Strengths and Weaknesses
Strengths:
- Intellectually curious: Highlights how Abbeville Institute lectures transformed his thinking about history, e.g. “I have been completely transformed in my thinking of how American history has happened by listening to the lectures they offer for free.”
- Community-minded: Values real-world relationships and local life, such as reflecting on his hometown concert and its web of connections in “to see what living life out in a community does over time is incredible. Hundreds of circles within the room of people…”
- Reflective writer: Regularly shares essays and stories (e.g. On The Uptick and Besides The Revolution), like “This is my story about how I found my way back to playing music again…”
- Principled skeptic: Critiques institutions and language use, as in “We don’t have a capitalist system. We have a crony managed economy… We need to stop saying this is a capitalist system.”
- Creative storyteller: Brings depth to music and human stories, like writing about songs tied to a coal-working grandfather or a friend’s suicide, e.g. “I wrote this song about a friend… who had taken his own life.”
Weaknesses:
- Persistent pessimism: Frequently frames the system as irredeemably broken, e.g. “There’s no fixing this thing.” and “The system is totally fake.”
- Overgeneralizing tone: Uses sweeping claims about politics and institutions, such as “Republicans will always be the happy loser. They don’t know how to be anything else.”
- Solution ambiguity: Criticizes democracy, the constitution, and federal systems but offers few concrete, actionable paths beyond broad ideas like conventions or breakup, e.g. “There’s no political solution.”
- Echo-chamber risk: Engages heavily with like-minded critiques of government and finance, potentially reinforcing one perspective, as in “What we have today is a giant land mass pretending to be a country.”
- Cynical framing: Often frames actors as uniformly corrupt or manipulative, which may alienate broader audiences, e.g. “The people who have helped create this widespread fraud believe that they are preserving 'democracy' from the people because they believe that we aren't smart enough to govern ourselves.”
Your Simpsons character
Lisa Simpson
This user most closely matches Lisa Simpson: thoughtful, bookish, politically engaged, and deeply worried about systemic injustice. Like Lisa, he blends intellectual critique with moral concern, questioning foundational myths and institutions, as in his article about why “the constitution is a myth” and his view that “we don’t have a capitalist system. We have a crony managed economy.” He’s clearly an avid reader and recommender of serious material, sharing a long “reading list for 2026” and frequently pointing followers to substantive articles and lectures, much like Lisa’s love of learning. His concern for small communities, culture, and ethics shows in threads about small business and the way America still works, for example when he says he’s “tired of the drama that solves nothing” and wants stories about people still “giving its best effort” here. Finally, his introspective break from outrage politics and focus on music and creativity—like when he talks about how he found his way back to playing music here—mirrors Lisa’s artistic, soulful side as a saxophonist who doesn’t fit neatly into the cynical world around her.
Your MBTI personality Type
INTJ
They lean Introvert (I) over Extrovert because their focus is on ideas, writing, and reflection rather than social buzz; they talk about being "tired of talking about all the negative things" and shifting toward long-form writing and music, e.g. the reflective thread in “I have had a rather heartfelt conviction these last several months. I am tired of talking about all the negative things that circulate here on @X…”, which centers on internal conviction rather than external stimulation. Their strongest axis is Intuition (N): they constantly discuss systems, trajectories, and abstractions—fiat money, empires, constitutional myths, demographic shifts—rather than concrete day‑to‑day detail, as in “Volatility across all markets stems from a lack of trust in the system. We live under fiat money, which is built entirely on good faith.” and “The idea that the country that was founded in 1776…is still what overlays the map of our fifty states, is more false than Washington’s wooden teeth.”. They are clearly Thinking (T)-oriented, prioritizing structure, logic, and definitions over harmony within the tribe—note the analytical tone of “We don’t have a capitalist system. We have a crony managed economy…We need to stop saying this is a capitalist system. When we lose the meaning of the word, we…” and the highly conceptual critique in “I’m getting more picky about our use of language. What Crowder is saying isn’t factually incorrect…But it is a misunderstanding about what the constitution is…”. Their Judging (J) preference shows up in their desire for structure, clear principles, and systemic reform: they propose concrete governance fixes like eliminating the income tax and changing secrecy structures in “If I ran for an office I’d have 3 objectives: Neutralize the management mentality… Open records policy… Eliminate the income tax…”, and they emphasize planning and institutional mechanisms such as an Article V convention in “The more I watch Congress, the more I think the only option to restore anything remotely close to a republic, is to call a convention of the states.”. The combination of big‑picture political and economic systems thinking, independent contrarian analysis, and a structured, reform‑oriented mindset strongly aligns with INTJ.
Some pickup lines for you
- You say the Constitution is a myth and the republic died at Appomattox—how about we start a smaller, actually functional republic of two over coffee, and promise never to print unlimited emotional fiat?
- You brought Maskil out of the time capsule after 23 years; any chance you could resurrect my love life next and write a reunion song called ‘Article 5: Convention of Our Hearts’?
- As a fellow skeptic of ‘mass democracy as a replacement for wisdom,’ I propose a very small republic: you, me, a river in Colorado, and a fly rod—no omnibus bills, just one single-issue agenda: us.
- You’re out here explaining trillion‑dollar debt and Buy Now Pay Later burritos; I’m just trying to figure out how to invest in the only sound asset I see left in this empire: long‑term positions in Aaron Everitt.
- You said X is a garbage pile of out‑of‑context sound bites, so let me give you the whole context: I’m liberty‑minded, musically curious, and ready to talk Abbeville lectures, RFK Jr., and Spinal Tap with you over oysters in Boston or beers in Loveland—your call, Mr. King‑For‑A‑Day Fix‑America.
Your 5 Emojis
Your new Twitter bio
Writer chasing America’s unraveling & its hidden grit. Ex-90s indie musician, Colorado dad, RFK Jr. alum, once wrote a song for a coalman grandpa.– @loanly_hipster
Your signature cocktail
The Liberty Time Capsule
This strong, contemplative drink starts with high-proof bourbon for his liberty-first, anti-empire politics and founding-era obsession, echoing his line that “the country that was founded in 1776… is still what overlays the map of our fifty states, is more false than Washington’s wooden teeth.” Cold brew coffee nods to his late-night political and economic musings about fiat and fraud, like when he writes that “the whole system has been built on debt, and no one has wanted to tell the truth about it.” Smoked maple syrup captures both his Western, small-town warmth and the bittersweet nostalgia in his music stories, such as revisiting a song for a friend who “had taken his own life” and the reunion shows that feel like they came from a “time capsule.” Black walnut bitters represent the hard edge of his cynicism about the Blob and elites—he notes that “the national debt is more of a threat than Candace Owens… the intelligence apparatus is more ruinous than what podcast got what right.” Finally, the grapefruit peel is a sharp, bright aromatic on top, mirroring his attempts to pivot toward hopeful stories about small business and community, like when he promotes On The Uptick as “stories about the way America still works” and admits he’s “tired of talking about all the negative things” on X.
Your Hogwarts House
Ravenclaw
Aaron consistently frames himself as someone seeking deeper understanding rather than partisan victory, which is strongly Ravenclaw-coded. He explicitly praises long-form thinking and rejects shallow discourse, warning that “X remains a garbage pile of framed and un contextualized sound bites. We will never…”, and he pushes people toward books with a substantial “reading list for 2026”. He’s highly analytical about systems (money, politics, and governance), noting that volatility stems from fiat trust and fraud in “Volatility across all markets stems from a lack of trust in the system. We live under fiat money…” and dissecting how foreign wars create domestic patronage in “Foreign wars are the gasoline for the American government machine. Here's the cycle…”. He also re-examines foundational narratives with intellectual skepticism, saying “The idea that the country that was founded in 1776…is still what overlays the map of our fifty states, is more false than Washington’s wooden teeth.” and engaging with constitutional theory in his “constitution is a myth” discussion. Even his personal interests—lectures from places like Abbeville Institute (“I have been completely transformed in my thinking of how American history has happened by listening to the lectures they offer for free.”) and careful use of language (“I’m getting more picky about our use of language.”)—show a love of learning and precision. While he has elements of principled Gryffindor defiance and some Slytherin realism about power, the dominant throughline is intellectual curiosity, critical analysis of ideas, and valuing wisdom over mere mass democracy, which aligns best with Ravenclaw.
Your movie
Your song
Won’t Get Fooled Again - The Who
Aarons timeline is steeped in skepticism toward political power, centralized systems, and the idea that standard electoral politics can fix what’s broken, which echoes the song’s theme of revolutions that just reinstall a new set of rulers. He writes that “The idea that the country that was founded in 1776, and codified in 1789 at the Constitutional Convention, is still what overlays the map of our fifty states, is more false than Washington’s wooden teeth.”, and that “there’s no fixing this thing” in a system run on wars and fraud, mirroring the song’s famous line, “Meet the new boss, same as the old boss.” His calls for an Article V convention and questioning why America must remain a single, centralized country — “why are we so determined to stay as a singular country?” — fit the song’s anti-establishment, post-illusion mood. At the same time, he still looks for smaller-scale, human solutions through community and local stories, saying he’s “tired of talking about all the negative things” and wants to highlight that America “is still giving its best effort” here, capturing the song’s mixture of disillusionment and stubborn hope. His repeated insistence that “the system is totally fake” here and his critiques of crony economics and debt-based governance round out a worldview that aligns closely with the wary, battle-scarred resistance in Won’t Get Fooled Again.
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