Strengths and Weaknesses
Strengths:
- Political conscience: Clearly identifies with anti‑imperialist and left politics, e.g. bio symbols and critiques of classism and casteism in tweets like “we’re all so fucking classist it’s unbelievable” and “my apparently sweet, well adjusted and incredibly successful professor goes on casteist tirades…”.
- Self‑aware introspection: Frequently reflects critically on their own mental state and habits, e.g. “twitter user nee_say increasingly unsure of this page’s trajectory. dialectics or ootd posts? manic vents or Massive Theory Freak?” and “alluring to grow resentful and vindictive but you can’t let yourself. coward’s path.”.
- Literary curiosity: Engages with theory and literature beyond coursework, as in “rereading Econ. and Phil. Manuscripts of 1844… to process the alienation of being so poor…” and reading Said in cafes in “feels strange reading in cafés… sometimes the semiotic performance precedes genuine learning.”.
- Artistic engagement: Thinks seriously about games and film as art, e.g. nuanced FromSoft takes in “an unfortunate side effect of FromSoft’s thoroughly iterative design…” and the long thread disagreeing with dismissive takes on videogames in “🧵incredibly shallow take from a page i've generally liked…”.
- Emotional openness: Shares vulnerability about depression, suicidality, and loneliness, e.g. “i prefer the whiplash of manic breakdowns and euphoria… instead of the blanketing grey fog of depression…” and “two oomfs on the tl begging to be released from their mortal coils. how can i send hugs”.
Weaknesses:
- Harsh aggression: Uses extremely hostile language even when the target is broad, e.g. “life was hell on earth and you kys? welcome to the real deal you fucking fag” and “hey so the world would be a marginally better place if you get an aneurysm”.
- Self‑deprecation: Regularly frames themself as stupid or worthless, as in “currently bullshitting my way through an insipid dissertation… never have i felt this stupid and illiterate. just straight up dumb.” and “used the same adjective twice… crowned the worst pretend critic of all time. booed off stage.”.
- Suicidal rumination: Jokes and dreams about suicide recur, e.g. “had a dream i fashioned a noose… body dysmorphia: 1 suicidal ideation: 0” and “omw to an exam while violently depressed. again. atp i wish for newer kinds of misery”.
- Online overexposure: Acknowledges danger yet continues posting personal and thirst content, e.g. “every time i post myself i have alarm bells going off and i ignore them anyway and that’s BAAAAD” and “cant do throwaway thirst traps… should i make a priv for crap like this.”.
- Cynical bitterness: Leans into contempt and resentment, such as “football fans, most of them, are total cunts.” and “i detest you if you're happy and drunk on life. u r scum, man.”, which can alienate potential allies.
Your Simpsons character
Lisa Simpson
They align most closely with Lisa Simpson: politically radical, hyper-articulate, and permanently torn between earnest theory-brain and vulnerable feelings. Their Marxist and anti-classist streak echoes Lisa’s moral seriousness and lefty conscience, like when they write about casteist professors and classism: “we’re all so fucking classist it’s unbelievable” and “rereading Econ. and Phil. Manuscripts of 1844… to process the alienation of being so poor that i'm forced to cancel hangout plans”. They’re also constantly mediating between heavy theory and pop/media critique, e.g. long threads on games and film: “an unfortunate side effect of FromSoft’s thoroughly iterative design…” and “🧵incredibly shallow take from a page i've generally liked for the insights into Disco Elysium's development…”, which is very Lisa-coded media overanalysis. At the same time, there’s intense self-doubt and loneliness under the snark, like in “i miss my old oomfs but i am a bad person… oh jesus fucking christ.” and “really really wanna take a break year before i go off… i need to live? like, live?… i’ve been dead for six years?”, mirroring Lisa’s mix of precocity, depressive spirals, and wanting a fuller life. Even their oscillation between wanting to be a Huge Theory Poster and posting fits — “twitter user nee_say increasingly unsure of this page’s trajectory. dialectics or ootd posts?” — feels like Lisa bouncing between being a child and a tiny overburdened adult.
Your MBTI personality Type
INFP
They read as more introverted than extroverted: they enjoy people and events, but much of their feed is internal monologue, depressive spirals, and solitary comforts like rereading Marx to process feelings, as in “rereading Econ. and Phil. Manuscripts of 1844 (humanist Marx), to process the alienation of being so poor that i'm forced to cancel hangout plans” and the dreamy motorcycle fantasy in “would anyone like to join. platonic. less than platonic, actually… a fleeting moment you’re unsure ever happened :D”. They lean strongly intuitive: they constantly abstract everyday life into symbolism and theory, like their sunflower dream as a metaphor for alienation in “a lazy voyeur, choosing fuzzy images over texture and taste” and their take on FromSoft’s games as art in “rather than recognising each as an individual work of art”. Their criticism is grounded in values, empathy, and moral outrage, showing a feeling preference: they rail against classism and beauty standards (e.g. “do women less aligned with conventional markers of attractiveness not deserve dignity?”) and frame media-politics in ethical terms in “the political necessity of the film outweighs its artistic blemishes and failings”. Despite strong opinions, their life seems perceiving rather than highly structured judging: they describe foggy depression and last‑minute chaos (“omw to an exam while violently depressed. again. atp i wish for newer kinds of misery”), spontaneous café/traffic adventures in “abandoned the motorcycle in a jam. walked… met and had espresso&smokes w incredibly cool people”, and self‑deprecate about productivity in “currently bullshitting my way through an insipid dissertation i was forced into”. Taken together—introspective, value-driven, highly metaphorical, and somewhat chaotic—they most closely fit INFP.
Some pickup lines for you
- You ranking Dark Souls over Elden Ring is already a green flag, but sometimes I just make characters in Souls games and think, ‘what if one of them was just… you and me in Majula, letting the melancholic strings wash over us instead of our dissertation anxiety?’
- You deleted 100 gigs of SoTFS footage because you’re broke, but I still think you’ve got GOTY riz: we could co‑op life like it’s Elden Ring—purely iterative, each date an individual work of art, no prototype exes allowed.
- You said wordle results are the entrails you augur life from; your 2/6 and 3/6 streak lately suggests one thing in my divination: statistically speaking, you can’t die yet because you still haven’t gone on a motorcycle‑through‑blackout‑streets, shawarma‑pre‑workout, coffee‑and‑Said date with me.
- You, in a tank top reading Said at a Guilty Gear/D&D café, torn between dialectics and OOTDs, listening to لما بدا يتثنى under the stars and rereading Marx to cope with alienation… I don’t have a punchline, I just think I’d like to sit next to that life and quietly learn how to live too.
- If your dream self can ditch a noose because it gave you a double chin, I propose a counter‑ritual: I show up in a jumper you’d let Kim Kitsuragi appraise, we trauma‑bond over productivitycels at KLF/KLIBF, and let body dysmorphia: 0, revolutionary thirst: 1 be the new scoreline.
Your 5 Emojis
Your new Twitter bio
Teacher-in-training in TVM, Marxist media nerd, Soulslike enjoyer. Once deleted 100GB of game footage to afford rent; now I just overthink for free.– @nee_sayyy
Your signature cocktail
The Manic Marxist Melancholia
Overproof dark rum stands in for their intense, slightly unhinged energy and revolutionary streak, echoing both the ☭ in their bio and lines like “ice will inculcate revolutionary fervour in the treatlerite working class and get the whole empire decapitated from within inshallah 🤲glory to ice”. Cold brew coffee concentrate brings the academic grind and insomnia-core vibes of “currently bullshitting my way through an insipid dissertation i was forced into; never have i felt this stupid and illiterate.”. Pomegranate molasses adds a tart sweetness for the tenderness under all the cynicism, like when they admit, “i love my husband and i love his wife too”. Smoked salt represents the bitterness and class rage that season their timeline, seen in “we’re all so fucking classist it’s unbelievable” and “the rape culture enabled by gr*k and legitimised by the tacit promotion of the fascist landlord of this app is genuinely fucking terrifying.”. Chili-infused coconut cream gives a creamy, comforting body with a kick, mirroring their oscillation between softness and self-immolating humor in posts like “i prefer the whiplash of manic breakdowns and euphoria alternating every few days instead of the blanketing grey fog of depression that's weighed me down for weeks now.” and the half-flirty, half-morbid ride invite of “going for a motorcycle ride through the small town streets during a blackout... a fleeting moment you’re unsure ever happened :D”. This is a strong, bittersweet, slightly experimental drink—just like a Soulsborne build optimised for vibes over viability, as hinted by their FromSoft devotion in “sometimes i just make characters in Souls games and let the melancholic strings wash over me. ahh. quite therapeutic.”.
Your Hogwarts House
Ravenclaw
This user is intensely theory-brained and intellectually driven in a way that screams Ravenclaw. They talk about rereading Marx to process their own life circumstances in “rereading Econ. and Phil. Manuscripts of 1844 (humanist Marx), to process the alienation of being so poor that i'm forced to cancel hangout plans.” and even joke about their account oscillating between heavy theory and outfit posts in “twitter user nee_say increasingly unsure of this page’s trajectory. dialectics or ootd posts? manic vents or Massive Theory Freak? history will decide.”. Their long, analytical thread critiquing a shallow take on video games in “🧵incredibly shallow take from a page i've generally liked for the insights into Disco Elysium's development. this total repudiation of the medium with a niche carved out for ones that approximate tv/lit is a stance so embarrassing…” shows a very Ravenclaw-ish need to dissect ideas and defend the medium on conceptual grounds. They also get excited by niche, intellectual media like Caves of Qud and Soulsborne games as art, e.g. “5/5” and “an unfortunate side effect of FromSoft’s thoroughly iterative design is that MANY in the community so ignorantly mistake their output for a series of endless prototypes… rather than recognising each as an individual work of art.”. While they clearly care about justice and politics (which could suggest Gryffindor), their primary mode is reflective, critical, and aesthetic rather than purely action-oriented, as seen in how they overthink language, aesthetics, and even their own misery, like in “used the same adjective twice in a polemical paragraph. crowned the worst pretend critic of all time.” and the dream-as-metaphor in “a lazy voyeur, choosing fuzzy images over texture and taste.”. Overall, the combination of self-conscious critique, love of complex media, and theoretical obsession fits Ravenclaw far better than the other houses.
Your movie
Your song
The Good Left Undone - Rise Against
A fitting song for them is "The Good Left Undone" because it mixes political edge, romantic melancholy, and a sense of stalled becoming that runs through their timeline. They’re openly leftist and anti-imperialist — from their bio "🇵🇸 . ☭" to posts like “ice will inculcate revolutionary fervour in the treatlerite working class and get the whole empire decapitated from within inshallah 🤲glory to ice” and “we’re all so fucking classist it’s unbelievable” — mirroring the song’s political, disillusioned undertone. The track’s core feeling of being stuck mid‑transformation matches tweets like “really really wanna take a break year before i go off to do my b.ed or postgrad... i need to get medicated and live a bit, you know? i need to live?” and “that’s it i’ve run out of thoughts and sentences pack it up now 🫶”. Their mix of gallows humour and suicidal ideation — “body dysmorphia: 1 suicidal ideation: 0” and “killing meself.” — fits the song’s tension between despair and persistence. And like the song’s narrator, they’re acutely self-aware and emotionally volatile, alternating between euphoria and fog as in “i prefer the whiplash of manic breakdowns and euphoria alternating every few days instead of the blanketing grey fog of depression”, all while still clinging to small omens of survival, like “Wordle 1,683 3/6 ... okay. can’t die yet”.
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