
Strengths and Weaknesses

Your Simpsons character
They’re most similar to Lisa Simpson: opinionated, politically aware, and very online-smart while still being earnest about their special interests. Like Lisa, they’re outspoken about social issues and hypocrisy, calling out racism and zionism in fandom spaces, e.g. “so you can excuse RACISM as ‘brazilian humour’… but can’t excuse katie’s average teen girl banter even though it’s an ACTUAL representation of irish humour?” and “we’re talking about REAL PEOPLE (BLACK people) experiencing racism not a flipping white book character”. Their bio, “i wanna walk in the snow and not soil its purity,” plus autistic-girl relatability like “both of them had scenes that resonated with me as an autistic girl”, matches Lisa’s introspective, slightly melancholic, neurodivergent-coded vibe. They’re also a huge nerd for niche media and fandom (Britpop, Boys of Tommen books, specific ships), making long, thoughtful riffs like “like i was already an aoife stan while reading binding 13 for the first time when she had like five lines 😭😭”, which is very Lisa obsessing over jazz or books. At the same time, they have a sharp, sarcastic sense of humour and will argue on main while still caring about being fair, similar to Lisa’s mix of moral seriousness and petty sibling-style bickering, as seen in posts like “the urge to go priv to protect my peace… the urge to stay public because im not a pussy” and “just. because. a. character. is. white. doesn’t. mean. their. stans. are…”.

Your MBTI personality Type
They lean Extraverted: they clearly enjoy high social engagement and public discourse, constantly interacting with fandoms and drama, e.g. joking about group chats and public fights in “like to join a boys of tommen gc!!” and “i refuse to bring twt fights onto tiktok, so yes im probably tt moots with people ive beefed with on twt #sorry #noimnot”. They read as Intuitive: they frequently spin imaginative headcanons, metaphors, and character analyses rather than sticking to concrete facts, such as “anytime a fictional man pisses me off i just pretend he’s a masc lesbian” and conceptual edits like “part one of my girls of tommen x 2000s singers edit series, aoife molloy and gwen stefani 💕”. Their strong moral reactions and focus on how people are treated point to Feeling over Thinking, with repeated emphasis on racism, zionism, and empathy for real people in tweets like “we’re talking about REAL PEOPLE (BLACK people) experiencing racism not a flipping white book character” and “just. because. a. character. is. white. doesn’t. mean. their. stans. are…”. Finally, they seem more Perceiving than Judging: they embrace spontaneity and emotional flux—openly changing their mind mid‑drama in “actually changed my mind i love yous now this is funny as hell” and joking about chaotic impulses in “the urge to go priv to protect my peace… the urge to stay public because im not a pussy”. Overall, their energetic social presence, imaginative fandom engagement, values-driven rants, and flexible, in-the-moment style align best with ENFP.

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Your new Twitter bio
Dublin-based book & Britpop enthusiast. Once started a fandom GC and accidentally a discourse. Opinions on marmite, Oasis, and Irish slang available on request.– @molloystrinket

Your signature cocktail
This cocktail starts with Irish whiskey for the loud, unapologetically Irish brainrot of Boys of Tommen and their homeland, from “how dare i act like i know more about my own country than some random american or brazilian on the internet” to “growing up in ireland, reading these books, and seeing peoples reactions to THE MARMITE SCENE of all things is so funny because that is so clearly slagging”. Blood orange liqueur brings a sharp, dramatic sweetness for her chaotic stan energy, like “villanelle pls open for inhaler tell me you guys see the vision” and the Hayley Williams / Gwen Stefani edits in “part one of my girls of tommen x 2000s singers edit series, aoife molloy and gwen stefani 💕”. Cloudy apple juice softens the edges, echoing the unexpectedly tender, introspective side of “sometimes i randomly think about richey edwards and get sad” and the way she talks about autistic girl resonance in “ive been saying this since taming 7!! claire too, both of them had scenes that resonated with me as an autistic girl”. A dash of sea-salt saline stands in for the salty, no-bullshit timeline warrior who says “the urge to go priv to protect my peace… the urge to stay public because im not a pussy” and “just. because. a. character. is. white. doesn’t. mean. their. stans. are. and. it. doesn’t. give. you. an. excuse. to. make. racist. jokes.”. It’s served over crushed ice dusted with edible silver glitter for the dreamy, aesthetic, snow-core self-mythologising of “oh its snowing” and the bio line “i wanna walk in the snow and not soil its purity.” Strong but sparkling, sweet with a bite, it’s the drink you’d order when you’re ready to argue about Marmite and then cry about fictional Irish teenagers in the same night.

Your Hogwarts House
They consistently show a Gryffindor-style instinct to jump into conflicts and defend what they think is right, even when it causes drama. For example, they openly call out people excusing racism as “Brazilian humour” and contrast it with jokes about white fictional characters, insisting that “we’re talking about REAL PEOPLE (BLACK people) experiencing racism not a flipping white book character” and spelling out, with emphasis, that this is unacceptable in “just. because. a. character. is. white. doesn’t. mean. their. stans. are…”. They also attack hypocrisy and bigotry in their own fandom, bluntly predicting that a creator will "pull a jk rowling" because she’s already "a zionist, conservative, and full of internalised misogyny" in “chloe walsh and caoimhe young” and “she’s already a zionist…”. Their tone is bold and confrontational rather than diplomatic: when foreigners argue with them about Irish humour and culture, they mock being mansplained to with tweets like “im crine theyre mansplaining my own country to me” and sarcastically asking how they dare act like they know less about Ireland than “some random american or brazilian” in “how dare i act like i know more about my own country than some random american or brazilian on the internet”. Even their self-reflection comes in a fiery, prideful frame: they admit they were "too mean" because they were on their period in “just checked back on some of my arguments and realised i was lowk too mean today your honour”, but they still refuse to back down from public discourse, joking that the "urge to go priv" conflicts with their desire to stay public "because im not a pussy" in “the urge to go priv to protect my peace… the urge to stay public because im not a pussy”. This combination of moral fervour, willingness to confront others, and pride in standing their ground aligns most strongly with Gryffindor.

Your movie

Your song
A well-suited song is “Fake Plastic Trees” by Radiohead, because it balances melancholy, sharp observation, and a kind of dramatic sincerity that mirrors how they tweet about fandom and real-life issues. Their bio, “i wanna walk in the snow and not soil its purity,” captures the same fragile idealism and longing for something untainted that runs through the song. They oscillate between self-aware humour and genuine intensity, like when they say “99% of me wants to hate, 1% of me wants to audition” and “the urge to go priv to protect my peace… the urge to stay public because im not a pussy”, which fits the song’s tension between detachment and deep feeling. Their willingness to call out racism and politics in fandom, as in “we’re talking about REAL PEOPLE (BLACK people) experiencing racism not a flipping white book character”, echoes the song’s critique of artificiality and surface-level concern. Overall, Fake Plastic Trees matches their mix of romanticism, frustration with inauthenticity, and quietly intense emotional core.

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