Strengths and Weaknesses
Strengths:
- Self-aware: Openly reflects on energy, aging, and mood in tweets like “47歳は、こんな歳まで生き延びてしまった、という感覚だな” and “一年で一番苦手な時期”.
- Curious reader: Constantly explores and shares books across genres, e.g. “渡邊十絲子『今を生きるための現代詩』、面白い” and “『遥かなるマナーバトル 』、…めちゃめちゃ面白いですね”.
- Community-oriented: Actively promotes events and other creators, such as the Kakuyomu contest “なんでもいいから応募してください！” and book events like “今日はいいイベントでした”.
- Humorous observer: Uses dry humor about everyday life and media, for example “インターネットは蟻地獄” and the kebab price thread starting with “ニュースにするほどのことじゃないのに”.
- Supportive mentor: Encourages others’ writing and creativity, such as inviting essay submissions “面白いエッセイが書けたら送ってください…！” and offering the “pha賞” tag in this contest tweet.
Weaknesses:
- Seasonal negativity: Associates winter and year-end with strong pessimism, as in “冬はやっぱりだめだな…” and “年末はよくないことを考えがち”.
- Digital overload: Feels trapped or overwhelmed by the internet, shown by “インターネットは蟻地獄” and the description of X as “みんなが怒っている異常空間、X”.
- Health neglect: Mentions health concerns yet frames changes loosely, like “健康診断の結果を聞いてから今のところからあげが毒に見えて避けているけど、この視点がいつまで続くだろうか”.
- Productivity guilt: Shows tension between desire to rest and pressure to be productive, for example “冬に何か生産的なことをしようと思うのが間違いの元” and “やることが多過ぎてウオーになっている”.
Your Simpsons character
Lisa Simpson
They most closely resemble Lisa Simpson: introspective, bookish, and quietly idealistic. Like Lisa, they live very much in their head and analyze their own life and feelings, for example reflecting that “47歳は、こんな歳まで生き延びてしまった、という感覚だな” and describing winter as “一年で一番苦手な時期”. Their timeline is full of books, poetry, and niche culture—reading modern poetry and essays such as “渡邊十絲子『今を生きるための現代詩』、面白い” and saying of a poetry/criticism book, “詩って苦手、という気持ちを解きほぐしてくれる。カッコいい詩をたくさん知れました。”—mirroring Lisa’s intellectual curiosity. There’s a gentle moral/emotional seriousness, visible when they amplify kind or moving parts of the internet as “インターネットの一番いい部分” and worry about work that has “learning” value, as in “自分にとって学びがあるかどうか、でやるかどうかを大体決めている気がします。”. At the same time, like Lisa’s melancholy and sense of being slightly out of step with the world, they often mention fatigue and low energy—“気力の欠如”, “全身のだるさ”—and turn that into artful observation rather than slapstick chaos, which makes Lisa a better match than Homer, Bart, or the more purely responsible Marge.
Your MBTI personality Type
INFP
They seem clearly introverted: many tweets describe low energy and preferring reflective, solitary activities over constant socializing, such as “冬に何か生産的なことをしようと思うのが間違いの元 頭を低くして耐えるしかない” and “生活を取り戻そう”, which frame life in terms of inner state rather than social excitement. Their focus is strongly intuitive; they drift into dreams, metaphors, and big-picture reflections more than concrete how‑to content, for example “インターネットは蟻地獄” and the many surreal dream tweets like “イタチの子どもがこちらを見ている…という夢を見た。”. The Feeling preference shows in how often they tune into emotion, vulnerability, and meaning rather than argument—e.g., “47歳は、こんな歳まで生き延びてしまった、という感覚だな” and “これ読むと泣いてしまう インターネットの一番いい部分” emphasize mood, hurt, and tenderness. Their Perceiving side appears in the anti-rigid, drifting tone: they repeatedly mention fatigue and difficulty with structure—“やることが多過ぎてウオーになっている”, “年末はよくないことを考えがち”—and talk about following curiosity in reading and work rather than strict plans, as in “自分にとって学びがあるかどうか、でやるかどうかを大体決めている気がします。”. Taken together—the introspective, emotionally nuanced, metaphorical, and somewhat drifty way of moving through work, books, and life—this profile best matches INFP.
Some pickup lines for you
- If we ever played Sultan’s Game together, I’d ignore every true ending and just keep choosing the route where we stay up all night talking about Akagi’s funeral arc and reading ‘天’ on your Kindle until the New Year’s countdown at 枡野書店.
- You say winter is ‘just something to endure’ and that your energy explodes into pure fatigue, but if you ever need a co-survivor, I make a great human foot-warmer and I promise I won’t be as disappointing as that flattened Lawson dessert.
- You’ve been talking about Akagi’s funeral for over twenty years, rereading ‘天’ as if it’s ‘practically free’ because you’ll revisit it until you die—if I become one of your favorite people, do I also get lifetime reread privileges?
- You collect dreams about Island Kōsaku crossovers, poisoned hot dogs in ‘Meshibana Keiji Tachibana’, and floating in the sky—how about we add one more: the dream where we miss M-1 because we’re too busy making a tiny zine called『日記ニキと日記ネキ』 together at a cramped Tokyo café.
- You wrote that 47 feels like ‘somehow I’ve survived this long’—from someone who buys the same beloved books twice and still finds new meaning, I think you underestimate how much your ‘party’s over, middle age begins’ era looks like the real main story. I’d very much like a supporting role in that sequel.
Your 5 Emojis
Your new Twitter bio
Writer & bookseller in Tokyo. I judge contests, hoard manga, dream about weird funerals, and keep trying to live slowly in an internet that runs too fast.– @pha
Your signature cocktail
精神的自給自足ネグローニ (The Self-Sufficient Winter Negroni)
This cocktail is a bittersweet, low-energy-but-deep-impact winter Negroni, built for someone who says “冬はやっぱりだめだな…” and admits to “気力の欠如”, so it leans comforting rather than aggressively strong. Umeshu brings gentle sweetness and nostalgia, like his long-running diaries and the feeling of “僕の2025年はまだこれからだ。”. Campari (bitter aperitivo) stands in for the internet’s and life’s aftertaste—he knows “インターネットは蟻地獄” and that “みんなが怒っている異常空間、X” (link) is where he still hangs out. A measure of smoky Japanese whisky is his middle‑aged, reflective core from 『パーティーが終わって、中年が始まる』, and for the way he keeps rereading old manga like “福本伸行『天』がセールで全18巻で2079円になってたので買った。”. Cold-brew coffee channels his chronic exhaustion—“朝起きたときがいつも一番疲れてるってどういうことなんだろうね”—while still giving a soft, bookshop-appropriate buzz for店番 at 蟹ブックス. Finished with a twist of yuzu peel, it nods to his love of small, sharp pleasures (短歌、ZINE、ケバブサンドが390円になった驚き in “このインフレ時代にケバブ界に何が起こっているんだろう”)—a quiet, aromatic brightness drifting over the winter gloom.
Your Hogwarts House
Ravenclaw
The tweets show a sustained love of learning, reflection, and aesthetics that fits Ravenclaw best. They constantly seek out books and ideas and comment on them analytically, e.g., praising how a memoir is written and structured in “たろちんさんの『毎日酒を飲みながらゲーム実況してたら膵臓が爆発して何度も死にかけた話』、すごくよかった。…文章が上手い。ネット的で軽くて面白に溢れつつ、本で読んでも違和感ない文体で、いい作りの本だ。” and describing 今を生きるための現代詩 as a book that “解きほぐしてくれる”苦手意識 while letting them learn “カッコいい詩” in “渡邊十絲子『今を生きるための現代詩』、面白い”. They also think meta‑cognitively about the writing process itself, distinguishing between idea generation and editing in “文章を書くときに、いきなり普通に読める文章を書こうとするんじゃなくて、最初は漫画でいう「ネーム」みたいな段階の雑な文章を書く…アイデアを出すのと、読みやすく整えるのでは、脳の使う部分がぜんぜん違うので”, which is a very Ravenclaw way to dissect cognition. Their excitement about judging essays for the Kakuyomu contest and asking people to send interesting work in “カクヨムコンテストの審査員をやっています。面白いエッセイが書けたら送ってください…！” further shows they enjoy engaging with others’ ideas and craft. Even leisure takes an intellectual and reflective bent: they obsessively reread complex manga like 天 as a kind of long‑term study (“人生で何度読んだか分からない、福本伸行『天』がセールで…漕ぎ出そう…”) and analyze narrative pacing in 島耕作 in “アメリカにいた隠し子が…病んでドラッグにハマって飛行機の墜落に巻き込まれて死ぬのがテンポよすぎてすごかった”. While there is kindness and some self‑deprecation, the dominant through‑line is curiosity, introspection, and enthusiasm for literature and ideas, all classic Ravenclaw traits.
Your movie
Your song
Everybody's Changing - Keane
A song that fits pha well is “Everybody’s Changing” by Keane, with its mix of quiet melancholy, self‑reflection, and a sense of being slightly out of step with the world. Their tweets often carry a low‑energy, seasonal depression tone like “冬はやっぱりだめだな…” and “気力の欠如”, echoing the song’s feeling of watching life move quickly while you’re stuck in slow motion. At the same time, they’re constantly observing their own life changes and age, as in “47歳は、こんな歳まで生き延びてしまった、という感覚だな” and the way they dig up “21年前の日記をなんとなく発掘。25歳か…”, which parallels the song’s nostalgia and awareness of time slipping by. They also oscillate between retreat into books/games and a desire to re‑engage, writing “生活を取り戻そう” while joking that the internet is “蟻地獄”, mirroring the song’s tension between stasis and movement. Overall, their introspective, slightly detached but still gently hopeful stance on life, creativity, and middle age matches the mood and lyrics of “Everybody’s Changing.”
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