
Strengths and Weaknesses

Your Simpsons character
Lisa fits best because she’s an introspective, slightly melancholy creative who overthinks everything she makes, much like this user obsessing over their work and saying things like “Sorry for not posting very much... I've been working on various comics but i keep obsessively going back and redoing all my pages and changing everything about them so its getting kind of hard to finish things Lol”. Their comics center on heavy themes like suicide and alienation, as seen in “TRANSIT (1/6) They talk about suicide a lot in this one so be warned. I guess”, mirroring Lisa’s tendency to grapple with big, dark questions beneath a cartoony surface. Like Lisa’s sax playing and school projects, they throw themselves into art and niche interests, from learning old tools (“for digital stuff i use old copies of adobe photoshop and flash”) to experimenting with watercolor and animation (“water color experiment i never finished”, “my shitty animation”). There’s also a mix of sardonic humor and vulnerability—calling their work “my stupid chud comic” while clearly caring deeply about it—that feels very Lisa: self-aware, critical, but earnest. Finally, their tender focus on complicated friendships and queer identity, e.g. “both andrew and perry are transfem perrys just really really repressed and ashamed”, echoes Lisa’s empathy and her frequent role as the emotional core of her stories.

Your MBTI personality Type
They seem more introverted (I) than extroverted: most posts center on solitary work (their comic, drawing, animation) and private feelings, often framed with self‑deprecation rather than overt social seeking, e.g. “Sorry for not posting very much... I've been working on various comics but i keep obsessively going back and redoing all my pages and changing everything about them so its getting kind of hard to finish things Lol”. Their focus is strongly intuitive (N)—they gravitate toward themes, moods, and symbolism over concrete minutiae, especially in how they talk about their work as being “about things that suck and are bad” and posts like “Everything seems to be up in the air at this time”, which are more abstract than factual. They read as feeling (F)-dominant: emotional intensity, relationships, and inner pain take center stage (e.g. “I’ve been getting my ass kicked & beaten to death lately I dont feel like drawing all too much”; “i love you more than the world can contain in its lonely and ramshackle head”), and they focus on character feelings (transfem repression, friendship, suicide themes) more than detached analysis. Their process appears distinctly perceiving (P): they routinely start things, redo them, miss self‑imposed deadlines, and joke about disorganization, such as “i know ive been talking about how im almost done with the first leg of my comic for months but im being truthful now. The End Is Nigh” and “My website kinda broken right now and has been for months and months. Sorrry i keep forgetting to fix it. Maybe today some progress might be made”. Taken together—intense inner emotional world, abstract/mood-driven art, self‑critical but value‑oriented tone, and loose, improvisational workflow—INFP fits better than nearby types like INTP or ISFP.

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Your new Twitter bio
Vincent | he/him | cartoonist & maker of ‘Serena Palmer’—a comic about miserable teens, bad ideas, and worse jokes. Once broke my site and called it a feature.– @RE_AGITATOR

Your signature cocktail
A moody, smoky mezcal base mirrors the gritty, self-deprecating tone of a 'cartoonist zombie guy' whose comic is 'about things that suck and are bad,' as proudly stated in their bio. Blackberry liqueur adds a dark sweetness for the tender, romantic undertones in posts like “i love you more than the world can contain in its lonely and ramshackle head”. A hit of cold brew reflects their exhausted, beaten-down grind and persistence in making comics despite saying “Ive been getting my ass kicked & beaten to death lately I dont feel like drawing all too much but im 9ish pages into a new issue”. Sharp lemon juice keeps it tart and emotionally raw, like admitting “i dont know how to make comics really... but hey, im 45 pages into volume one of serena palmer, thats pretty good”. The egg white or aquafaba foam, dusted with crushed candy, sits on top like a cute, scrappy aesthetic over angst, much like posting “this comic SUCKS whatever” while continuing to share art anyway.

Your Hogwarts House
Vincent comes across most strongly as Hufflepuff because of how much he centers loyalty, steady work, and care for others over any kind of flashy ambition. He repeatedly emphasizes his ongoing effort and persistence with his comic, even when he's struggling, like when he says he's "been working on various comics but i keep obsessively going back and redoing all my pages" yet keeps at it anyway: “Sorry for not posting very much... I've been working on various comics but i keep obsessively going back and redoing all my pages and changing everything about them so its getting kind of hard to finish things Lol”. He’s openly loyal and affectionate toward the people close to him, e.g. boosting his partner’s work with “everyone.look at my AWE SOME girlfriends AWESOME beautiful art” and celebrating his characters’ friendship with lines like “YAY they're best friends”. He also shows a sense of responsibility and kindness toward his small community, apologizing when he misses messages—“There are a lot of nice messages and questions in my websites cbox and i did NOT realize until now ...so sorry i will answer them in this thread”—and even worrying about disappointing readers when his site breaks: “My website kinda broken right now and has been for months and months. Sorrry i keep forgetting to fix it.”. While he is clearly creative and a bit self-deprecating, his defining through-line is quiet diligence and heartfelt loyalty rather than ambition or showboating, which aligns him most closely with Hufflepuff.

Your movie

Your song
A fitting song for Vincent is “Teenagers” by My Chemical Romance, because it captures a blackly comic, anxious, and emotionally raw view of youth that mirrors his work and posts. His comic Serena Palmer is explicitly “about things that suck and are bad,” and he often frames teenhood and gender in a grimly funny way, like when he says “both andrew and perry are transfem perrys just really really repressed and ashamed. andrew less so but theyre both not 'out' at all”. The song’s mix of nihilism and tenderness fits his repeated focus on suicidal ideation in comics, e.g. “TRANSIT (1/6) They talk about suicide a lot in this one so be warned. I guess” and joking about characters not killing themselves if they had games and YouTube, as in “if serena palmer took place like a year later… then they wouldnt kill themselves because they could play garrys mod and watch angry video game nerd”. Vincent’s sensibility mixes self-deprecation and melodrama, calling his work “my stupid chud comic” while still clearly caring deeply, which fits the song’s theatrical angst. The way he talks about getting “beaten to death” by life while still drawing, like “Ive been getting my ass kicked & beaten to death lately I dont feel like drawing all too much but im 9ish pages into a new issue”, resonates with the song’s theme of bruised, stubborn survival in a hostile world.

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