”) and “os filmes desse velho fedem a neoliberalismo” (“os filmes desse velho fedem a neoliberalismo”).
- Reflective taste: Revisits and revises opinions over time, like admitting Frank Sinatra now feels “paia” compared to before (“ultimamente tenho achado o frank sinatra paia já gostei muito mais”), showing self-awareness about evolving tastes.
Weaknesses:
- Harsh judgmental: Often dismisses people or tastes aggressively, like “queria que todo fã de blur morresse nmrl” (“queria que todo fã de blur morresse nmrl”) and prejudice against followers of certain accounts (“tenho preconceito com quem segue esse maluco”).
- Needlessly offensive: Uses strong insults that can alienate others, e.g., “imagina a mãe carrega o merda… para o merda se auto intitular ANDRADISTA KKK” (“imagina a mãe carrega o merda…”) and calling people “velho babaca” (“pq vc virou um velho babaca?”).
- Musical intolerance: Rejects entire genres and artists in absolute terms, like the “quão eclético vc é?” list where sertanejo, funk, pagode, trap, etc. are all dismissed (“quão eclético vc é?”) and calling Tim Maia and Queen “insuportáveis” (“tim maia e queen são insuportáveis pqp”).
- Negative pessimism: Frequently frames days and weeks as bad or empty, e.g., “dia de merda” (“dia de merda”), “minha semaninha ficou paia nem vou postar” (“minha semaninha ficou paia nem vou postar”), and talk of wanting to hibernate (“queria hibernar”).
- Confrontational tone: Engages in combative rhetoric toward creators and trends, such as attacking “escravos do engajamento” while criticizing Nolan discourse (“eu estou longe de ser fã do Nolan, mas o filmett não tira o pau do cara da boca pqp (escravos do engajamento)”) and mocking questions as stupid (“jesys que pergunta idiota”).
Your Simpsons character
Lisa Simpson
This user fits Lisa Simpson best: highly opinionated, culturally obsessed, and a bit prematurely world-weary. Like Lisa with jazz and literature, Lucas is intensely into classic music and film, constantly referencing icons like John Lennon, Elvis, Sinatra, and Caetano Veloso, and even ranking decades of music as in "ranking das decadas de musica 1. 1960 2. 1970 3. 1950 4. 1990 5. 1980 6. 2000 7. 2010 8. 2020". There’s also the mix of idealism and cynicism: dismissing things as "superestimado" or "insuportáveis" while still expressing deep admiration, like "eu amo tanto o Caetano!! um dia vou conhecer esse velho" and "eu queria morrer e ir no show do lennon nmrl". Lisa’s tendency to feel out of place and tired of people matches tweets like "dia de merda", "queria hibernar", and the cranky musical elitism in "quão eclético vc é? sertanejo: o pior de todos ... tim maia e queen são insuportáveis pqp". Even the sudden philosophical/nerdy tangents about directors and niche documentaries echo Lisa’s brainy, obsessive side, such as "Falem um diretor e eu falo meu filme favorito dele" and asking for the drive of The U.S. vs. John Lennon in "Alguém tem o drive do EUA vs John Lennon?".
Your MBTI personality Type
INTP
They lean Introvert (I): most posts focus on internal moods, media, and solitary experiences rather than socializing, e.g. wanting to escape or shut down like “queria hibernar” and describing a “dia de merda” and “tive paralisia do sonho dnv” without any appeal for social engagement. Their tastes and comments show clear Intuition (N) over concrete Sensing: they discuss big-picture rankings and patterns like “ranking das decadas de musica 1. 1960 2. 1970 3. 1950 4. 1990…” and make abstract comparisons about influence such as “buddy holly influenciou mais os beatles do que o chuck berry e o elvis” rather than focusing on specific sensory details. They are strongly Thinking (T): their tone is blunt, critical and evaluative, often prioritizing opinions over harmony, as in “queria que todo fã de blur morresse nmrl”, “tim maia e queen são insuportáveis pqp”, and the analytical defense of Elvis in “Ele era privilegiado? Sim. Mas esses rótulos de rei foi a indústria que colocou nele…”. Their lifestyle reads as Perceiving (P): they mention procrastination or lack of structure like “minha semaninha ficou paia nem vou postar”, “quero hibernar”, and joking about not going to the army in “exército pfvr não me chame. obrigado.”, suggesting a go-with-the-flow, reactive approach. Overall, the combination of introspective moodiness, abstract/analytical takes on music and film, sharp logical criticism, and unstructured, spontaneous tweeting best fits INTP.
Some pickup lines for you
- You ranking the 60s, 70s and 50s as the holy trinity of music makes sense… but I think our debut as a duo could top your ‘if I were a debut’ tweet. Want to help me produce it or you’ll just call it “music de elevador” too?
- You said Tim Maia and Queen are unbearable and that Buddy Holly influenced the Beatles more than Elvis or Chuck Berry… those are fighting words, but I’m willing to forgive everything if we spend a night arguing discography between Rubber Soul and Led Zeppelin IV.
- You keep tweeting “MAYBE” and “Live Forever, Champagne Supernova”… so tell me, if we were in 1995, would you choose Blur, Oasis, or skip Britpop entirely and go on a little Lennon‑and‑me psychedelic trip instead?
- You asked for the drive of ‘The U.S. vs. John Lennon’ and the Eric Clapton doc, reviewed ‘Narcissus Off Duty’, and still had time to call Polanski’s film ‘finally good’—with taste like that, even my heart wants to give you an instant 5 stars, no rewatch needed.
- You said day of Paul McCartney show, Milton Nascimento by your side, ‘os besouros’ on Spotify and coffee ‘pra caralho’—that’s basically your perfect day. Let me tag along next time and we can see if John Lennon 2015–2024 finally gets a co-star.
Your 5 Emojis
Your new Twitter bio
SP. Film lists, Beatles phases & calling legends overrated. Once saw Milton Nascimento next to me and still chose to tweet about John Lennon.– @lennonjobim
Your signature cocktail
Live Forever LSD (Lucas Sonic Dream)
A moody, nocturnal mix that starts with a red wine reduction for their 🍷 bio and all the Brit-rock drama of “Live Forever, Champagne Supernova....”, stirred with a smoky Scotch to honor their classic-rock and 60s–70s obsession from “ranking das decadas de musica 1. 1960 2. 1970 3. 1950...”. A sharp espresso shot keeps the “dia de merda” energy running and nods to “tomei café pra caralho”, giving it that wired, slightly irritated edge. A touch of absinthe represents their trippy Lennon/psychedelia fixation in “acho a versão solo do lennon melhor do que a dos beatles muito mais agressiva e tem mais referências a LSD”. Finally, a twist of orange peel brightens the glass like the sudden joy of “dia de ver o Paul McCartney!!” and the awe in “o Milton Nascimento apareceu do meu lado caralho”, leaving a bittersweet, cinephile-approved aftertaste that’s as opinionated as “tim maia e queen são insuportáveis pqp”.
Your Hogwarts House
Ravenclaw
Lucas shows a strong mix of curiosity, aesthetic judgment, and obsessive interest in art and music, which aligns best with Ravenclaw. He constantly engages in detailed, almost nerdy music and film takes, like his breakdown in “Artista: Led Zeppelin Álbum favorito: Led Zeppelin IV Track favorita: You Shook Me Underrated: The Crunge Overrated: Algumas músicas do Led Zeppelin III Clipe Favorito: Dazed and Confused Skip: Black Dog” and his cinephile list in “O Desprezo (1963) Deus e o Diabo na Terra do Sol (1964) Brown Bunny (2003) Vestida para Matar (1980)”. There’s a clear love of deeper cultural history when he argues about icons and influence, such as “A trend já começa errada. O primeiro grande ídolo musical é o Frank Sinatra.” and “buddy holly influenciou mais os beatles do que o chuck berry e o elvis”, which shows analytical thinking rather than just casual fandom. He’s witty and a bit cutting rather than nurturing or diplomatic, seen in lines like “tim maia e queen são insuportáveis pqp” and “os filmes desse velho fedem a neoliberalismo”, suggesting sharp intellectual snark more than Gryffindor-style heroism or Hufflepuff warmth. While he has strong opinions, there’s little evidence of calculated ambition or self-preserving scheming typical of Slytherin; instead, his identity seems rooted in taste, critique, and cultural knowledge, making Ravenclaw the best fit.
Your movie
Your song
God - John Lennon
The song “God” by John Lennon fits Lucas because it captures an intense, questioning, sometimes abrasive passion for music idols and myths that shows up throughout his timeline. He’s obsessively Lennon-centric, as seen in “2015: John lennon 2016: John lennon ... 2024:John lennon” and “eu queria morrer e ir no show do lennon nmrl”, yet he also spends a lot of time dismantling other people’s sacred cows, like “tim maia e queen são insuportáveis pqp” and “os filmes desse velho fedem a neoliberalismo”. God is literally Lennon deconstructing idols and labels, which resonates with Lucas’s habit of calling artists overrated or criticizing fandoms, as in “queria que todo fã de blur morresse nmrl” and “tenho preconceito com quem segue esse maluco”. The melancholic, disenchanted tone of the song also matches his moodier posts like “queria hibernar”, “dia de merda”, and “morrer até morrer”. Finally, the track’s mix of cynicism and deep emotional sincerity parallels how he can be harsh and irreverent, yet still openly devoted to his favorites, such as “eu amo tanto o Caetano!! um dia vou conhecer esse velho” and his repeated Lennon, Dylan ("Zimmerman"), and Beatles references.
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