
Strengths and Weaknesses

Your Simpsons character
They’re most like Lisa Simpson: intensely passionate about niche interests, hyper-verbal, and constantly overanalyzing their favorite media. Like Lisa rambling about jazz or a book, they go long and specific about idols and gacha stories, e.g. “Tbh how do you even write a Ryui feature tour without Toi basically snuffing out the subhost with his story presence.” and “Eitori is about to drop the most insane event story in existence and there’s still going to be a fuckass tour chapter at the end”. They have a strong moral/emotional core under all the shitposting, obsessing over character dynamics and justice for their faves, like in “Everyone wants Ryui to have an event like the otome one where he forms a beautiful friendship with someone but that will never happen because he can’t stop commiting social suicide”. The theatrical despair and melodrama—“Fuck renga fuck liguang if Linxing doesn’t make it out of this alive im killing myself” and “I GOTTA KILL MYSELF”—mirror Lisa’s over-the-top emotional reactions when she cares deeply. Finally, their tendency to spin complex, half-joking theories like “Ten SSR was intentionally planted to divide the working class and distract us from the ongoing monopolisation orchestrated by the 1% (Ev3ns)” is very Lisa-coded: smart, dramatic, and a little conspiratorial about the media they love.

Your MBTI personality Type
They read as more introverted than extroverted: their social world is almost entirely framed through media/oshi rather than their own offline life, and their identity is tucked behind fandom lenses and jokes instead of self-disclosure, e.g. talking about being in a “yaoi coma” rather than real-world events. Their tweets are saturated with pattern‑spotting and interpretive leaps, a hallmark of intuition: they turn a simple colour chart into a relationship theory in “the pink is Ryui, yellow is Toi, and blue is Ten… Ryui’s lowkey killing the vibe at the playdate” and spin a single CG pose into character dynamics in “Toi’s arm being in front of Ryui but his leg going behind him omg these guys will die if they aren’t standing on the same atom”. They consistently prioritize emotional reactions, attachment, and hurt/comfort over objective analysis, showing a clear feeling orientation: they break down over character fates in “Fuck renga fuck liguang if Linxing doesn’t make it out of this alive im killing myself” and obsess over Ryui’s neediness in “Ryui’s daily schedule is basically wake up, shower, try to get Toi’s attention and approval for 14 hours”. Their style is chaotic, reactive, and very in‑the‑moment, suggesting perceiving rather than judging: they lurch from event to event with dramatic impulses like “Anyone but Ryui anyone but Ryui…” and “I GOTTA KILL MYSELF” rather than talking about schedules, planning, or structure. Overall they come across as an emotionally intense, imaginative, hyper‑interpretive fan who lives in inner narratives about characters and relationships more than in external organization or logical detachment, which best fits INFP.

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Your new Twitter bio
Adult gacha analyst, part-time yaoi coma survivor. Shiramichu brainrot, idol game war correspondent, and firmly anti-ugly-otome protagonist.– @pukanaviis

Your signature cocktail
This lightly chaotic but surprisingly balanced spritz channels their dramatic yet affectionate timeline: sweet, fizzy, and a little unhinged. The strawberry milk-washed vodka nods to their performative softboy obsessions, like calling Ryui a “performative strawberry milk drinking fraud” in “Ryui’s daily schedule is basically wake up, shower, try to get Toi’s attention and approval for 14 hours….that performative strawberry milk drinking fraud”. Blackcurrant liqueur brings a dark, intense fruitiness for all the doomposting and threats like “Fuck renga fuck liguang if Linxing doesn’t make it out of this alive im killing myself” and “I GOTTA KILL MYSELF”. The bright, tart yuzu soda represents their excitable idol-brain energy in posts like “Ten was born to be an idol it was foretold in his cv yoshiki nakajima” and the way they scream in caps over new cards and events. A dash of bitters stands in for their savage takes such as “I don’t even think zero rise is supposed to be joseimuke like the characters are just too ugly” and “Everyone wants Ryui to have an event like the otome one... but that will never happen because he can’t stop commiting social suicide”. Finally, the cotton candy cloud garnish dissolving into the drink reflects their soft, clingy ship-brain—perfect for the shiramitsu fixation in “The S in shiramitsu stands for Separation Anxiety” and their tender catastrophizing like “Sitting shoulder to shoulder when they have the whole booth to themselves…look at my cats, their names are Separation and Anxiety”.

Your Hogwarts House
Their tweets show a very analytical, meta way of engaging with media rather than a purely emotional or loyal one. They dissect story structure and character writing, like when they complain that Eitori will tell an incredible story and yet “there’s still going to be a fuckass tour chapter at the end”, or when they break down the structural problem of a Ryui feature tour where Toi would “snuff out the subhost with his story presence”. They also enjoy theorizing and pattern-finding, as seen when they interpret character dynamics through colors in a chart: “The pink is Ryui, yellow is Toi, and blue is Ten…pink bleeds into the yellow and never the blue…”, which is a very Ravenclaw, symbolic reading of a visual. Their humor relies on cleverness and intertextual references – e.g., comparing contract tropes and narrative roles in games and novels, like asking whether Liguang knew about the “contractually obligated damsel in distress scene”. Even when they’re joking about being confused by gameplay, they frame it in a self-aware, conceptual way, saying playing Eitori while not understanding its mechanics “feels” a certain way, which again shows reflective, idea-oriented thinking. Overall, their pattern-spotting, narrative analysis, and witty meta-commentary fit Ravenclaw far better than the more straightforward emotional or ambition-driven styles of the other houses.

Your movie

Your song
A fitting song for them is me & ur ghost by blackbear, because it balances unhinged melodrama with genuine attachment the way their timeline does. They catastrophize affection and media to a comic extreme, like when they say “I GOTTA KILL MYSELF” or “Fuck renga fuck liguang if Linxing doesn’t make it out of this alive im killing myself”, mirroring the song’s petty, over-the-top emotionality. The track is about being haunted by someone and still being obsessed, much like their fixation on Shiramichu and especially Toi/Ryui—seen in lines like “The S in shiramitsu stands for Separation Anxiety” and the way they map every detail of the twins’ dynamics, e.g. “Ryui’s daily schedule is basically wake up, shower, try to get Toi’s attention and approval for 14 hours”. The song’s mix of dark humor, bitterness, and ride-or-die attachment reflects how they can call their oshi a “chopped flop oshi” and still revolve their whole feed and emotional weather around him. Overall, it captures their extremely online, sarcastic, lovesick posting style better than a straightforwardly sincere love song would.

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