Strengths and Weaknesses
Strengths:
- Playful wit: Uses clever, irreverent humor like the yaoi joke in “allegedly the first message spoken over telephone…” and absurd posts like “no please dont turn me into cornstarch slurry”.
- Creative ambition: Runs large projects like To Hell and Back and collaborates widely, as shown in announcements such as “In 2021, I started a song series on my channel called 'To Hell and Back.'” and the To Hell and Back Carrd launch here.
- Community-minded: Actively invites fan participation, asking for fanart tags in “if you guys have any harlequin contraption teto fanart please tag me…” and celebrating milestones like “THANK YOU FOR 1 MILLION VIEWS…”.
- Emotional openness: Shares personal struggles and growth, like discussing finishing human in “i started writing human in 2019 during a really low point…” and shifting focus toward hope in “ive written alot about my own pain… it feels nice”.
- Collaborative spirit: Frequently highlights and thanks collaborators, as in “I wrote the theme song for #MIKUEXPO2026 with @FLAVORFOLEY!!”, shout-outs like “check out nezzus Insane Work. i owe u my life”, and features with other vocalists.
Weaknesses:
- Self-deprecating tone: Tends to describe themself harshly, such as “IM SUCH A FLOP” and apologizing as “sorry for the dogshit premiere countdown choice do you guys still love me”.
- Information clutter: Occasionally shares cryptic or overloaded posts that lack context, like “.... . . .. . .. .. ..” or teaser spam such as “🤔❓❓” with multiple repeated links.
- Emotional volatility: Posts swing between excitement and distress, e.g., overwhelmed reactions like “AHGHHH AHHH AH0H OHHH HEL;P HELP HELP ME HELP HELPMM EE OH GODDDDDDDDDDDDD” contrasted with calmer promotional or reflective tweets.
- Overextension risk: Juggles many ambitious projects and releases (multiple singles, To Hell and Back, MVs, stems releases) as seen across announcements like “got two song mvs back from editors this week :) excited”, which can risk burnout.
- Casual professionalism: While charming, the very informal, chaotic style in posts like “what the fuck was i cooking” and “does anyone want the stems for this btw :3” may sometimes undercut how polished and serious their work actually is to new audiences.
Your Simpsons character
Lisa Simpson
Lisa fits best because she’s creative, intellectually curious, and channels intense feelings into art, much like this user turning life experiences into ambitious music projects and narrative series such as To Hell and Back and songs like “i started writing human in 2019 during a really low point in my life... it means everything to me 💜”. The user is openly reflective about emotional growth and hope, as in “ive written alot about my own pain in my art, but i feel like lately im writing alot more songs about being hopeful about living despite the hardship. it feels nice”, which matches Lisa’s introspective and idealistic nature. Their work ethic and pride in complex projects like “I wrote the theme song for #MIKUEXPO2026 with @FLAVORFOLEY!! What!!!!” echoes Lisa’s overachiever streak and love of big, meaningful undertakings. At the same time, their sense of humor—calling telephone history “kind of yaoi” in “'Mr. Watson, come here, I want to see you!', which is kind of yaoi if you think about it” and joking about posting “yaoi” or chaotic mixing tips in “give me your WORST mixing tips. how can i absolutely fuck up a song. how can i crash my daw”—feels like Lisa’s occasionally dorky, niche-obsessed side. Their mix of thoughtful sincerity, artistic ambition, and nerdy, slightly unhinged humor makes Lisa Simpson the closest match.
Your MBTI personality Type
ENFP
They lean Extraverted: they openly share strong emotions and excitement about public-facing projects, e.g. celebrating big releases and milestones like “Scratch (Leave You Starstruck) is now on Spotify and Apple Music!” and “WAHHHH THANK YOU FOR 1 MILLION VIEWS ON THE TETO VERSION OF HARLEQUIN CONTRAPTION 😭😭🤡🎉”. Their humor and interests show Intuition: instead of concrete daily details, they gravitate to abstract/odd conceptual jokes like calling the Bell telephone quote "kind of yaoi" in “which is kind of yaoi if you think about it” and asking for chaotic mixing ideas in “give me your WORST mixing tips. how can i absolutely fuck up a song. how can i crash my daw”. They are clearly Feeling-oriented, foregrounding emotional journeys and relationships, as shown in “ive written alot about my own pain in my art, but i feel like lately im writing alot more songs about being hopeful about living despite the hardship. it feels nice” and the vulnerable backstory in “i started writing human in 2019 during a really low point in my life… it means everything to me 💜”. Their timeline and creative process suggest Perceiving: they often tease songs with loose, spontaneous energy like “what if i posted a song next week idk” and “song...friday?”, and jokingly admit to last‑minute chaos in “sorry for the dogshit premiere countdown choice do you guys still love me”. Taken together—outward enthusiasm, conceptual humor, emotional openness, and flexible planning—ENFP fits them best.
Some pickup lines for you
- So if the first telephone message was basically yaoi, does that mean if I call you and say “Vane, come here, I want to see you,” it counts as historically accurate flirting?
- You wrote “CONNECT:COMMUNE” for #MIKUEXPO2026—can we collab on a sequel called “CONNECT:COMMUNE:COMMUTE,” where I take you on a little date tour stop by stop?
- You said you’ve moved from writing about pain to writing songs about being hopeful about living—if you ever need another reason to feel hopeful, I’d like to apply for the role of ‘evidence life can actually be pretty nice.’
- Harlequin Contraption, DEVIL KICKBACK, Golden Idol, To Hell and Back… you keep dropping bangers about demons and clowns, but the scariest thing you’ve created is how hard I’m falling for your whole synths-and-sacrilege brand.
- You joked about your car secretly having 260,000 miles on it—if we hung out, I’d like our relationship to have that many miles too, except, y’know, with less odometer fraud and more late-night Miku and JRPG talks.
Your 5 Emojis
Your new Twitter bio
Composer + synth gremlin @FLAVORFOLEY • writing hopeful songs about hell, clowns, & girls kissing • once accidentally turned a WIP into a fandom anthem– @rhythmfriend
Your signature cocktail
CONNECT: COMMUNE Cosmic Clown Sour
This cocktail starts with butterfly pea–infused vodka that shifts color when mixed, echoing their journey of change and self-affirmation like “starting estrogen again next month 🥳🎉” and the hopeful tone of their recent work. Spiced blood orange liqueur brings a sharp, dramatic kick for the theatrical chaos of tweets like “AHGHHH AHHH AH0H OHHH HEL;P HELP HELP ME HELP HELPMM EE OH GODDDDDDDDDDDDD” and the noisy, carnival energy of “Party till the night drops dead!!!”. A dark blackberry basil syrup adds sweetness with a slightly gothic, sacrilegious edge fitting their bio “synths and sacrilege” and songs like “DEVIL KICKBACK ft. Frimomen”. Yuzu soda tops it off with bright, fizzy optimism to mirror tweets about writing more hopeful music like “it feels nice” and the celebratory vibe of “I wrote the theme song for #MIKUEXPO2026”. Finally, edible silver glitter swirls through the drink, a starry nod to Scratch (Leave You Starstruck) in “Scratch (Leave You Starstruck) ft. Yi Xi” and their constant invitation to fans to clown, shine, and commune with them. This is a strong, sparkling, slightly chaotic sour: equal parts noisy electro-swing circus and tender, hopeful synthpop heart.
Your Hogwarts House
Ravenclaw
Their strongest throughline is intense creativity and nerdy, slightly offbeat curiosity, which points squarely to Ravenclaw. They’re constantly thinking in sideways, witty ways about history and art, like calling Bell’s first phone message yaoi in “'Mr. Watson, come here, I want to see you!', which is kind of yaoi if you think about it”, and joking that “john cage is the first hyperpop artist”—both show a very Ravenclaw-ish habit of remixing knowledge with humor. Their musical life is highly experimental and idea-driven: they talk about “noise electro swing bullshit” in “finally getting back on my noise electro swing bullshit yuuup” and openly invite technical chaos in “give me your WORST mixing tips. how can i absolutely fuck up a song. how can i crash my daw”, which is exactly the kind of curious tinkering Ravenclaws love. They also frame their work in thoughtful, reflective terms, as when they describe long-term writing growth and emotional processing in “ive written alot about my own pain in my art, but i feel like lately im writing alot more songs about being hopeful about living despite the hardship. it feels nice” and “i started writing human in 2019 during a really low point in my life... i'm so glad i was able to finish this song... it means everything to me”. While they clearly work hard and care about others (a Hufflepuff angle), the dominant traits that emerge are wit, a love of ideas, and a highly creative, experimental mind, making Ravenclaw the best fit.
Your movie
Your song
Bad Apple!! - ZUN feat. nomico
A well-known track that fits them is “Bad Apple!!” by ZUN feat. nomico, especially the iconic remix version. Their whole vibe mixes playful darkness, internet culture, and theatrical drama—exactly the mood of Bad Apple!!’s frantic yet melancholy energy and visual aesthetic. They describe themselves as “synths and sacrilege” in their bio and celebrate eldritch drama with posts like “im comin off my channels 8 month hiatus with eldritch bara frimomen today i love to live”, which matches the song’s stylishly ominous feel. Their clown/harlequin fixation and love of noisy, dramatic electro-swing, seen in “finally getting back on my noise electro swing bullshit yuuup” and the theatrical chaos of “Harlequin Contraption ft. Kasane Teto”, echo the high-contrast, performance-like nature of Bad Apple!!. And despite all the darkness, they write about hope and living through hardship—“ive written alot about my own pain in my art, but i feel like lately im writing alot more songs about being hopeful about living despite the hardship”—which aligns with the song’s undercurrent of struggling forward through shadow rather than sinking into it.
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