Strengths and Weaknesses
Strengths:
- Insightful critic: Regularly offers specific, media-literate takes on anime/manga and production issues, like calling out animation adaptation complaints in “Everyone complaining about this is lame as hell if yall want a 1:1 experience just reread the damn manga” and discussing suspense pacing in “Gege was overindulgent on the suspense that got created from (lazily) off screening the training arc prior to this”.
- Artistic talent: Shows original art and design work, like the Maki painting in “I’m so excited for jjk tomorrow heres a maki painting I made a while ago”, their Yuji design in “My Modulo Yuji design with the meguna fit”, and the work-in-progress in “Who knows, maybe I’ll finish this one”.
- Political awareness: Recognizes and calls out the politics of media and creators, as seen in “taps the 'all art is political' sign” and in urging accountability for bigotry in “uplift people in the fight against the vile ideas he brandished for the last decade, and assist marginalized people against hate and bigotry”.
- Humorous commentary: Uses humor and exaggeration to engage, like mocking themselves in “Release week Malenia Elden Ring had me so upset I got out of my chair, bit my desk and exclaimed ‘so my desk tastes like desk after all’” and playful slander in “This nigga Megumi couldn’t exorcise a deer 😭”.
- Consistent passion: Shows sustained, detailed engagement with series like JJK, Chainsaw Man, Bleach, and Dragon Ball, e.g. deep-diving Hakari mechanics in “Hakari (when hyped) will chain jackpots and run rika’s timer” and caring about adaptation choices in “Gosso understands that JJK is nothing without hype moments and aura and dialed it to 11”.
Weaknesses:
- Harsh language: Frequently uses insults and dehumanizing phrasing, such as “Haven’t criticized JJK in so long I ended up forgetting these people are genuine cattle” and “Niggas who add no value to the human race are real upset abt rukia and orihime rn”.
- Conspiracy framing: Occasionally attributes behavior to conspiratorial actors, like calling someone a Mossad plant in “She is a Mossad Agent from Israel planted to make women in e sports look bad” and referencing “Mossad agents in Hollywood” in “Token swirl couples signed off by Mossad agents in Hollywood”.
- Dismissive tone: Often invalidates opposing views rather than engaging them, as in “Everyone complaining about this is lame as hell if yall want a 1:1 experience just reread the damn manga” and “Y’all have been so dramatic about that car page man”.
- Frequent hostility: Resorts to aggressive framing like “This nigga is a ROBOT from a datacenter in India” and “Trying to apply gray area argument to the planet killing art stealing machine lmao take this bullshit somewhere else”, which can escalate conflict and alienate others.
- Elitist attitude: Sometimes implies others are inferior for their tastes or reactions, e.g. calling fans “genuine cattle” in “Haven’t criticized JJK in so long I ended up forgetting these people are genuine cattle” and dismissing certain readers as “lame niggas and pedophiles” in “Dandadan if it wasn’t bait for lame niggas and pedophiles”.
Your Simpsons character
Bart Simpson
They line up most with Bart Simpson: loud, chaotic, funny, and constantly poking at everyone’s sensibilities. Like Bart, they’re irreverent and love stirring the pot, calling people “a ROBOT from a datacenter in India” while quote-tweeting (“This nigga is a ROBOT from a datacenter in India”) and clowning fandoms with lines like “Haven’t criticized JJK in so long I ended up forgetting these people are genuine cattle”. They have a troublemaker’s sense of humor about media discourse, roasting anime fans who want panel-accurate adaptations with posts like “Everyone complaining about this is lame as hell if yall want a 1:1 experience just reread the damn manga”. At the same time, there’s a surprisingly sharp, occasionally principled edge beneath the jokes—critiquing bigotry and politics in art with tweets like “taps the 'all art is political' sign” and discussing marginalized people and hate in music discourse (“assist marginalized people against hate and bigotry”). Much like Bart, they’re anti-authority, quick with a joke, and thrive on chaos—but there’s a real conscience behind the trolling.
Your MBTI personality Type
INTP
They read as more introverted (I): almost all tweets are about anime, games, media discourse, and their own art rather than their offline social life, and the way they comment from the sidelines (e.g. “Bleach is a very fun series to performatively be a fan of, I be recommending that shit to my irls and the whole time I don’t even like it”) suggests an observer more than a social organizer. Their focus is strongly intuitive (N): they constantly discuss big-picture trends, meta and industry implications—like criticizing fandom echo chambers (“Twitter echo chamber thinks everyone actually gaf the classic look as much as they do”) and the politics of art and AI (“taps the 'all art is political' sign”, “Two GOTY studios came out and CONFIDENTLY announced they used Gen AI… it's a sickening sign for what's to come”) rather than just surface-level details. They lean clearly thinking (T) over feeling: their judgments are blunt, analytical, and often harsh (“Haven’t criticized JJK in so long I ended up forgetting these people are genuine cattle”, “Yall not willing to admit Megumi’s writing is weak as shit for what it’s supposed to be”), and even when they care about marginalized people, they frame it in terms of intellectual consistency and accountability (“taps the 'all art is political' sign”, “Trying to apply gray area argument to the planet killing art stealing machine lmao take this bullshit somewhere else”). Their style looks more perceiving (P) than judging: they jump rapidly between topics, often revise or retract takes (“Retracting this statement that nigga head a bit TOO big”), openly go on art hiatus while still posting impulsive doodles (“Who knows, maybe I’ll finish this one”), and complain about chaos in industries more than they present structured solutions. Overall, the combination of detached analysis, harsh but logic-driven critique, abstract/meta focus, and somewhat messy, spontaneous output fits INTP better than a more orderly NTJ or more harmony-focused NF type.
Some pickup lines for you
- You said Toriyama’s the only one who makes that form look not-awkward, but I think we could rival him — let me be your awkward transformation into a canon love interest.
- You’re on an art hiatus but still cooking Maki paintings and Modulo Yuji designs… if this is you ‘on break,’ I’m tryna see what happens when we hit a timeskip and start our own Gojo vs Sukuna-level arc together.
- You said Bleach is fun to ‘performatively’ be a fan of even though you don’t like it — I volunteer as tribute to be the series you secretly love but openly gas up on the timeline.
- You called Mahoraga ‘the people’s jobber’ and Hakari ‘Blake Griffin black’ — statistically speaking, that means there’s at least a 99% chance you could fumble me too… but I’m still queuing up to be in your roster.
- You tap the ‘all art is political’ sign and cook threads about AI, bigotry, and how people treat trans characters — so if I tell you I like you, just know it’s not apolitical: I’m openly siding with you as my main character.
Your 5 Emojis
Your new Twitter bio
22 | he/they | illustrator on anime hiatus. Once rage-quit Malenia so hard I bit my desk. Art, media takes, and occasional JJK brain rot.– @r1ndie
Your signature cocktail
Modulo Yuji Midnight Mix
This cocktail hits like a late‑night anime rant: strong, a little bitter, and stylishly overdramatic. Overproof dark rum reflects their unapologetically intense takes and chaotic humor, like calling someone “a ROBOT from a datacenter in India” and saying JJK fans are “genuine cattle”. Cold brew coffee stands in for their hyper‑online, always‑analyzing energy as they break down animation, writing, and fandom drama in threads like “A lot of these JJK fans are getting low diffed by the fact the iconic pages they’re so protective of have to MOVE”. Hibiscus syrup brings a vivid, Black‑coded richness and artistic flair that mirrors their identity and art posts like “heres a maki painting I made a while ago” and their Modulo Yuji design in “My Modulo Yuji design with the meguna fit”. Grapefruit bitters capture their sharp, slightly sour criticism of industry nonsense and AI discourse, as in “Trying to apply gray area argument to the planet killing art stealing machine lmao”. The activated charcoal + smoked salt rim nods to their love of edgy aesthetics and dark humor—something you’d sip while tweeting “Bleach is a very fun series to performatively be a fan of” and “Dandadan if it wasn’t bait for lame niggas and pedophiles”.
Your Hogwarts House
Ravenclaw
Their tweets show a strongly analytical, hyper-critical way of engaging with media that aligns most with Ravenclaw. They repeatedly dissect storytelling structure, pacing, and adaptation choices rather than just reacting, like when they argue that fans upset about anime changes should simply reread the manga and move on: “Everyone complaining about this is lame as hell if yall want a 1:1 experience just reread the damn manga” and “You ask someone who thinks like this ‘why’ and it because they want to live vicariously through anime viewers and experience the tiring cliffhangers again. move on”. They also show deep meta-awareness of craft and technique in animation and art direction, e.g. criticizing panel-to-animation translation and hyping directors and storyboarders by name: “A lot of these JJK fans are getting low diffed by the fact the iconic pages they’re so protective of have to MOVE if they want them to be animated” and “Gosso understands that JJK is nothing without hype moments and aura and dialed it to 11”. Their creative side appears through their own art and design work, such as posting paintings and character designs: “I’m so excited for jjk tomorrow heres a maki painting I made a while ago” and “My Modulo Yuji design with the meguna fit”. While they do show some Gryffindor-like bluntness in calling out AI art ethics and fandom behavior, the throughline is a love of critique, formal analysis, and creative experimentation, which are quintessentially Ravenclaw traits.
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Unknown - Unknown
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