
Strengths and Weaknesses

Your Simpsons character
This user is most similar to Lisa Simpson: smart, analytical, morally opinionated, and often frustrated with how irrational and unfair the world is. Like Lisa, they are highly technical and creative, deeply into learning and building things (indie game dev, Blender, Godot), as seen in posts like “Baked destroy animation for mobile game” and “Simple snow triplanar shader (no vertex displasement) #godot #godotengine #godot4 #indiegamedev”. They regularly critique corporate and economic systems with a weary clarity, e.g. “Wow. The new paradigm of the corporate world: hire people, make a product, fire people to ‘cut losses’...” and “Google removed all timeline history from maps... Fuck Google. Fuck corporations.”. Their political and ethical reflections — on war, nationalism, woke/anti-woke, and discrimination — mirror Lisa’s tendency to question both sides and focus on principles over tribes, as in “I just want to remind you that it wasn't women who gave money to promote the 'woke' agenda... Women aren't the problem of the gaming industry.” and “Спадзяюся, надыдзе той дзень, калі людзей будуць судзіць не па нацыянальнасці, а па іх меркаванні...”. There is also Lisa-like burnout and sensitivity behind the sarcasm, such as “It's funny when at work I get feedback that I'm stress resistant. And at this time I’m thinking about how I’ll soon ‘go out the window’...”, suggesting an idealist who feels out of place in a cynical environment. Overall, the mix of intellect, ethical concern, multi-language culture, and frustrated idealism fits Lisa far better than the more chaotic or apathetic personalities of Homer or Bart.

Your MBTI personality Type
They read as introverted (I): most tweets revolve around solitary work (indie gamedev, Blender, Godot) and personal reflections rather than social outings, like when they describe spending weekends on 3D work in “Weekend finally! #indiedev #blender #b3d” and deep-diving into shaders or tools instead of people-focused activities. Their content is strongly intuitive (N): they repeatedly zoom out to systems and trends—critiquing corporate layoff patterns in “The new paradigm of the corporate world: hire people, make a product, fire people to ‘cut losses’...” and speculating about an “AI bubble” versus an “influencer bubble” in “Не знаю, насчёт ИИ пузыря, но что нас точно накроет ... пузырь грёбанных инфлюенсеров.”. Their tone is clearly thinking (T)-oriented: they argue via logic and causality rather than harmony, e.g. dissecting ideological fanaticism in “Идеологический фанатизм — это крайняя форма убеждённости в собственной правоте...” and mocking irrational hype about AI replacing programmers in “Yeah... AI will definitely replace programmers...”. They also show a judging (J) preference: they consistently value structure, competence and clear standards—criticizing disorganized hiring and PM practices in “Хороший ПМ — на вес золота. Но это не наш случай...” and condemning sloppy corporate behavior like Google wiping their Maps timeline in “Fuck Google. Fuck corporations.”. Across tweets, they combine long-term planning (building their own games, learning tools like Godot/Blender step by step) with sharp, often sarcastic critique of systems and ideologies, which is highly characteristic of an INTJ profile.

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Software engineer & indie gamedev in Łódź. Builds Godot worlds, sculpts Blender hair, yells at corp layoffs, then optimizes for Steam Deck anyway.– @pascal91_x

Your signature cocktail
The Cyberpanelka Negroni.dev is strong and slightly bitter, like a late‑night indie dev session in Łódź, mixing Polish roots with caffeine-fueled code: think voxel fog and shaders humming in the background, as in “Fire + Snow #godot #godotengine #gamedevelopment #IndieGameDev”. The espresso‑infused vodka captures their stressed but persistent energy, echoing “It’s funny when at work I get feedback that I'm stress resistant. And at this time I’m thinking about how I’ll soon ‘go out the window’...”. The bitter herbal liqueur with chili represents their sharp, sarcastic takes on corporate BS and AI hype, like “Yeah... AI will definitely replace programmers...” and “Google removed all timeline history from maps… Fuck Google. Fuck corporations. 😑”. Smoky black tea and citrus syrup nod to Slavic melancholy and multilingual identity, weaving through posts like “Па першае: Чей Крым? … я выучил язык и использую его как средство в достижении своих целей.”. A dash of absinthe adds a slightly unhinged, experimental game-dev edge, the same vibe as their Godot experiments in “Mom, can we have Silent hill 2? No. We have Silent hill 2 at home.”. Finally, the cold brew foam on top is the calm-looking surface over constant internal debugging, matching the weekend grind in “Weekend finally! #indiedev #blender #b3d”.

Your Hogwarts House
Their profile shows a strong mix of technical curiosity, analytical thinking, and creative experimentation, which are core Ravenclaw traits. They constantly tinker, test, and reflect on tools and workflows: for example, they ask a very specific pipeline question about Godot imports in “Can someone explain to me how to import models into Godot without wasting extra disk space on textures?” and analyze performance tradeoffs in shaders like in “Grass shader: Vertex offset is limited to 10 meters… No FPS increase detected. Looks like multimesh isn't the best thing for grass...”. Their timeline is full of learning-by-doing posts in 3D and gamedev, such as “I finally got around to retopology. And it's just awesome! [Blender + Bsurfaces]”, “I'm currently making a drone flight simulator. Mainly to learn how to fly well and not get stupefied during flights.”, and many hair/animation experiments like “Still working on the hair.”. Even their political and social commentary is framed in a critical, dissecting way rather than purely emotional or opportunistic, such as in the nuanced take on ideological fanaticism in “Идеологический фанатизм — это крайняя форма убеждённости...” and on AI/‘vibe coding’ in “Vibe coding? Let's move on. How about vibe doctoring? I'm waiting for idiots without medical education who prescribe you treatment based on AI.”. They do show some Slytherin-like cynicism and self‑preservation (e.g. job-market critiques in “Wow. The new paradigm of the corporate world: hire people, make a product, fire people to 'cut losses'...”), but the dominant pattern is a relentless desire to understand, optimize, and create, which fits Ravenclaw best.

Your movie

Your song
A fitting song for them is Paranoid Android by Radiohead – a mix of tech anxiety, dark humor, and social criticism. They’re a software engineer and indie dev constantly wrestling with tools and engines, from praising Godot (“Why didn't anyone tell me that the godot engine has vertex lighting out of the box?”) to hating going back to Unity (“Had to go back to Unity from Godot for a while. God, this is just disgusting.”). The song’s themes of alienation and frustration with a dehumanized, corporate-tech world mirror their rants about layoffs and corporate behavior (“Wow. The new paradigm of the corporate world: hire people, make a product, fire people to 'cut losses'”) and data exploitation (“Fuck Google. Fuck corporations.”). Its shifting moods—from cynical, almost sarcastic calm to explosive anger—match their timeline swinging between chill dev posts (“Weekend finally! #indiedev #blender #b3d”) and sharp, bitter commentary about politics, war, and ideology (“Идеологический фанатизм — это крайняя форма убеждённости в собственной правоте...”). Overall, the song captures a tech-savvy, politically aware person who feels both deeply engaged with and deeply disillusioned by the modern world.

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