
Strengths and Weaknesses

Your Simpsons character
Lisa fits best because this user mixes earnest thoughtfulness with niche obsessions and a sense of isolation, much like Lisa with her causes and hobbies. They think deeply about media and culture, e.g. reflecting on game design and industry trends in “All things considered, I feel like one of the main takeaways from what games are successful and what games died instantly in the Hero Shooter niche should be that style, character design, and art direction are all very, very important.” and “I more I hear about upcoming films and tv shows set to come out, the more I get the impression that nobody in the industry knows what the hell they're doing.”. Like Lisa, they’re openly sentimental and encouraging in darker times, as seen in “This time of year can be pretty rough, so, if anyone needs to hear it, sometimes all you can do in a dark world is keep holding on. You've made it this far, you're strong, you're brave, you'll make it through.”. They’re also introspective and a bit melancholy about their passions and OCs, for example “Getting emotionally attached to characters in a dead game with no future sucks.” and “Apparently Genshin just came out with a character also named Kuutar that has multiple similarities to my OC of the same name. It's an obscure name, so everyone will think I'm ripping off GI no matter what. This is an unfortunate situation and I'm generally feeling kinda bad.”. At the same time, they layer all of this with nerdy humor and self-aware cringe, like “Outing myself as cringe” and their extensive Paladins/OC threads, which matches Lisa’s blend of idealism, niche passions, and dorky self-awareness more than the other main Simpsons characters.

Your MBTI personality Type
They lean Introvert: they talk about considering streaming but opting out because of TwitchCon horror stories (“I considered going into live streaming a couple years ago. Hearing all these horror stories coming out of twitchcon makes me glad I didn't.”), and their tweets focus more on niche interests, writing, and introspection than on active socializing or seeking attention. They are clearly iNtuitive: they frequently generalize from specifics into broad ideas about media and culture, like reflecting on the hero shooter genre’s design lessons (“one of the main takeaways from what games are successful and what games died instantly in the Hero Shooter niche should be that style, character design, and art direction are all very, very important.”) or worrying about the long‑term cultural gap for kids without old online games (“I'm realizing that there's going to be a whole generation of children that grow up without those cartoon animal games... I feel old.”). They skew Feeling over Thinking: they openly center emotional experience—both theirs and others’—such as writing comfort scenes about death (“I feel like writing something sad for some reason, which #Paladins champion should I write comforting a dying soldier?”), empathizing with Laika to get into a sad writing mood (“If I ever need to feel sad to get in the mood to write something, I just think of Laika.”), and posting heartfelt encouragement during rough times (“sometimes all you can do in a dark world is keep holding on. You've made it this far, you're strong, you're brave, you'll make it through.”). Finally, they appear Perceiving rather than Judging: they present themselves as someone who drifts between projects and ideas, admitting to getting sidetracked in their writing (“I'm working on the Furia fic, but I got distracted and have also been working on an Io thingy along the way. Such is life, I suppose.”), struggling to name and organize their OCs and lore (“It's so incredibly hard to come up with names for characters, how do you people do it?”, “Should I make individual threads of OC lore, or should I make a big document for all of them...”), and often crowdsourcing decisions or jokingly leaving choices to others (“Idk y'all can pick for me”). Putting these together—quiet, introspective fandom focus (I), abstract and big‑picture reflections (N), emotionally driven and empathetic tone (F), and flexible, somewhat unstructured approach to projects (P)—they fit best as INFP.

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Your new Twitter bio
Narrative enjoyer, Paladins lifer & occasional winter storm reporter. Once considered streaming; chose to write sad robot & gasmask guys instead.– @NimbusShock

Your signature cocktail
Smoky mezcal stands in for the ‘funny gasmask man’ vibe in their bio and all the dystopian/game chaos they comment on, like “I will die on the frozen rock that is Rubicon in the name and for the interests of Lockheed Martin.”. Electric blue curaçao colors the drink like a hero-shooter HUD and their endless love for Paladins and Marvel Rivals, as seen in “Ten years of Paladins!” and “I would give up my left testicle for Paladins with the artstyle and polish of Marvel Rivals”. Fizzy ginger beer captures their energetic, slightly chaotic humor, from “Outing myself as cringe” to “#Paladinsgame Voice Actors ranked by how many things they've been in according to IMDB: A thread.”. A dash of coffee liqueur reflects the darker, introspective side behind the memes, like “Getting emotionally attached to characters in a dead game with no future sucks.” and “I'm so exhausted”. Finally, a bright squeeze of lemon nods to their resilience and bittersweet optimism in “sometimes all you can do in a dark world is keep holding on. You've made it this far, you're strong, you're brave, you'll make it through.” and even their baffled lemon-tree photo in “I don't know how a lemon tree even gets this way, honestly”. This makes The Paladins Patch Notes a strong, slightly bitter-sweet, experimental mix—like a balance change for your soul.

Your Hogwarts House
NimbusShock reads most strongly as a Ravenclaw because their tweets show a consistent mix of analysis, creativity, and meta‑thinking about stories and games. They frequently analyze media structure and industry trends, like when they argue that in the hero shooter niche, style and art direction are crucial for success: “All things considered, I feel like one of the main takeaways from what games are successful and what games died instantly in the Hero Shooter niche should be that style, character design, and art direction are all very, very important.” They think like a writer and worldbuilder, discussing character arcs and narrative plans in detail, e.g. “So the plan is to introduce the audience to a bunch of likeable/interesting/charming characters, and then put those characters in increasingly horrific situations as their world falls apart. Hopefully I can avoid it turning into a depressing slog.” and asking for nuanced title choices: “What's a better title for a story, 'A letter for all mankind' or just 'For all mankind'?”. They also display clear curiosity and love of learning/thinking, musing about things like space chemistry “They found glucose in space” and the effects of labeling big-budget games as "indie": “I can't help but feel that games like Helldivers, Hades, Clair Obscur, etc... being labelled as 'indie' has the negative effect of discouraging smaller developers...”. Even their humor is often conceptual and meta (e.g., imagining a Paladins HOI mod or Minecraft server: “They should make a Paladins HOI mod that lets you conquer the world as Bomb King”, “#Paladins champions on a minecraft server”), which fits Ravenclaw’s blend of wit and abstract thinking more than the other houses.

Your movie

Your song
A blend of dark humor, nostalgia, and stubborn hope fits @NimbusShock almost perfectly, which is why Welcome to the Black Parade suits them so well. They clearly lean into a mix of melancholy and resilience, like when they tell followers that “sometimes all you can do in a dark world is keep holding on. You've made it this far, you're strong, you're brave, you'll make it through.” That kind of message mirrors the song’s central idea of carrying on despite everything falling apart. Their personality is also steeped in niche gamer/"dead game" passion and bittersweet attachment, such as “Getting emotionally attached to characters in a dead game with no future sucks.” and the constant Paladins nostalgia, which fits the song’s themes of mourning what’s lost while still marching forward. Even their self-aware, slightly theatrical edge as a "Funny gasmask man" and someone who jokes about grim scenarios, like “So the plan is to introduce the audience to a bunch of likeable/interesting/charming characters, and then put those characters in increasingly horrific situations as their world falls apart.”, lines up with the dramatic, almost apocalyptic tone of the track. Overall, the song’s combination of emo grandeur, persistent hope, and dramatic flair feels like a musical version of their timeline.

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NimbusShock
green: confident, yellow: guess, red: uncertain
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