
Strengths and Weaknesses

Your Simpsons character
They’re very Lisa-coded: smart, intensely into their niche interests, and constantly thinking about art and ethics. Their film nerdery and sensitivity match Lisa’s overthinking, from working at a cinema and going to 35mm screenings like “1 hour til Spider Man on 35mm” to seeing In the Mood for Love in theatres as a #nrw in “#nrw in the mood for love (in cinemas)”. Like Lisa, they care about how media is made and discussed, getting frustrated at spoiler culture in “Anora isn’t even out in cinemas everywhere yet guys please stop posting the ending 😖” and performative technical discourse in “Wicked trailer and suddenly everyone a gaffer”. There’s also a strong emotional introspection—tweets about feeling awful despite break, trying to be happy, and drunk-heartbreak nights, like “Semester break over in the morning and it appears it wasn’t the work making me feel so awful.” and “Reading old texts on my break like a man sent to war reading a letter from his wife.”—which fits Lisa’s melancholy, self-aware side. Even their appreciation of Hank Scorpio in “‘Can’t argue with the little things, it’s the little things that make up life.’ Hank Scorpio” mirrors Lisa’s tendency to latch onto thoughtful lines and philosophical moments.

Your MBTI personality Type
They read as more introverted than extroverted: many tweets centre on solitary, reflective activities like watching films and TV alone and processing feelings, e.g. “Semester break over in the morning and it appears it wasn’t the work making me feel so awful.” and “Lol it’s a getting drunk and listening to Radiohead, Jeff Buckley and the strokes night (it’s only 1pm)”, with little evidence of seeking social spotlight beyond online film talk. They strongly favor intuition over sensing: they often generalize from specific events into broader takes on art and culture, as in “Making movies (furthermore most art) be like that. Can’t even imagine directing and writing for a scale he is working with id rather die.” and the recurring conceptual framing like “Solidifying my brat is yeezus coded agenda”. Their posts lean feeling over thinking, prioritizing emotional reactions and relationships: see “Reading old texts on my break like a man sent to war reading a letter from his wife.”, “Because I don’t ever want to be anywhere without you.”, and concern for representation in art like “My one hope for new death stranding is… there’ll be AT LEAST ONE indigenous Australian in the game”. They appear more perceiving than judging: they talk about feeling messy and unstructured (“Kind of a mess (me not the movie)”), are often reacting in the moment to trailers, releases, and moods, and joke about not being casual (“Not a casual bone in this body oml”) rather than describing plans or systems. Taken together—introspective, emotionally intense, idealistic about art and relationships, and somewhat spontaneous—the pattern aligns best with INFP.

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Your new Twitter bio
Film student, projectionist & Letterboxd lurker. Once saw James Cameron in Perth and still chose to complain about trailers for a living.– @maidenlesshaven

Your signature cocktail
Smoky mezcal stands in for the film-bro-turned-filmmaker energy of someone who tweets about watching Spider-Man on film and says “Watching 2002 Spider Man on film tomorrow 😫😫😫😫😫😫😫😫. A biblical experience will occur.”. The bitter Italian amaro reflects their sharp, slightly cynical media brain that loves calling out spoiler culture with lines like “Anora isn’t even out in cinemas everywhere yet guys please stop posting the ending 😖”. Blood orange juice adds a hit of vivid drama and passion for movies and TV, echoing reactions like “Just watched don’t breathe, haven’t rated a first watch 4.5 or higher since challengers in April but lawd this was a banger icl.”. Coffee liqueur channels the late-night, slightly tortured student/worker vibe of “Semester break over in the morning and it appears it wasn’t the work making me feel so awful.”. A dash of saline ties it all together, a tiny nod to the quiet emotional undercurrent behind tweets like “I think I may finally be able to be happy this year” and the bittersweet way they talk about love, House MD, and Radiohead-fuelled afternoons.

Your Hogwarts House
Damon’s tweets revolve around close, thoughtful engagement with film and TV craft, signaling a strong intellectual and analytical streak characteristic of Ravenclaw. They dissect writing and performance choices, like praising Celine Song’s specific line “I see wrinkles and children that look like you.” and breaking down Creep with comments on pacing, budget, performance, and composition in “pretty interesting, I think there may be some slight pacing issues… Also, occasionally some pretty looking compositions that feel pretty effortless ig”. There’s also a reflective, almost academic curiosity in how they talk about House MD and its structure, as in “each episode is house’s second idea is pretty much always right and he gets his 😎 moment by the end each time. And it rocks.”. Their love of cinema isn’t just fandom; it’s methodical and detail-oriented—seeing In the Mood for Love in cinemas as a special #nrw event in “#nrw in the mood for love (in cinemas)” and geeking out over film vs digital and 35mm projections in tweets like “Seeing that shot from the 2002 one on 35mm actually life fulfilling icl”. While they show some Hufflepuff work-ethic frustration about their cinema job in “Can we as a society never do this again, working at a cinema has been awful this week.”, their dominant traits are critical thinking, aesthetic appreciation, and a nerdy enthusiasm for art and ideas, placing them most convincingly in Ravenclaw.

Your movie

Your song
A fitting song for Damon is “Jesus Walks” by Kanye West, because it mirrors his mix of irreverent humor, self-awareness, and intense passion for art and pop culture. He repeatedly frames modern artists through a Kanye lens, like his running bit that Charli XCX’s brat is Yeezus-coded in “Tripling down on my brat is yeezus coded agenda” and “Solidifying my brat is yeezus coded agenda”. The song’s push-pull between faith, messiness, and trying to walk a straight path resonates with his own mix of sincerity and chaos, seen when he openly talks about feeling awful despite school break in “Semester break over in the morning and it appears it wasn’t the work making me feel so awful.”. There’s also a similar sense of treating pop culture as near-spiritual—like watching Spider-Man on 35mm as a “biblical experience” in “Watching 2002 Spider Man on film tomorrow 😫😫😫😫😫😫😫😫. A biblical experience will occur.” and being moved enough by House MD and films to say they’ve got him “TWEETING” as in “House MD dangerous people 😭🙏 ts got me TWEETING”. Like Jesus Walks, his timeline feels like someone trying to navigate life, passion, and pain with a loud, expressive, sometimes chaotic honesty.

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