
Strengths and Weaknesses

Your Simpsons character
Jackson lines up most closely with Bart Simpson: energetic, opinionated, and openly chaotic about the media he loves. Like Bart, he’s constantly hyped about big, flashy stuff (MCU, GTA 6, giant game drops) and talks in exaggerated slang, calling things “peak” and “the craziest movie of all time” as in “I think it’s pretty safe to say rn that Doomsday will be the craziest movie of all time”. He also has that bratty, combative edge, openly calling lineups “dogshit” in “Having Wuthering Waves here but not Star Rail makes me never want to watch another one of these dogshit shows again” and ranting that parrying is “the single worst game mechanic ever” in “How hot of a take is it to say that parrying is the single worst game mechanic ever…”. At the same time, like Bart’s hidden soft side, he’s deeply sentimental about his favorite stories and characters, getting “actual chills” and talking about “one of the most emotional stories I’ve ever experienced” in this tweet and reflecting on Undertale as “one of the most influential games I’ve ever played” in this tweet. His mix of loud irreverence, meme-heavy posting, and genuine emotional attachment to media fits Bart far better than the more earnest, studious Lisa or the more responsible Marge.

Your MBTI personality Type
They lean Introvert: their entire feed centers on solo media consumption (games, movies, shows) and internal reactions rather than social life, e.g. long reflections on HSR and Genshin like “For any of you guys into HSR, before 3.7 drops I’ve been thinking back about the whole Amphoreus story again and I wanted to make a thread going over my favorite part of each update’s story.”. They are strongly iNtuitive, constantly speculating about future stories and big-picture arcs (Persona 6, Galaxy 3, FF7R, MCU/DC plots), as in “Man of Tomorrow is gonna be a top tier CBM if it ends up being about Rick Flag trapping both Superman and Lex in Salvation… I think it’d be an amazing premise…” and “Galaxy 3 has been my dream game for the last 10+ years btw if this genuinely happens tomorrow you guys better remember how long I’ve been asking for this…”. Their tone is characteristically Thinking: they’re blunt, critical, and comfortable with controversy, e.g. “Deadass the worst TGA lineup ever man”, “How hot of a take is it to say that parrying is the single worst game mechanic ever…”, and the way they dismiss certain fan reactions or GOTY lineups. At the same time, they show clear but analytically framed appreciation for emotional stories and characters (Cyrene, Amphoreus, Undertale), treating them as examples of ‘peak fiction’ and dissecting why they work, e.g. “Cyrene is really one of the most tragic characters I’ve seen in a game and I wish more of the HSR community understood her.”. Finally, they read as Judging: they plan and rank future releases in structured lists like “Now that it’s 2026 these are the things I’m most looking forward to this year: GTA 6, Doomsday, Spider Man BND, Deltarune Chapter 5…”, make definitive evaluations about years in gaming (“2025 was some incredible year for games? 2024 and the last several years were all much better no question.”), and frequently think in terms of arcs, lineups, and long-term payoffs. Altogether, this pattern of introspective media obsession, big-picture theorizing, logical bluntness, and structured future-focus best fits INTJ.

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Your new Twitter bio
Jackson | Media + game enjoyer obsessed with peak fiction, from Genshin & HSR arcs to Doomsday hype. Once waited a decade for Galaxy 3 and still not coping.– @RebornShadows

Your signature cocktail
This cocktail is built for someone whose whole timeline is chasing "peak" media, from “The actual pinnacle of fiction is here…. ” to “Game of the year so easily man”. The galaxy citrus gin base nods to their long-running Mario obsession and dream of Galaxy 3, like in “I’m not giving up hope on Galaxy 3 btw…” and “Galaxy 3 > GTA 6 > Doomsday stretch next winter is going to be generational”. Blue curaçao with glitter captures the flashy hype of gacha banners and trailers where they’re constantly "losing their mind," such as “I love actively following Hoyo games on days like this where my entire TL is constantly losing their mind at the 3.7 countdown.”. Matcha jasmine syrup adds a complex, slightly bitter sweetness for their thoughtful, emotional attachment to stories like Amphoreus, Cyrene, and Undertale, reflected in “Cyrene is really one of the most tragic characters I’ve seen in a game” and “One of the most influential games I’ve ever played to my media taste… Undertale…”. Lychee soda keeps it energetic and fizzy to match their nonstop hype lists like “these are the things I’m most looking forward to this year”, while the dark chocolate rim is a wink to their occasional salty takes on games and awards, like “Deadass the worst TGA lineup ever man” and “How hot of a take is it to say that parrying is the single worst game mechanic ever”.

Your Hogwarts House
Jackson shows a consistent pattern of valuing deep analysis of stories, complex themes, and writing quality more than anything else, which strongly points to Ravenclaw. They repeatedly praise narrative craft and characterization across different media, like calling a game "the best writing in the medium" in “Now that it’s been over a month can we all agree this game has the best writing in the medium?” and singling out characters like Phainon and Cyrene as "incredibly complex and interesting" in “they both are so incredibly complex and interesting with peak backstories”. Their enthusiasm for creators and meta-structure (Vince Gilligan, Rian Johnson, Toby Fox) and comments like “This show… kept throwing interesting ideas at you throughout the whole season. The character work and directing were highlights, but the plot of this show is unlike anything I’ve seen.” show a love of original ideas and craftsmanship rather than just surface hype. They also display a thoughtful, almost academic way of revisiting and cataloging experiences, such as making a whole thread to "record my thoughts" on each update’s story in “I wanted to make a thread going over my favorite part of each update’s story.”. While they have some Slytherin-adjacent ambition in wanting peak, top-tier media experiences, the dominant throughline is intellectual engagement with narrative depth, structure, and creativity, fitting Ravenclaw best.

Your movie

Your song
They’re deeply driven by hype cycles and shared fan moments, always looking ahead to the next big chapter in games and movies, which fits the youthful, communal energy of We Are Young. Their excitement for upcoming media like “Now that it’s 2026 these are the things I’m most looking forward to this year: GTA 6 Doomsday Spider Man BND… Galaxy movie Galaxy 3” shows someone who lives for the big nights and cultural events the song celebrates. They also stay passionately attached to long-running stories over years, from Genshin to HSR, as in “This has been such a big part of my last year and I want to record my thoughts somewhere.”, reflecting the song’s mix of nostalgia and present-tense intensity. Even when they face haters or disappointment, like “I still have multiple diehard haters that will QRT, reply to or subtweet everything I post about because of the games I like?”, their tone is resilient and focused on enjoying the moment with the people who get them—exactly the kind of defiant, celebratory vibe captured in the chorus of We Are Young. Overall, the song’s themes of shared nights, emotional peaks, and holding onto fleeting but powerful experiences match how they treat new releases, finales, and game arcs as unforgettable "nights" with their community.

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