Strengths and Weaknesses
Strengths:
- Thoughtful-analytical: They reference data and sources to argue points, like citing PGB 2025 and a Terra article about gaming demographics in “Pra já matar o assunto de vez…”.
- Self-aware: They openly comment on their own habits and limits, e.g. acknowledging vision issues and warning about typos in “Hoje eu votei um envócio no olho…” and saying they don’t self-promote much in “Não sou de me autodivulgar…”.
- Empathetic: They care about how people are treated, like criticizing judging a woman mainly on looks instead of ideas in “Pior que eu fico triste de ver a moça que parece a Makoto Niijima…” and condemning predatory/abusive VN content in “Acho muito nojento quem gosta dessa visual novel…”.
- Curious-creative: They constantly explore media and ideas (games, manga, theory), ask open questions like about “morning/evening” art in “vocês acham que teriam exemplos pra dar??”, and enjoy drawing and cosplay in posts such as “Bebê melancia comendo melancia. Sem IA.”.
- Humorous: They naturally turn experiences into jokes or memes, like the Steam activity joke in “Pera aí, deixa eu ver essa tal aba 'Atividade' da Ste” and the NieR-themed sports parody in “NieR Automata é uma mulher robô que luta, dança, pula.”.
Weaknesses:
- Harsh-judgmental: They sometimes frame criticism in very absolute, attacking terms, like saying everyone who enjoys a certain VN is effectively supporting pedophilia and “tem mais é que se lascar” in “Acho muito nojento quem gosta dessa visual novel.”.
- Self-deprecating: They frequently downplay their work and reach, e.g. calling their audience “2 pessoas que assistirem!!” in “Espero que gostem, 2 pessoas que assistirem!!” and suggesting nobody cares about their videos in “Não que alguém se importe…”.
- Overcommitted: They juggle long projects and heavy media consumption while setting tight goals, like planning a large NieR: Automata video for a fixed release date in “Tenho 69 dias pra editar tudo…” and simultaneously pushing to finish long games like NieR Replicant in “Depois de 97 horas de jogo…”.
- Emotionally-vulnerable: They expose personal low moments and insecurities publicly, such as feeling “poxa, tô mal mesmo...” about not having played certain games in “Poxa, tô mal mesmo...” and mentioning being in an empty apartment and tweeting “sei lá por que eu tweetei isso” in “Pior que agora deu vontade de desenhar, mas eu tô literalmente num apartamento vazio…”.
- Tech-frustrated: They show strong irritation with technical issues, like calling Windows/Nvidia “TÃO incompetentes?!” when describing a display glitch on a new PC in “Meu PC DO NADA deu um glitch maluco…”, which suggests stress around tech problems.
Your Simpsons character
Lisa Simpson
They most closely resemble Lisa Simpson: thoughtful, bookish, politically aware, and intensely nerdy about their interests. Like Lisa, they blend social critique with empathy, calling a pedophilic visual novel “the juice of problematic” and telling people who enjoy it to “go plant banana trees instead of punching your little banana”, while also feeling sad that a woman is judged more for looks than politics in “it’s really depressing :P”. Their intellectual and artsy side is very Lisa-coded: they reference Milan Kundera and ask about “morning vs. night” art in a tweet about The Unbearable Lightness of Being, quote theorists like Foucault in a joke about Rance in “Vigiando e punindo, Foucault style”, and talk about political psychology texts in “I’m reading a social scientist from Israel”. At the same time, like Lisa’s passionate fandoms (jazz, Malibu Stacy, Bleeding Gums), they are deeply into niche media and games, crying over NieR: Replicant in “I kind of cried with many things” and getting wildly excited about editing long video essays like their NieR: Automata project. Their mix of idealism, emotional openness, and very online media-nerd humor fits Lisa far better than the more reckless or apathetic vibes of Homer, Bart, or other main characters.
Your MBTI personality Type
INFP
They lean introverted: they mention never having posted a photo of themselves online and even considering locking their account just to share one, showing a strong privacy instinct and discomfort with exposure (“(Obs: never posted a photo of mine on the Internet in my life; seriously. I don't even have the habit of taking photos of myself)”). Their interests and jokes are also mostly about solitary media consumption (games, anime, visual novels, long video essays) rather than constant in‑person socializing, and when social moments show up, they describe them almost like special events (“If you told me yesterday I’d talk to Lady from Devil May Cry on a WhatsApp video call… I wouldn’t believe it”). They are clearly intuitive: they often generalize from specific experiences into broader reflections about art, theory, or culture, like extrapolating a Milan Kundera quote into a question about different kinds of art (“Extrapolating this to Art in general, do you think you'd have examples?”), and they jokingly mix philosophy/theory with fandom in a very abstract way (“Sonic after reading Peter Berger and Thomas Luckmann”, “Vigiando e punindo, in Foucault mode”). Their communication style is strongly feeling‑oriented: they make moral judgments based on values and empathy, like condemning a problematic visual novel in emotional and ethical terms rather than detached analysis (“I think it’s disgusting who likes this visual novel. Everyone is a pedophile… If you like this you deserve to get screwed”), and they are saddened when people are judged on looks instead of ideas (“I get sad seeing the girl who looks like Makoto Niijima criticized not for her weird politics, but for being or not being pretty… It’s really depressing :P”). The perceiving side shows up in how they talk about projects and life: they work in big creative bursts with flexible timeframes, joking about word counts and edits rather than rigid schedules (“7385 words. The text with the most words so far… At least I have to like the final result”, “I think the No More Heroes video will be 51 minutes… probably out tomorrow??”), and they often tweet about spontaneous impulses or mood‑based decisions (“Now I feel like drawing, but I’m literally in an empty apartment with just a mattress… no idea why I tweeted this too”). Across the timeline, they consistently express strong personal ideals, emotional reactions to fiction, and a playful, self‑aware creativity (cosplay, long analysis videos, character lists), which aligns most strongly with INFP: an introverted, values‑driven, imaginative type that channels feelings into media, stories, and introspective commentary.
Some pickup lines for you
- So, if women are already the majority of Brazilian gamers, as you tweeted with that PGB 2025 data… how about we increase the percentage of ‘girls who prefer playing co‑op on PC/console with someone who won’t mansplain TWEWY’s OST to them’?
- You finished NieR: Automata, did endings A–D of Replicant, and made a whole New Year’s video about it… if I offer you a route where we skip the tragic endings and go straight to Ending E: ‘Eternally on a date’, would that pass your quality control or do I need more side–quests?
- You once said you got partially blind for a bit after poking your eye and still kept tweeting, and also that your edits are what make your videos watchable… honestly, if you put even half that stubborn dedication into a relationship, I’d gladly let you edit yourself into my life.
- You revoked your friend’s VN pass over Umineko spoilers, ranted about that cursed visual novel you hate, and still want to make queer analysis of Saya no Uta… I promise I’ll respect all spoiler embargoes; the only mystery I want to solve is how to go from ‘mutuals’ to ‘canon couple’.
- You’re out here talking about SMT V being ‘pedreirocore’, Chainsaw Man making you almost cry three times, and Killer7 giving you budget trauma—meanwhile I’m just trying to be the humble NPC in your Nichijou day who accidentally triggers the hidden route where we go for coffee and talk about weird games for three hours.
Your 5 Emojis
Your new Twitter bio
Video essays, NieR feelings & questionable Steam choices. Once left Replicant on and came back to a surprise ASMR cutscene. PT-BR/EN | she/her– @NotAWatermelon2
Your signature cocktail
Glória à Melancia (Automata Edition)
Watermelon-infused gin is the fruity, slightly chaotic core, a nod to their handle and the way they bounce from NieR analysis to shitposting, like when they celebrated their NieR video release with such earnestness in “O Vídeo de NieR: Automata foi oficialmente lançado. Assistam se quiserem, é claro.”. Matcha liqueur brings a bittersweet, nerdy depth, mirroring their love for games and VNs like NieR, Umineko, and Saya no Uta, highlighted in “Seria muito interessante se alguém já tivesse feito um vídeo sobre Saya no Uta, propondo um debate além da perspectiva moralista e tentando analisar as coisas por uma perspectiva queer!!”. Sparkling sake adds effervescence and a slightly offbeat elegance, reflecting their excitement about cosplay and long-form projects in “Estou MUITO feliz!! Tenho 69 (sim, haha) dias pra editar tudo e retocar as coisas.”. The paçoca syrup folds in sweetness and a specifically Brazilian comfort, matching their playful food takes like “Ok. Sabor favorito de cada uma (Remake)… F Paçocaaaaa!! :D”. Finally, a dash of sea salt grounds the drink with a tiny sting, echoing their sharp, critical side when calling out gross media and fandom behavior in “Acho muito nojento quem gosta dessa visual novel. É o suco do problemático.”, balancing sweetness with bite.
Your Hogwarts House
Ravenclaw
This user repeatedly shows a strong love of learning, analysis, and curiosity, all classic Ravenclaw traits. They openly enjoy engaging with theory and philosophy, as when they reference political psychology and joke about it in a knowing way: “E se eu disser que estou lendo um texto pra faculdade que literalmente é 'Sou um cientista social de Israel e essa é a minha tese de psicologia política (Shalom H. Schwartz)'...” and “Sonic depois de ler Peter Berger e Thomas Luckmann”. Their media consumption is deeply analytical: they talk about wanting to analyze Saya no Uta “beyond a moralist perspective” and “from a queer perspective” in “Seria muito interessante se alguém já tivesse feito um vídeo sobre Saya no Uta, propondo um debate além da perspectiva moralista e tentando analisar as coisas por uma perspectiva queer!!”, and they produce long-form critical videos about games such as NieR: Automata and No More Heroes with thousands of words of script and careful editing (“7385 palavras. O texto com mais palavras, até agora.”, “Quando estiver realmente acabado, haverá sinais...”, “Tava terminando de editar o vídeo de No More Heroes 1 e 2...”). There is also a playful intellectualism and wit in how they connect pop culture and theory, like joking about Rance with “Hegel already said so” and Foucault in “Eu acho que o protagonista de Rance tinha que se descobrir como uma transfem lésbica... Hegel já dizia. Enfim!! Vigiando e punindo, no pique Foucault.”. While they clearly work hard and care about friends (hinting at Hufflepuff qualities), the dominant throughline is an almost nerdy delight in complex stories, theory, and creative analysis, which aligns most strongly with Ravenclaw.
Your movie
Your song
Weight of the World - J’Nique Nicole (NieR: Automata)
A song from NieR: Automata fits them almost by default, and Weight of the World is the one that best matches their mix of sincerity, melancholy, and resilience. They clearly have a deep emotional bond with the series, thanking Yoko Taro directly in “My most sincere thank you to Mr. @yokotaro, for making such two amazing games! :)” and putting huge effort into a long Automata video released on New Year’s in “O Vídeo de NieR: Automata foi oficialmente lançado. Assistam se quiserem…”. The song’s themes of fighting on despite sadness and ambivalence mirror how they talk about crying over media yet still finding joy, like in “Aquele momento em que você decide voltar a ler Umineko… você começa a chorar um bom bocado…”. It also fits their reflective, queer-analytical side, hinted at in posts like “Seria muito interessante se alguém já tivesse feito um vídeo sobre Saya no Uta… por uma perspectiva queer!!”. Overall, it’s a song that is literally from a series they love and thematically aligned with the way they process games, art, and their own feelings in public.
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