
Strengths and Weaknesses

Your Simpsons character
This user most closely matches Lisa Simpson: emotionally intense, smart, a bit dramatic, and very online/artist-coded. Like Lisa obsessing over her favorite bands or causes, they hyperfixate on niche interests and music, especially K‑pop and Chase Atlantic, as seen in “aqui na casa do caralho não se fala em outra coisa, Chase atlantic kingos fez a FAVELA hitar” and “Hi moots mudei a pack, me rendi a winter rita lee capetinha 💃🏻”. They overthink relationships and feelings in a very Lisa way, e.g. “Como eu posso explicar sem parecer uma idiota que eu não quero namorar, mas eu quero ela?” and “Superar a ex em dois meses é muito rápido?”. There’s also a self-aware, slightly neurotic side about how others perceive them, like “eu ativo as notificações, mas fico com medo de interagir em todos os tweets e as pessoas me taxarem de maluca”. Finally, they show creative, rant/essay energy and a strong sense of justice about fandom issues, such as “Alguém precisa avisar as empresas que dar poder a esses malucos é um convite para mudar tudo a cada mimimi.”, which fits Lisa’s tendency to comment on social dynamics and stand her ground.

Your MBTI personality Type
They lean Extraverted: they constantly talk about social interactions, dates, parties, neighbors and moots, and openly seek engagement, like when they post about being nervous to care for a baby calling them "titia cici" and when they say they’re thinking of self-inviting to sleep with someone. Their style is very outward, performative, and highly verbal, which fits E more than a reserved I. They are clearly iNtuitive rather than Sensing: they spin situations into metaphors, jokes, hyperbole and imagined scenarios (e.g., dreaming about alternate universes with evil duplicatas and katana attacks, or calling Karina a legendary "skin" and turning idols into narrative characters), focusing on implications and vibes rather than plain facts. They are strongly Feeling: their tweets are driven by affection, attraction, irritation, admiration, and emotional reactions to idols, friends and music, and they often dramatize love/sex tension and hurt feelings instead of making detached logical analyses. Finally, they read as Perceiving: they are chaotic, spontaneous, and playful, frequently procrastinating (stuck on their "pack" and edits for days, considering changing themes impulsively), making last-minute decisions, and changing their mind (turning a rant into an edit thread) rather than showcasing structured planning or rigid order—an ENFP-style messy enthusiasm rather than a J’s need for closure.

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Your 5 Emojis
Your new Twitter bio
Ceci | K‑pop & anime enthusiast, Chase Atlantic on loop. Once misread ‘gp’ as ‘garotos de programa’ and never recovered. RTs = chaos, edits = therapy.– @ningphilim

Your signature cocktail
This cocktail is built on cachaça with pink peppercorns for the loud, unapologetic Brazilian chaos of blasting Chase Atlantic’s “FAVELA FAVELA” for the neighbors and the constant horny clowning over idols. Guava juice brings a sweet, soft core that matches their emotional side when they say things like “Ela faz eu me sentir especial… me derreti todinha”, showing there’s a romantic under all the sarcasm. Sparkling sake nods to their obsession with K‑pop and Japanese idols, from “O que a Giselle e a Momo têm em comum?... duas grandes japonesas gostosas” to the endless aespa/TWICE thirsting. A dash of chili tincture represents the unfiltered, sometimes biting humor of lines like “bem que dizem né que a primeira fase é a negação, vão ter que aceitar que a Giselle é a mas hétero de tds kkkkkk” and all the lesbian chaos. Finally, the cotton candy foam on top mirrors the cute, hyper-stylized packs and headers—like changing to “winter rita lee capetinha” in “Hi moots mudei a pack, me rendi a winter rita lee capetinha 💃🏻”—proving that under the deadly twink energy, everything is still wrapped in something pink, pretty, and dramatic.

Your Hogwarts House
The clearest throughline in this account is a strong sense of self‑preservation, sharpness, and strategic social behavior, all very Slytherin-coded. They openly admit to doing things just to avoid social backlash rather than out of genuine desire, as in “faço só pra não me taxarem de chata, porque vontade mesmo é dizer na cara que tô fazendo contra minha vontade”, which shows calculating, image-aware pragmatism. When harassed, they don’t respond with martyrdom but with aggressive boundary-setting and mobilizing others on their behalf: “Moots lindinhos peço que me ajudem a derrubar essa conta que vem me atacando sem motivos só pq recusei comer esse culo velho dela”, a very resourceful, ‘use the network to win’ move. There’s also a recurring focus on desire, power dynamics, and domination fantasies—e.g. “eu só queria uma coleira e ela me levando pra passear” and “se eu não fosse tão fodida, acho que eu ia te foder o tempo todo”—which fits Slytherin’s sensual, intensity‑seeking side more than any other house. Even in fandom discourse they frame things in terms of control and resistance to pressure, as in “as empresas... têm que parar de ceder a essas exigências absurdas!”, again highlighting a preoccupation with power, who holds it, and who shouldn’t bend. While they are witty and creative, the dominant pattern is cunning, self-protective, and power-aware behavior—quintessential Slytherin rather than Gryffindor bravado, Hufflepuff warmth, or Ravenclaw detachment.

Your movie

Your song
The best fit for @ningphilim is “girls” by Chase Atlantic, blending their horny, chaotic gay energy with the band they’re obsessed with. They constantly hype Chase Atlantic and especially FAVELA, writing things like “old que tô ouvindo a melhor música dos kingos Chase Atlantic. Algum divo se atreve a adivinhar qual?” and “aqui na casa do caralho não se fala em outra coisa, Chase atlantic kingos fez a FAVELA hitar”. Their tweets are full of intense attraction to women and idols — for example “doces ou travessuras? E eu que posso servir nos dois, e ainda com o bônus da gostosura” and “Como eu posso explicar sem parecer uma idiota que eu não quero namorar, mas eu quero ela?” — which fits the song’s sensual, messy-romantic vibe. They’re dramatic, a bit self-destructive, and very self-aware about their feelings, as seen in “ela faz algo estranho no meu coração, não gosto dessa sensação, é basicamente o lembrete de que eu tô muito fudida”. All of this lines up well with the emotional chaos and desire running through “girls”, making it feel like a soundtrack to their timeline.

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