
Strengths and Weaknesses

Your Simpsons character
The profile fits Milhouse Van Houten best: an anxious, often unlucky teenager who overthinks everything, feels left behind, and is very online. Like Milhouse, this user is self-deprecating and pessimistic about his own worth, saying things like “Vou fazer 19 anos mas acredito e simplesmente não paro de pensar de como eu joguei minha vida e juventude completamente no lixo e permaneço um completo inútil e um completo marmanjo peso morto” and “Irei morrer sozinho”. He frequently laments his loneliness and difficulty with relationships, as in “Como arranjar uma namoradinha mesmo mal saindo de casa e tendo 18 19 anos” and “Sobre mim: • nome Idiota Inutil • idade 18 • sexo nenhum até agora”, which mirrors Milhouse’s perpetual romantic frustration. At the same time, he’s nerdy and deeply into niche interests like history, geopolitics, and anime (Evangelion, Berserk), similar to Milhouse’s nerd-core tastes and tendency to fixate on specific obsessions, shown in detailed threads like “Acho que o golpe de estado mais bizarro e intankavel da história é o Golpe da cocaina de 1980”. His mixture of dark humor about the world and himself—“Mais um dia preso Nesta desgraça que chamo de minha vida”—fits Milhouse’s blend of sadness, awkwardness, and unintentionally comic despair. Overall, he’s too self-aware and depressive to be Bart, too chaotic to be Lisa, and not detached enough to be Comic Book Guy; Milhouse is the closest emotional and personality match.

Your MBTI personality Type
They read as strongly introverted: they rarely talk about going out or socializing, and often emphasize loneliness and isolation, e.g. “Solidão”, “Irei morrer sozinho”, and complaints about losing friends like “Eu perdi quase todo o resto dos poucos amigos que eu tinha”. Their timeline is heavily skewed toward historical, geopolitical, and counterfactual thinking, showing intuition (N) over concrete sensing: long chains about imperialism, alternative histories, and structural critiques, such as their reflection on sovereignty in “a 'soberania nacional' significa mais algo como um passe 100% livre…”, and musings on alternative timelines for Brazil and Latin America in “Brasil e Portugal em algum universo onde Napoleão não invadiu a península ibérica…”. They consistently lean on thinking (T): arguments are framed in terms of logic, historical precedent, and systemic analysis, often blunt or harsh toward groups and ideas (e.g. “Aliás, com um povo tosco, idiota/burro, manipulável… o Brasil nunca vai sair do lugar” and the cold assessment of soldiers’ deaths in “se n foram voluntários… morreram por nada mesmo”), rather than empathy or harmony. Finally, their tone is highly judging (J): they take firm stances, make value-laden conclusions about countries and political systems, and speak in decisive, structured evaluations of history and current events, like the extended critique of Latin American governance in “Os governos recentes da AL… são os maiores saqueadores, piratas e ladrões de riquezas…” and the organized, multi-point reflections on U.S. intervention and sovereignty in this thread. Overall, the combination of introspection, abstract/geopolitical focus, analytical bluntness, and judgmental, systems-oriented commentary fits INTJ better than other types.

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Your new Twitter bio
19, history nerd & Corinthians fan. Loves rain, Victorian navy what-ifs, Evangelion, Berserk & long threads on Latin America. Still figuring life out.– @Okarrier

Your signature cocktail
Neon Berserker Cloudburst is a strong, restless mix for someone who calls life 'this disgrace that I call my life' yet still tweets cheerful “Bom dia Vietnã ☕️” and celebrates 'Corinthians SUPERCAMPEÃO!!! 🦅🏴' with wild passion “golaço FODA esse no final Enfim, Corinthians SUPERCAMPEÃO!!! 🦅🏴”. The cachaça shot is pure Brazil and Corinthians terrace energy, a nod to their intense nationalism, football fandom, and political rants like “A América Latina nasceu pra ser perpetuamente Colônia de impérios...”. The espresso double shot channels their insomnia and exhaustion, echoing “Eu não consigo dormir bem e igual gente há 6 anos...” and their constant late-night overthinking about geopolitics and history. Black cherry syrup adds a dark sweetness for their nostalgic, depressive side that misses school days and past years, like “Queria viver o Ensino Médio denovo, tempos que não voltam mais” and “Nunca mais terei iguais/as mesmas boas experiencias...”. The sharp lime juice represents their acidic humor and sometimes brutal takes on politics and society, from laughing at scandals “simplesmente bizarro” to harsh judgments like “com um povo tosco, idiota/burro... o Brasil nunca vai sair do lugar”. Finally, the sea-salt & smoked paprika rim is the war-gamer and geopolitics nerd: salty like their cynicism about Latin America and smoked like the endless coups, invasions, and empires they obsess over in threads such as “Já lembro de já ter visto em um lugar que, quando os 🇬🇧 pressionavam o Império do Brasil a abolir a escravidão...” and “Acho que o golpe de estado mais bizarro e intankavel da história é o Golpe da cocaina de 1980”.

Your Hogwarts House
Their timeline is saturated with historical analysis and geopolitical curiosity rather than purely emotional or social posting, which is very Ravenclaw-coded. They repeatedly unpack complex historical events and concepts in detail, like when they break down the Bolivian coup as “o Golpe da cocaina de 1980” and describe financing by traffickers and Klaus Barbie’s role in a multi-part thread: “Acho que o golpe de estado mais bizarro e intankavel da história é o Golpe da cocaina de 1980…”. They also show a pattern of meta-thinking about sovereignty, imperialism, and interventionism, for example their reflection that ‘soberania nacional’ often becomes a blank check for politicians: “a impressão que tenho de ano passado pra cá, é que a 'soberania nacional' significa mais algo como um passe 100% livre…” and the follow-up on British pressure to abolish slavery in Brazil: “os políticos e defensores escravagistas praguejavam contra os 'imperialistas britânicos'…”. Even their entertainment tastes skew intellectual and thematic (e.g., Neon Genesis Evangelion and Berserk in their bio, and Full Metal Jacket as favorite film in “filme Nascido para matar”), all works heavy in philosophy, psychology, or war theory. While they show some Slytherin-ish harshness toward politics and society, the dominant throughline is a love of learning, worldbuilding (e.g., alternate-history threads and strategy games like Victoria 2: “Basicamente as Américas na minha partida mais recente com o Brasil de Victoria 2”), and analytical commentary—classic Ravenclaw traits.

Your movie

Your song
A song that best fits them is Creep by Radiohead, because it captures intense self‑criticism, alienation, and a sense of being out of place. They repeatedly describe themselves in harsh terms, like in “Sobre mim: • nome Idiota Inutil” and “Vou fazer 19 anos mas acredito e simplesmente não paro de pensar de como eu joguei minha vida e juventude completamente no lixo e permaneço um completo inútil e um completo marmanjo peso morto”, which strongly echoes the song’s "I’m a creep, I’m a weirdo" refrain. Their loneliness and conviction that they’ll be alone forever in “Irei morrer sozinho” align with the song’s themes of longing and feeling fundamentally disconnected from others. The nostalgia and sadness about better days in “Nunca mais terei iguais/as mesmas boas experiencias e os dias que tive em 2023 e inicio de 2025... é foda.” also match the song’s tone of regret. Even their darker, almost nihilistic musings like “We need extinction urgently” fit with the bleak emotional landscape that Creep inhabits.

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Okarrier
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