
Strengths and Weaknesses

Your Simpsons character
Bart fits best because of the user's chaotic, irreverent, but ultimately playful energy. They swing between dark humor and cartoonish exaggeration, like saying “I'm killing myself. What the actual fucking fuck is this stupid fucking piece of shit. I fucking hate this song. KILL KILL KILL DIE DIE DIE” in a clearly over-the-top way, very much in line with Bart’s melodramatic antics. Their strong anti-authority streak also matches Bart: they write “People need to kill their leaders.” and “Fuck it. I'm using Linux. Microsoft can lick my balls.”, echoing Bart’s habitual rebellion against institutions. At the same time, they’re creative and hyperfixated on games, modding, and art, shown by posts like “Added The Puppet to Ghost Master (Complete Edition) because hyperfixations.”, which parallels Bart’s wild projects and schemes. Their self-deprecating, trouble-magnet love life in tweets like “Dude... Why am I always getting the broken bitches...” also aligns with Bart’s messy, comedic approach to relationships and growing up. Overall, the mix of mischief, nonconformity, and underlying sensitivity makes them closest to Bart rather than the more earnest Lisa or the more resigned Homer.

Your MBTI personality Type
They lean Introvert: most tweets revolve around solitary media consumption, gaming and internal reactions rather than actively seeking crowds, e.g. reading manga on the bus in “I read Sayonara Eri while I was commin back from the manga club on the bus lol” and quietly noticing a girl in the library but not approaching her in “There was a cool looking girl. But didn't talk to her cause talking to ppl in libraries is weird”. They show a strong Intuition preference through love of symbolism, fiction and abstract ideas like absurdism and chaos in their bio, and in imaginative political takes such as “Instead of banning TikTok from the USA, they should ban all social media from all countries.” as well as conceptual jokes like “I wish there was a company that was called 'Evil company' ... and were openly evil.”. Their values-first, emotionally intense tone points to Feeling: they rant about ethics and oppression more than cold logic in tweets like “Yes. Fuck animal industry :3” and “I always will only support individuals, not entities or corpos.”, and openly tie media to personal emotion in “It even made me cry. This is not funny anymore”. Their spontaneity and messy, hyperfixation-driven lifestyle fit Perceiving: they repeatedly bounce between interests and platforms (“Oh, yeah. I just found this screenshot. I was supposed to be making Ghost Master mods. There's just too much going on in my head, man...”), reinstall systems after accidental breakage in “lmao. I was doin linux shit and accidentally removed my whole user and had to reinstall.”, and talk about deleting and moving all their art impulsively in “I've deleted all my drawings from Twitter btw lol. Should be uploading them back to Blueskye or sth. Idk.”. Altogether, the introspective focus, idealistic anti-authoritarian stance, emotional intensity, and flexible, chaotic project style are most consistent with INFP.

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Your new Twitter bio
Emo furry artist & indie gamedev from Gravenville. Jailbreaks consoles, mods Ghost Master, cries over manga on buses, dreams of making people smile in costume.– @RayFaim

Your signature cocktail
A unique blend.

Your Hogwarts House
Their timeline is driven by curiosity and analysis more than anything else. They constantly dive into media with a critical, almost academic eye, like when they dissect Homunculus and its adaptation: “Netflix's Homunculus movie is weird af. The first half is pretty nice… They removed all the epic depth from the piece. The cinematography and acting are cool tho.” and when they break down why Sayonara Eri works so well: “I like the way this manga uses silence and completely black panels and repetition (on drawings). The 'film' aesthetic it uses is also something.”. They genuinely love learning and experimenting, both with tech and creative tools: they switch Linux desktops because they’re exploring better setups (“I had been using Gnome… But now I installed KDE, boy, I'm in love with how my pc looks now.”), and they obsessively troubleshoot and tinker with Wii U jailbreaking and SD formatting until it works (“I just fixed my jailbroken WiiU. It happens that the SD card wasn't on FAT32 and that's why it wasn't working.”). Their game dev and modding tweets show methodical, systems-oriented thinking, such as describing specific mechanics and architectures rather than just end results: “I combined moving a GameObject with the transform, rigidbody to dettect collisions and triggers, and turning on and off the isKinematic according to the input info to avoid physics issues. And I don't give a fuck.” and “I have 36 fish rn. The main fishing mechanic is already working. I need to add a bait mechanich which improves temporarily the chances of getting better fish… and a shop.”. Even their media consumption is used as a learning vehicle (e.g., watching Zootopia in Swedish to pick up the language: “I'm gonna watch it again, but this time in Swedish with Eng subtitles. Cause I wanna learn Swedish and I wanna watch Zootopia again.”), which is very in line with Ravenclaw’s love of knowledge for its own sake. While they do have rebellious, Slytherin-flavored anti-authoritarian streaks (“People need to kill their leaders.”), the core throughline of their personality here is curiosity, creativity, and analytical engagement with art, tech, and ideas—hallmarks of Ravenclaw.

Your movie

Your song
A fitting song for them is “King for a Day” because it channels chaotic anger at corrupt systems, which matches posts like “People need to kill their leaders.” and “I always will only support individuals, not entities or corpos.”. The song’s volatile, emo energy and emotional screaming line up with their love of emo and emo rap, e.g. “I LOVE EMO SHIT. I LOVE PIERCE THE VEIL.” and their obsession with cathartic lyrics like “Time, time heals all wounds…”. Its mix of rebellion and personal frustration resonates with their repeated hostility toward platforms and corporations, such as “Microsoft can lick my balls… EPIC GAMES CAN LICK MY BALLS AS WELL” and “fuck copy protection and fuck y'all.”. The track also reflects their tendency to oscillate between humor and rage, matching tweets like “KILL KILL KILL DIE DIE DIE” that use exaggerated violence as emotional venting rather than literal intent. Overall, its chaotic, anti-authority, emotional meltdown vibe lines up almost perfectly with their online persona.

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RayFaim
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