Strengths and Weaknesses
Strengths:
- Supportive: Frequently boosts and thanks others, e.g. praising fellow artists and events like “LOVED @KirstyWebeck at the @comedyrepublic_ last night! If you like good things, catch this show…” and thanking collaborators and shows such as “Thank you! Thanks also to @RocKwiz for having me along. Absolute joy ♥️”.
- Community-minded: Shows care for broader communities and public issues, e.g. encouraging boosters in “Covid booster lines are short at Royal Exhibition Building… Open for walk ins 8am 8pm.” and reflecting on artists’ livelihoods in “So many great records coming out… The system wasn't great before the pandemic. We're all consumers, worth keeping in mind”.
- Playful: Uses humor and lightness, like “Feeling flat, might listen to The National”, the jetski story in “Went for a beach swim and watched a jetski get told off by a whole beach. It was the best. I hate jetskis. The end.”, and joking about a lost outfit in “Suitcase didn’t make it to Brisbane… the options are hilarious.”.
- Reflective: Shares thoughtful observations and quotes, such as the creative-process quote in “‘There is a vitality, a life force… It is not your business to determine how good it is...’” and personal reflections like “I really regret touring Paris while on the keto diet back in 2019”.
- Engaged-artist: Actively promotes shows and interacts with fans, soliciting requests in “Any cover/original requests for next week's shows? Comment below with any requests…” and updating followers about gigs and tickets in multiple posts like “Only 20 tickets remaining for this Wednesdays show at @thegasometer!”.
Weaknesses:
- Infrequent-updates: Recent activity becomes sparse, with a long gap after “Try be good: Self Care (sound on)”, reducing ongoing engagement with followers.
- Promotion-heavy: Timeline is dominated by show announcements and ticket links, e.g. “Absolutely delighted to announce some solo shows this January in Melb & Sydney. Tickets are extremely limited – links in bio” and repeated gasometer promos like “The 9pm @thegasometer show has SOLD OUT! Limited tickets available…”, which can feel more broadcast than conversational.
- Limited-personal-depth: Personal life is mostly hinted at through jokes or brief anecdotes (e.g. cat mystery in “Ok, who shaved my cat? #mystery”) rather than deeper stories, which may limit stronger parasocial connection for some fans.
- Scattered-topics: Jumps between many unrelated themes—touring, random film quizzes like “Guess this movie: the band spends most of the gig backstage…”, sports, memes—without a clear narrative thread, which can make the overall brand voice feel less focused.
- Low-direct-dialogue: While there are thanks and quote-tweet responses, there are relatively few direct back-and-forth conversations with individual followers; most interaction is one-to-many announcements such as “Australian tour kicks off THIS week! Friday Anglesea, Saturday The Corner Hôtel, Melbourne. Info:”.
Your Simpsons character
Lisa Simpson
Olympia comes across as thoughtful, arts-focused, and socially aware, which aligns closely with Lisa Simpson. She’s intellectually curious and reflective, sharing quotes from Martha Graham and literature like Italo Calvino and Olivia Laing, and posts things like “How to make electronic music (1975)”, mirroring Lisa’s bookish, exploratory side. She shows civic-minded care and practicality by informing people about booster availability with “Covid booster lines are short at Royal Exhibition Building… Open for walk ins 8am 8pm.”, the kind of community-helpful detail Lisa would share. Her deep engagement with the arts, from celebrating sonic artworks like “Such a beautiful, moving piece – congratulations to everyone involved” to championing other performers, is very Lisa-esque in its earnest cultural enthusiasm. And beneath the humor and occasional cynicism about the music industry, as in “No idea how these artists will recoup the costs of creating records, let alone 'earn a living'. The system wasn't great before the pandemic. We're all consumers, worth keeping in mind”, there’s a strong ethical concern about fairness and sustainability that fits Lisa’s moral compass.
Your MBTI personality Type
ENFP
They lean Extraverted: they often celebrate live shows, collaborations, and audiences, showing clear energy from being with people and onstage, e.g. “Incredible to be back playing gigs thank you to the audience who were part of these shows, and all who helped make these shows happen.” and socially playful posts like “Scrolling through my record collection thinking now, what would my neighbours like to listen to this morning?”. They appear Intuitive rather than Sensing, frequently referencing art, ideas, and meaning rather than just bare facts, such as the Martha Graham quote about unique creative expression “There is a vitality, a life force..that is translated through you into action… if you block it, it will never exist.” and thoughtful lines like “Thoughts to live by”. Their tone is strongly Feeling: warm, relational, and values‑driven, thanking others constantly (“Speechless. Thank you Melbourne, that was incredible ❤️”), expressing love for collaborators and places (“Love you Germany. Love you @FluxFM ♥️”), and worrying about artists’ livelihoods rather than just market mechanics (“No idea how these artists will recoup the costs… We’re all consumers, worth keeping in mind”). Finally, they seem more Perceiving than Judging: there’s a spontaneous, improvisational streak in posts like “Forgetting my fear of improv, I’ll be joining… SUPERGROUP”, playful self‑deprecation about last‑minute outfit hunts when luggage is lost (“So I’m looking for a last minute gig outfit in the valley and the options are hilarious.”), and a generally flexible, go‑with‑the‑flow attitude even amid touring chaos. Taken together—outward energy, creative/abstract focus, empathetic tone, and flexible lifestyle—ENFP best fits their online persona.
Some pickup lines for you
- You once asked for cover requests and threatened to learn ‘Bleed’ by Meshuggah if we showed up. If I request ‘Self Care’ live, does that mean you’ll show up and practice being good…with me?
- You regretted doing Paris on keto in 2019—how about we redo it properly: carbs, croissants, and you explaining 2001: A Space Odyssey to me while we get lost looking for record stores.
- You said live performance is like spinning plates with a 24‑piece dinner set of border closures; if you ever need another pair of hands to keep the magic in the air, I’m very good at carefully handling fragile things…like musicians’ hearts.
- You hate jetskis, love Skywhales, Italo Calvino, Jenny Holzer, and AFLW replays—that’s basically my dream Venn diagram. Can we add ‘drink at the Corner Hotel together’ as the tiny overlapping middle?
- Your neighbours blasted the ‘I Am Sam’ soundtrack in revenge for your @isolaid set—if making you play more gigs is the punishment for hanging out with you, I’m ready to be their accomplice.
Your 5 Emojis
Your new Twitter bio
Olympia – Melbourne art-pop maker. Once toured Paris on keto, now making up for it in guitars, records and late-night shows. Managed by neighbours.– @olympiamusic
Your signature cocktail
The Skywhale Soundcheck Spritz
This bright, slightly bitter spritz riffs on Olympia’s mix of hard work and playfulness, like hustling shows while joking about neighbours’ taste in music in “Scrolling through my record collection thinking now, what would my neighbours like to listen to this morning?”. The Tasmanian gin with lemon myrtle nods to her Australian roots and refined, artful side seen in posts like “On the road 📷 @dsmiddleton”. Dry vermouth brings a classic backbone, echoing the craft and discipline behind big shows such as “Dream gig thank you Melbourne!”. The grapefruit and rosemary shrub is tart, arty and a bit strange in the best way, channeling whimsical moments like “So excited for all the uninitiated Melbournians about to see the Skywhales for the first time @risingmelbourne”. Sparkling mineral water keeps it light and effervescent for those enduring tour days and festival dates in tweets like “On the road 📷 @dsmiddleton”, while a dash of sea salt salutes her beachside grumbles and dry humour in “Went for a beach swim and watched a jetski get told off by a whole beach. It was the best. I hate jetskis. The end.”.
Your Hogwarts House
Ravenclaw
Olympia’s tweets show a strong mix of curiosity, intellect, and artistic reflection that aligns most closely with Ravenclaw. They frequently engage with ideas and art in a thoughtful way, from sharing Martha Graham’s long creative quote about unique expression in “There is a vitality, a life force..that is translated through you into action…” to enthusiastically highlighting large-scale sonic artworks like “Was fortunate to have caught part of @the_rivers_sing…Such a beautiful, moving piece”. Their love of books and big-thinking media further reinforces this: they post about Italo Calvino in “Italo Calvino”, and about finishing The Trip to Echo Spring in “If it's not too late, don't lend me books. Loved 'The trip to Echo Spring'…”. They also display a wry, self-aware wit in posts like “Scrolling through my record collection thinking now, what would my neighbours like to listen to this morning?” and their nerdy delight in things like “How to make electronic music (1975)”. While there are hints of Hufflepuff-style kindness and community support in tweets such as “Incredible to be back playing gigs thank you to the audience who were part of these shows…”, the dominant pattern is a cerebral, art-and-ideas-driven personality—classic Ravenclaw.
Your movie
Your song
Road to Nowhere - Talking Heads
A well-suited song for Olympia is Road to Nowhere by Talking Heads, with its mix of existential reflection, wry humour, and communal energy. The track’s playful but questioning tone fits her habit of balancing seriousness with levity, like when she jokes about touring Paris on keto in “I really regret touring Paris while on the keto diet back in 2019” or deadpans “Feeling flat, might listen to The National”. Its themes of movement and uncertainty echo a life built around performing and travel, seen in posts like “On the road 📷 @dsmiddleton” and “Finally watched 2001 Space Odyssey. UK/EU tour diary here…”. The song’s communal, celebratory feel also fits her joy in live performance and audience connection, reflected in “Speechless. Thank you Melbourne, that was incredible ❤️” and “Incredible to be back playing gigs thank you to the audience who were part of these shows”. Overall, Road to Nowhere captures her blend of thoughtful artistry, humour, and the shared, sometimes chaotic journey of life as a touring musician.
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