
Strengths and Weaknesses

Your Simpsons character
The user most closely matches Comic Book Guy: deeply into niche media, highly opinionated, and humorously dramatic. Their timeline is packed with hardcore JRPG and mecha references, like praising Shin Megami Tensei and joking that “Persona 5 se fosse bom”, which mirrors Comic Book Guy’s habit of declaring definitive (and harsh) critiques about pop culture. The intense, over-the-top reactions such as “pqp esse fudido do Forneus não decide o próprio design, cada jogo é uma merda diferente Vou me matar se ele tiver mudado dnv no smt2” and calling a dungeon crawler “essa merda de rpg dungeon crawler do capiroto” are very in line with his dramatic nerd-rage. At the same time, they show genuine passion and emotional investment in media, crying at “gundam 0080: war in the pocket é simplesmente incrível”, which fits Comic Book Guy’s softer, obsessive-fan side. Their mix of sarcasm, deep-cut references, and encyclopedic gaming taste makes Comic Book Guy the closest match.

Your MBTI personality Type
They literally self-identify as INTJ in their bio (“INTJ | JRPG | Inazuma11 | Megaten…”), which already strongly suggests an Introverted, Intuitive, Thinking, Judging profile. Their interests and activities are highly solitary and niche (retro JRPGs, mecha anime, dungeon crawlers), with tweets like “o foda é que tenho um monte de jogasso baixado, mas to jogando essa merda de rpg dungeon crawler do capiroto…” indicating a preference for deep, individual engagement over social events, consistent with Introversion (I). The way they talk about themes like genocide in Gundam and philosophical/occult aspects of Megaten, e.g. “simbora fazer saporra top capetas de verdadeira metapsicose da deusa”, shows a focus on big-picture concepts and meta-analysis, aligning with Intuition (N) rather than concrete here-and-now details. Their tone is blunt, analytical, and sometimes ruthless, such as “pqp esse fudido do Forneus não decide o próprio design…”, reflecting Thinking (T) over harmony-focused Feeling. Finally, they approach games in a systematic, completionist way, planning routes and sequels (e.g., “agora que terminei o kyuukaku simbora pro shin megami tensei 1” and “hora de começar a parte dois do kyuukaku, vulgo megaten 2”), which is characteristic of a structured, Judging (J) orientation.

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JRPG / Megaten / Mecha enthusiast from Pernambuco. Once cried at Gundam 0080 and still waits for Jack Bros 2 like it’s a real release date.– @MetaMinthas

Your signature cocktail
A smoky Japanese whisky base channels their love of mecha melodrama and tear‑fuelled space war, straight out of “vsfd nunca chorei tanto vendo um anime gundam 0080: war in the pocket é simplesmente incrível”. The shot of Brazilian cachaça grounds the drink in Pernambuco and adds that unfiltered, chaotic edge seen in lines like “tenho que comer o papai noel na porrada”. Matcha syrup represents the JRPG grind and ‘aura’ they chase across Megaten and Persona, echoing “simbora fazer saporra top capetas de verdadeira metapsicose da deusa” and “farma aura por 3 caixas de diálogo morre”. Tonic water keeps it sharp and slightly bitter, a nod to their INTJ, no‑bullshit commentary such as “clair obscur ganhando tudo nessa porra, daqui a pouco o apresentor começa a dar o cu pro diretor de arte do jogo”. Finally, a dash of bitters captures their chaotic love for demons and chaos routes, distilled from “zerei o shin megami tensei 1, rota chaos jogasso da porra” and their eternal devotion to “Jack Bros.”.

Your Hogwarts House
Meta most strongly fits Ravenclaw due to a clear love of digging deep into niche, complex media and systems. They repeatedly commit to long, older, and mechanically dense JRPGs and dungeon crawlers, e.g. choosing to play an old, difficult game over newer ones: “o foda é que tenho um monte de jogasso baixado, mas to jogando essa merda de rpg dungeon crawler do capiroto que tem o triplo ou quadruplo da minha idade (e vou jogar a sequência dele logo em seguida)”. They show analytical curiosity about design evolution, explicitly using older games as a lens to study artistic changes: “jogar os jogos antigos é uma experiência boa pra ver como os designs da franquia evoluíram… eu nunca imaginaria que essa porra estranha da primeria imagem seria o forneus se o jogo não jogasse o nome dele na minha cara”. Their enthusiasm isn’t just casual fandom; they dissect OST quality (“pq caralhos a ost de guilty gear é tão boa? os fudidos não precisavam cozinhar tanto”) and praise titles for depth of story and gameplay: “Melhor Megaten, ele é cheio de profundidade… tem uma gameplay que supera milhares de vezes qualquer jogo atual. É uma verdadeira obra de arte que todos os fãs da franquia devem jogar”. The INTJ in their bio reinforces a self-image of someone who values analysis, structure, and long-term thinking rather than impulsive heroics or social harmony. While there’s sarcasm and dark humor, the consistent throughline is an intellectually engaged, critical, and curiosity-driven approach to media, which is quintessentially Ravenclaw.

Your movie

Your song
A fitting song for Meta is “Fly Me to the Moon” because it captures a romanticized fascination with space and distant worlds that mirrors their love of mecha and Gundam. Their emotional reaction to Gundam’s war drama in “vsfd nunca chorei tanto vendo um anime gundam 0080: war in the pocket é simplesmente incrível” shows they connect deeply with tragic yet beautiful sci‑fi narratives, much like the song’s longing to leave Earth behind. Meta repeatedly references grand, otherworldly JRPG universes, as in “o bom de gostar de jrpg é que muitas franquias tem jogo pra caralho… dragon quest monsters caravan heart é cinema. (menção obrigatória de jack bros, que é cinema 2)”, which parallels the song’s desire to explore the stars. Their fascination with cosmic-scale plots like “>seja char aznable > tenha o plano de genocidar vida na terra jogando uma colônia espacial nela > 'esse cara tava certo'” also fits the song’s imagery of escaping Earth for a different, more meaningful cosmos. The blend of melancholy, idealism, and space-bound imagery in the song matches the tone of their timeline: emotional about fiction, irreverent in language, but always reaching toward larger-than-life worlds.

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